The Crown Bosses Respond To Speculation About How Princess Diana’s Death Will Be Depicted

The team behind The Crown has spoken out about how the award-winning Netflix drama will cover the death of Princess Diana.

Ahead of the sixth and final season later this year, there’s been plenty of conversation both in the media and among fans about how Diana’s death will be handled in the show.

Last year, Netflix was forced to shut down reports in Deadline that the crew had been “on edge” while filming scenes of Diana’s fatal car accident in Paris, with a spokesperson insisting that the “exact moment of the crash impact will not be shown”.

The conversation then reignited in March when the Daily Mail reported that The Crown had recreated the aftermath of the crash, and published photos of a wrecked Mercedes that will supposedly be used in the show’s final season.

During a discussion at the Edinburgh TV Festival on Thursday, The Crown’s executive producer Suzanne Mackie insisted (via Metro): “The show might be big and noisy, but we’re not. We’re thoughtful people and we’re sensitive people.

“There were very careful, long conversations about how we were going to do it.”

Princess Diana in 1996
Princess Diana in 1996

Fairfax Media via Getty Images

She continued: “The audience will judge it in the end, but I think it’s been delicately, thoughtfully recreated.

“Elizabeth Debicki is an extraordinary actress and she was so thoughtful and considerate. She loved Diana. There’s a huge amount of respect from us all, I hope that’s evident.

Speaking to Entertainment Weekly last year, Elizabeth Debicki admitted she was unaware of the “concerns”, adding: “I’ll say that Peter [Morgan, The Crown’s creator] and the entire crew of this job do their utmost to really handle everything with such sensitivity and truth and complexity, as do actors.

“The amount of research and care and conversations and dialogue that happen over, from a viewer’s perspective, something probably that you would never ever notice is just immense.

“From that very first meeting [with] Peter, I knew that I’d entered into this space where this was taken seriously [in] a deeply caring way. So that’s my experience of the show.”

Elizabeth Debicki joined The Crown for its fifth season, which aired last year
Elizabeth Debicki joined The Crown for its fifth season, which aired last year

Since its debut, The Crown has been met with criticism from some viewers due to its fictionalised depiction of 20th century history.

However, as the events portrayed in The Crown have come closer to the present day, these discussions have become louder, with many calling for a disclaimer to be added to the Netflix show highlighting that it is not always historically accurate.

Netflix eventually added one to the season five trailer, but not the show itself, saying at the time: “The Crown has always been presented as a drama based on historical events.

“Series five is a fictional dramatisation, imagining what could have happened behind closed doors during a significant decade for the Royal Family — one that has been scrutinised and well-documented by journalists, biographers and historians.”

The Crown is expected to return for its sixth season in November.

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Bradley Cooper Supported By Anti-Defamation League Amid Debate Over Prosthetic Nose In Maestro

Bradley Cooper has received support from the Anti-Defamation League (ADL) amid an ongoing debate about his upcoming film.

Last week, the trailer for Bradley’s latest project Maestro – a Netflix original in which the Oscar nominee portrays the legendary composer and conductor Leonard Bernstein – was released.

However, soon after the teaser was posted online, many took issue with the fact the actor had worn a prosthetic nose to play the late musician, which some critics felt played into anti-Semitic stereotypes, particularly as Bradley himself is not Jewish.

On Monday, the ADL released a statement on the matter to Variety, which read: “Throughout history, Jews were often portrayed in antisemitic films and propaganda as evil caricatures with large, hooked noses.

“This film, which is a biopic on the legendary conductor Leonard Bernstein, is not that.”

Carey Mulligan and Bradley Cooper in Maestro
Carey Mulligan and Bradley Cooper in Maestro

Jason McDonald/Netflix

Bradley previously received support from Bernstein’s family, who released a statement reading: “Bradley Cooper included the three of us along every step of his amazing journey as he made his film about our father.

“We were touched to the core to witness the depth of his commitment, his loving embrace of our father’s music, and the sheer open-hearted joy he brought to his exploration. It breaks our hearts to see any misrepresentations or misunderstandings of his efforts.

“It happens to be true that Leonard Bernstein had a nice, big nose. Bradley chose to use makeup to amplify his resemblance, and we’re perfectly fine with that. We’re also certain that our dad would have been fine with it as well.

“Any strident complaints around this issue strike us above all as disingenuous attempts to bring a successful person down a notch ― a practice we observed all too often perpetrated on our own father.”

Leonard Bernstein pictured in 1971
Leonard Bernstein pictured in 1971

via Associated Press

As well as serving as director, producer and actor in Maestro, Bradley also penned the screenplay, having previously co-written his last directorial effort, the 2018 remake of A Star Is Born.

He is joined in the film by Carey Mulligan, who portrays the actor and activist Felicia Montealegre.

Maestro will receive a limited cinema release in November, before it begins streaming on Netflix on 20 December. Watch the trailer below:

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