After all, the endless gadgets and machinery pros use can hog space and drain your bank account ― the same can be said for gym equipment.
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Most of us can’t pack a treadmill, an elliptical, a stair master, a full rack of weights, and a Smith machine into our homes, after all.
So, we thought we’d ask Sam Quinn, a personal training lead at Nuffield Health Devonshire, which one piece of gym kit he can’t go without.
If Sam had to pick, he’d go with an Olympic barbell
The fitness expert told HuffPost UK: “The Olympic barbell is the single most valuable piece of equipment for achieving athletic performance, fitness goals, and changing body composition.”
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It’s suitable for beginners and pros alike, the personal trainer added, explaining that its versatility makes it a must-have.
“The 20KG 7ft long Olympic barbell is used for resistance and strength training, building muscle, powerlifting and Olympic weightlifting,” Sam advised.
“This enables the individual to have the ability to train whichever muscle group of the body they are looking to develop or improve all physical characteristics from strength, power or speed using only one piece of equipment.”
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We’ve written before at HuffPost UK about how important resistance and strength training is, especially as we age.
Of course, everyone’s at different points in their strength training, and progressive overload is key for muscle growth.
So it’s a good thing “the bar is loaded with plates varying in weight for resistance training,” allowing each user to change the intensity according to their ability.
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Though some machines dedicate themselves to one part of our anatomy, though, Sam told us that the barbell can be “used to develop all the various movement patterns of the body.”
What exercises can I do with an Olympic barbell?
“The Olympic bar is a versatile, robust and easy-to-use piece of equipment,” Sam told HuffPost UK.
“The exercises that can be performed with the Olympic barbell include clean and jerk, snatch, bench press, squat, deadlift, bent over row, overhead press, hip thrust, landmine presses, bicep curls and skull-crushers.”
A parenting coach has shared the two-word response parents can use if their kids are being disrespectful – and it’s surprisingly simple.
In a TikTok video, Mike Wallach, who runs Apparently Parenting, said: “Stop letting your kids walk all over you with this one trick.
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“It’s super simple – and when done correctly, they rarely push back against it.”
What’s the trick?
The parenting coach and behaviour analyst said if a child is disrespectful or rude towards you, all you need to say in response is: “Try again.”
This can be used in a variety of scenarios, added the parenting coach, such as “when they slam the door, when they yell back ‘no’, when they’re playing too rough, [or] when they snatch a toy out of someone’s hand”.
“They immediately know what needs to be done to change their behaviour,” he explained.
Of course, some younger children might need a bit more direction than simply “try again”. If they say something rude to you, or shout at you, you could respond: “That’s not how we talk to each other. Can you try again?”
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If they shout a demand at you, like “I want a snack!” you could respond: “Let’s try that again. How do we ask nicely?”
According to My Parenting Solutions, asking for a replay is “so simple and effective”. But if your child is having a tantrum, it’s probably best to wait until they’ve calmed down to encourage them to try again.
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The method can work well, because you’re giving children the opportunity to practice acting respectfully.
Any more tips?
Yes! If your child is being angry or rude, or having constant tussles with siblings, ‘special time’ might just help.
Child psychologist Dr Becky Kennedy, founder of Good Inside, described it as the “best bang-for-your-buck” parenting strategy.
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Put simply, ‘special time’ is a period of time you carve out in your day where you and your child have one-on-one time together.
“So often, our attention as parents is split between work, siblings, admin, getting everyone fed, and the endless mental to-do list and demands on our time and resources,” Anna Mathur, a psychotherapist and author of The Uncomfortable Truth, told HuffPost UK.
But special time “cuts through that noise”.
It could be five minutes, it could be 15 minutes – but the idea is you get rid of all distractions and just sit and spend time with your kid.
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Mathur said it works because “even 10 minutes of dedicated one-on-one time is a statement that tells your child: you matter, you’re seen, I want to be with you” and helps kids “feel emotionally secure, which strengthens their nervous system and improves behaviour”.
77-year-old musician Lionel Richie cut the first concert of his 26-date Sing A Song All Night Long tour short last night after saying he was “dizzy” on stage, Minnesota publication Bring Me The News has reported.
The iconic Endless Love star, who was headlining alongside Earth, Wind & Fire, was playing at the Grand Casino Arena in St Paul, Minnesota, the publication shared.
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But about an hour into his set, after playing beloved hit Three Times A Lady, he apparently called for an unexpected break.
Afterwards, Deadline said, saxophonist Dino Soldo came on stage and announced Lionel wouldn’t be coming back as he was unwell.
“Unfortunately, Lionel is not feeling well,” the musician announced, adding, “Additional information will be available”.
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The Minnesota Star Tribute added that he said he’d never sat down while performing energetic hit Dancing On The Ceiling before, and joked: “When you’re feeling dizzy, sit your ass down”.
HuffPost UK has reached out to Lionel’s representatives, who have yet to confirm the events or the celebrity’s health status.
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An outpouring of well wishes has appeared on social media since. “Hope he’s OK”, one fan said on X after praising the “teriffic” show.
“Wishing him all the best! It was a great concert up to that point. EWF [Earth Wind & Fire] was at the top of their game,” another added.
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Before the show, Lionel had shared an excited post to his Instagram, which read: “Opening night. Rehearsals. Sound check. Showtime tonight. Saint Paul, you’re up!!!”
Fans have since replied to the post: “Hope you are feeling better. Take care of yourself! We love you and enjoyed every minute of the show tonight. Your fans will always support you!”
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More comments read, “hope you’re okay after the break!! what we heard was amazing! best of luck to future tour dates,” and thanking him for his performance.
The group, whose eligible members decide who’s the Academy Awards winners and nominees at the Oscars, boasts thousands of members who are divided into 19 branches.
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If all the invitees take the Academy up on their offer, its voting members will rise to 10,338, The Guardian said.
Not all of these members are actors, either. Some are executives or PRs, while others work in the film industry in roles like writing and producing.
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Academy CEO Bill Kramer and Academy President Lynette Howell Taylor said: “We are delighted to invite this remarkable group of film artists and professionals from around the world to join the Academy.
“Through their commitment to filmmaking, this year’s exceptionally talented class has made significant contributions to our global movie industry.”
Certain invitees, like Florence Miailhe, Chris Lavis, Oliver Laxe, Josh Safdie, Benny Safdie, and Ronald Bronstein, have asterisks next to their names in the invitation list.
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That, the Academy explained, means they “have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership”.
During 2024′s Oscars ceremony, Janet Yang, then-president of the Academy, said: “Actors vote for actors; film editors vote for film editors; costume designers for costume designers; and so on… Best Picture nominations, however, are determined by all Academy members.”
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The Academy’s site said that “Most categories are voted on by eligible voting members of the corresponding branch; however, certain categories may be open to members across all voting branches. Entries are voted on by a secret online ballot.”
In the finals voting process, meanwhile, “all eligible Academy members may participate… Members may vote in all 24 award categories.”
Who’s joining the Academy in 2026?
Actors
Mathieu Amalric – The Grand Budapest Hotel, The Diving Bell and the Butterfly Jon Bernthal – King Richard, Ford v Ferrari Raúl Briones – La Cocina, A Cop Movie Kenneth Choi – Spider-Man: Homecoming, The Wolf of Wall Street Jemaine Clement – Avatar: The Way of Water, What We Do in the Shadows Paddy Considine – The Death of Stalin, In America David Dastmalchian – Oppenheimer, Dune Ṣọpẹ́ Dìrísù – My Father’s Shadow, His House Jacob Elordi – Frankenstein, Saltburn Veronica Ferres – The Comedian, Schtonk! Stephen Fry – Love & Friendship, Gosford Park Josh Gad – Marshall, Frozen Julia Garner – Weapons, The Assistant Mia Goth – Frankenstein, Pearl Wood Harris – One Battle after Another, Remember the Titans Suzy Eddie Izzard – Victoria & Abdul, Ocean’s Twelve Inga Ibsdotter Lilleaas – Sentimental Value, Women in Oversized Men’s Shirts Simu Liu – Barbie, Shang-Chi and the Legend of the Ten Rings Scoot McNairy – A Complete Unknown, Argo Tig Notaro – Am I OK?, Instant Family Josh O’Connor – Wake Up Dead Man: A Knives Out Mystery, Challengers Jenna Ortega – Death of a Unicorn, Beetlejuice Beetlejuice Daniella Pineda – The Accountant 2, Jurassic World: Fallen Kingdom Lily Rabe – The Tender Bar, Miss Stevens Anthony Ramos – A House of Dynamite, In the Heights Miguel Sandoval – Tortilla Heaven, Clear and Present Danger Bill Skarsgård – Dead Man’s Wire, Nosferatu Jenny Slate – Marcel the Shell with Shoes On, Obvious Child Teyana Taylor – One Battle after Another, A Thousand and One
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Animation
Chris Appelhans – KPop Demon Hunters, Wish Dragon Rachel Bibb – Ralph Breaks the Internet, Moana Ugo Bienvenu – Arco, A Kind of Testament Sharon Bridgeman – Over the Moon, Spider-Man: Into the Spider-Verse Jude Brownbill – Elio, Soul Tom Caulfield – Zootopia 2, Wish Lillian Chan – Space Cadet, Cities Mingjue Helen Chen – KPop Demon Hunters, Raya and the Last Dragon Félix de Givry – Arco, A Kind of Testament Camilla Deakin – Kensuke’s Kingdom, Ethel & Ernest Mary Alice Drumm – Elio, Coco Nathan Engelhardt – Forevergreen, Zootopia 2 Ruth Fielding – Kensuke’s Kingdom, Ethel & Ernest Corrie Francis Parks – SKRFF, Foreign Exchange Liane-Cho Han – Little Amélie or the Character of Rain, Calamity Jane Jason Hand – Moana 2, Encanto Maggie Kang – KPop Demon Hunters, The LEGO Ninjago Movie Avneet Kaur – Moana 2, Raya and the Last Dragon Liz Kearney – Magic Beach, Memoir of a Snail John Kelly – Retirement Plan Tom Knott – Ultraman: Rising, The Little Prince Michael Lasker – Spider-Man: Across the Spider-Verse, The Mitchells vs. the Machines Chris Lavis – The Girl Who Cried Pearls, Madame Tutli-Putli Henri Magalon – Little Amélie or the Character of Rain, Calamity Jane Florence Miailhe* – Butterfly, The Crossing Yoriko Mizushiri – Ordinary Life, Anxious Body Adrian Molina – Elio, Inside Out 2 Lucija Mrzljak – Eeva, The Stork Betsy Nofsinger – Kung Fu Panda 4, The Croods: A New Age Matt Nolte – Elio, Brave Andrzej Radka – Wolfwalkers, Ernest & Celestine Michelle Lee Robinson – Encanto, Ralph Breaks the Internet Ritchie Sacilioc – The Wild Robot, The Bad Guys JP Sans – The Bad Guys 2, The Bad Guys Sean Sexton – Kung Fu Panda 4, How to Train Your Dragon: The Hidden World Sajan Skaria – Luca, Toy Story 4 David Scott Smith – The Croods, Jimmy Neutron: Boy Genius Jeremy Spears – Forevergreen, Zootopia 2 Maciek Szczerbowski* – The Girl Who Cried Pearls, Madame Tutli-Putli Lynn Tomlinson – The Elephant’s Song, The Ballad of Holland Island House Maïlys Vallade – Little Amélie or the Character of Rain, I Lost My Body Benjamin Willis – The Bad Guys 2, Trolls Band Together Michelle L.M. Wong – KPop Demon Hunters, Vivo
Artist Representatives
Gabriel Cohen Victoria Cook Houston Costa Philip d’Amecourt Pete Franciosa Matt Galsor Emily Gerson Saines Jason Heyman Zach Kaplan Aleen Keshishian Anthony Mestriner Jimmy Miller Daniella Milton Brent Morley Abram Nalibotsky Paul Nelson Jim Osborne Peter Principato Bradley Rainey Danielle Shebby Stephen Travierso Alexandra Trustman Jason Weinberg Alan Wertheimer Andrew Zack
Casting Directors
Nicole Abellera – Project Hail Mary, One of Them Days Nicole Arbusto – His Three Daughters, Terri Chelsea Ellis Bloch – Emily the Criminal, Honey Boy Scot Boland – Flight, The Lovely Bones Nicole Daniels – The Beguiled, Beginners Gabriel Domingues – The Secret Agent, Power Alley Barbara Giordani – Immaculate, The Two Popes Tanja Grunwald – Another Round, The Hunt Dan Hubbard – The Damned United, United 93 Cassandra Kulukundis – One Battle after Another, There Will Be Blood Shayna Markowitz – Maestro, Joker Roberto Matus – The Settlers, Endless Poetry Rick Montgomery – Green Book, There’s Something about Mary Yoko Narahashi – Touch, The Wolverine Jessica Ronane – After the Hunt, Queer Marisol Roncali – Emily the Criminal, Atomic Blonde Dilip Shankar – Last Film Show, Monsoon Wedding Robert Sterne – Paddington in Peru, The World’s End Jennifer Venditti – Bugonia, Marty Supreme
Cinematographers
Evgenia Alexandrova – The Secret Agent, The Balconettes Ehab Assal – Omar, Unexpected Peace Michael Bauman – One Battle after Another, Licorice Pizza Ante Cheng – Preparation for the Next Life, Jamojaya Christopher Chomyn – Como caído del cielo, Wild about Harry Wilssa Esser – Our Secret, Aurora Markus Förderer – September 5, Red Notice Brian Rigney Hubbard – Paint It Black, Rock Hudson: All That Heaven Allowed Amin Jafari – It Was Just an Accident, Divine Comedy Kim Woo-hyung – No Other Choice, Assassination Olympia Mytilinaiou – Miss Violence, Maestra Tudor Vladimir Panduru – The President’s Cake, Metronom Anna Patarakina – Dreamers, The Lesson Laurie Rose – Catherine Called Birdy, Rebecca Joe Saade – Joyland, A Sad and Beautiful World Juan Sarmiento G. – The Voice of Hind Rajab, Islands Malik Hassan Sayeed – After the Hunt, He Got Game Glynn Speeckaert – Marguerite, Life for Real Suren Tadevosyan – Yasha and Leonid Brezhnev, The Reverse Side of the Medal Adolpho Veloso – Train Dreams, Jockey Nicole Whitaker – Dust Bunny, Chasing the Blues Paul Yee – Joy Ride, Colewell
Costume Designers
Nadia Acimi – Sirāt, Fire Will Come Rita Azevedo – The Secret Agent, Bacurau Miyako Bellizzi – Marty Supreme, Uncut Gems Jacqueline Bouchard – Thérèse, I’ve Loved You So Long Vera Chow – Rosemead, Boogie Retno Ratih Damayanti – Samsara, Before, Now & Then Malena de la Riva – I’m No Longer Here, Museo Stefano De Nardis – Book Club: The Next Chapter, L’imbroglio nel lenzuolo Michaela Horáčková Hořejší – Franz, Princ Mamánek Siân Jenkins – Good Luck to You, Leo Grande, The Lighthouse Sabrina Krämer – Sound of Falling, Sweet Disaster Eka Lakhani – Rocky Aur Rani Kii Prem Kahaani, Chekka Chivantha Vaanam Katarzyna Lewińska – EO, In Darkness Stewart Meachem – The Mistress of Spices, Billy Elliot Olga Mill – Eileen, Hereditary Karen Muller Serreau – Stillwater, At Eternity’s Gate Kumiko Ogawa – Kokuho, Kill Bill – Vol. 1 Giulia Piersanti – Suspiria, Call Me by Your Name Peggy Schnitzer – Honey Don’t!, Elvis & Nixon Emily Seresin – Carmen, I Am Woman Nami Shinozuka – Eiga Biri Gyaru, Herutā Sukerutā Anna Vilppunen – Sisu, Tom of Finland PC Williams – The Roses, Polite Society Karen Yip – Twilight of the Warriors: Walled In, Anita Ellen Ystehede – Sentimental Value, The Worst Person in the World
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Directors
Eugene Ashe – Sylvie’s Love, Homecoming Marcelo Caetano – Baby, Body Electric Zach Cregger – Weapons, Barbarian Gyula Gazdag – Hungarian Chronicles I-II, A Hungarian Fairy Tale Daniel Goldhaber – Faces of Death, How to Blow Up a Pipeline Guan Hu – Black Dog, The Eight Hundred Tom Harper – Peaky Blinders: The Immortal Man, The Aeronauts Raven Jackson – All Dirt Roads Taste of Salt Kim Jee-woon – Cobweb, I Saw the Devil Oliver Laxe* – Sirāt, Fire Will Come Rashid Masharawi – Passing Dreams, Laila’s Birthday James Ponsoldt – The End of the Tour, The Spectacular Now Haider Rashid – Europa, It’s About to Rain Nicole Riegel – Dandelion, Holler Alonso Ruizpalacios – La Cocina, A Cop Movie Benny Safdie* – The Smashing Machine, Uncut Gems Josh Safdie* – Marty Supreme, Uncut Gems Julia Solomonoff – Nobody’s Watching, The Last Summer of La Boyita Anocha Suwichakornpong – Come Here, By the Time It Gets Dark Tusi Tamasese – One Thousand Ropes, The Orator Fernanda Valadez – Sujo, Identifying Features
Documentary
Juan Arredondo – Armed Only with a Camera: The Life and Death of Brent Renaud, The Prosecutors David Borenstein – Mr. Nobody against Putin, Can’t Feel Nothing Isabel Castro – Selena y Los Dinos, Mija Kahane Corn Cooperman – The Antidote, Joe’s Violin Jessica Edwards – Eno, Mavis! Mohammadreza Eyni – Cutting through Rocks, Convergence: Courage in a Crisis Helle Faber – Mr. Nobody against Putin, Mummy’s Boys Amber Fares – Coexistence, My Ass!, The Devil Is Busy Maxyne Franklin – The Edge of Democracy, Virunga Jeff Gilbert – Holding Liat, Boys State Lizzie Gillett – Super/Man: The Christopher Reeve Story, The Territory Ingvil Giske – The Remarkable Life of Ibelin, The Painter and the Thief Anna Godas – Every Little Thing, McEnroe Christalyn Hampton – The Devil Is Busy, Maxine’s Baby: The Tyler Perry Story Oli Harbottle – Every Little Thing, McEnroe Andrew Jarecki – The Alabama Solution, Capturing the Friedmans Conall Jones* – All the Empty Rooms, Stranger at the Gate Shalini Kantayya – TikTok, Boom., Coded Bias Alžběta Karásková – Mr. Nobody against Putin, Blix Not Bombs Charlotte Kaufman – The Alabama Solution, Occupy Cannes! Sara Khaki – Cutting through Rocks, Convergence: Courage in a Crisis Paweł Łoziński – The Balcony Movie, Father and Son Michelle Mizner – 2000 Meters to Andriivka, 20 Days in Mariupol Jenni Morello – The AI Doc: Or How I Became an Apocaloptimist, Victim/Suspect Peter Murimi – The Battle for Laikipia, I Am Samuel Iris Ng – There Are No Words, One of Ours Camilla Nielsson – President, Democrats David Osit – Predators, Mayor Joseph Patel – SLY LIVES! (aka The Burden of Black Genius), Summer of Soul (…Or, When the Revolution Could Not Be Televised) Alisa Payne – The Perfect Neighbor, Stamped from the Beginning Craig Renaud* – Armed Only with a Camera: The Life and Death of Brent Renaud, Shelter Marcia Rock – I Remember, Duet Afsaneh Salari – Writing Hawa, The Silhouettes Alicia Sams – Art Spiegelman: Disaster Is My Muse, By the People: The Election of Barack Obama Radovan Síbrt – Mr. Nobody against Putin, Blix Not Bombs Sky Sitney – Life and Debt Robert Stengård – The Remarkable Life of Ibelin, The Painter and the Thief Audrius Stonys – Bridges of Time, Woman and the Glacier Rea Tajiri – Wisdom Gone Wild, Lordville Catalina Villar – Ana Rosa, The New Medellín Jeremy Workman – Secret Mall Apartment, Lily Topples the World Dorottya Zurbó – Agent of Happiness, The Next Guardian
Executives
Angel An Carolyn Bernstein Farhana Bhula Josh D’Amaro Daniela Elstner John Friedberg Michael Heimler Fionnuala Jamison Liz Jenkins Janine Jones-Clark Nathanaël Karmitz Natalie Rae Lehmann Christina Leotis Matt Levin Dennis Lim Theresa Steele Page Mike Polydoros Rayne Roberts Andrea Scrosati Shary Shirazi Daniel Steinman Lorna Tee Jason Wald Kevin Michael Wilson Alex Almogabar Zahn Zhang Xin
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Film Editors
Martin Bernfeld – Little Wing, Saban’s Power Rangers Deepa Bhatia – Skater Girl, Taare Zameen Par Daysha M. Broadway – Ricky, Whitney Houston: I Wanna Dance with Somebody Ronald Bronstein* – Marty Supreme, Uncut Gems Nena Hsu Erb – Joy Ride, Dealin’ with Idiots Amir Etminan – It Was Just an Accident, No Bears Matheus Farias – The Secret Agent, Pictures of Ghosts Cristóbal Fernández – Sirāt, Mimosas Paola Freddi – Another End, Monica Ahmed Hafez – El Sett, Clash Jean-Christophe Hym – Four Daughters, Stranger by the Lake Andy Jurgensen – One Battle after Another, Licorice Pizza Dimitri Komm – The Master and Margarita, T-34 Joseph Krings – Captain Fantastic, Supermensch: The Legend of Shep Gordon Parker Laramie – Train Dreams, Sing Sing Viridiana Lieberman – The Perfect Neighbor, Born to Play Melody London – Novocaine, Down by Law Rebekka Lønqvist – Mr. Nobody against Putin, Mr. Graversen Bret Marnell – Ultraman: Rising, Smurfs: The Lost Village Nicolaj Monberg – Mr. Nobody against Putin, Riders of Justice Olivia Neergaard-Holm – The Chronology of Water, The Apprentice A. Sreekar Prasad – RRR, Dil Chahta Hai Jane Rizzo – The Hunt, Leave No Trace Laurent Rouan – Case 137, The Night of the 12th Josh Safdie* – Marty Supreme, Daddy Longlegs Evan Schiff – Frankenstein, Nobody Eduardo Serrano – The Secret Agent, Bacurau Michael P. Shawver – Sinners, Black Panther Rosario Suárez – Kill the Jockey, The Last Summer of La Boyita
Makeup Artists and Hairstylists
Marisa Amenta – The Secret Agent, I’m Still Here Jana Carboni – Gladiator II, Napoleon Orla Carroll – The Banshees of Inisherin, Cinderella Cliona Furey – Frankenstein, Nightmare Alley Stephen Kelley – Bill & Ted Face the Music, John Wick Jordan Samuel – Frankenstein, Crimson Peak Anne Cathrine Sauerberg – The Ugly Stepsister, The Girl with the Needle Shunika Terry – Sinners, The Matrix Resurrections Kyoko Toyokawa – Kokuho, The Great Passage Chiara Tripodi – Send Help, The Naked Gun
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Marketing and Public Relations
Emily Lu Aldrich Susie Arons Thomas Beatty Sharon Black Ben Carlson Rocío Chicharro Gutiérrez Tom Cunha Harris Dew David Gray Edwards Jonathan David Epstein Andrew Ferguson Danielle Freiberg Madelyn Hammond Josh Haroutunian Teri Kane Amanda Levin Joey Monteiro Megan Moss Claire-Marie Murphy Ben Proctor Rachel Rosen Tolley Shields Hugh Kashnor Spearing Kara Spector Telly Wong
Music
Sara Bareilles – Come See Me in the Good Light, Battle of the Sexes
Vishal Bhardwaj – Crazxy, Gustaakh Ishq
Suad Bushnaq – Yunan, Hobal
Arturo Cardelús – Dragonkeeper, Black Beach
Angela Rose Claverie – Silent Night, The Nun 2
EJAE – KPop Demon Hunters
Karim Sebastian Elias – Cutting through Rocks, Of Fathers and Sons
James Fauntleroy – Black Panther: Wakanda Forever, Dolemite Is My Name
Robert Aiki Aubrey Lowe – Seeds, Candyman
Haim Mazar – Self-Help, Desperation Road
Denise Okimoto – Dead Man’s Wire, First They Killed My Father
Felipe Pacheco – Sinners, Oppenheimer
Laetitia Pansanel-Garric – Olivia and the Invisible Earthquake, Hola Frida
Nicolas Rabæus – Hello Betty, Thunder
Hania Rani – Sentimental Value, The Summer Book
Ryan Romeyn Rubin – F1, Dune
Batu Sener – Atatürk 1881-1919, Better Man
Glenn Evan Slater – Spellbound, Tangled
Mark Sonnenblick – KPop Demon Hunters, Spirited
Daniel Waldman – Knives Out, Joker
DeVaughn Watts – The Wild Robot, Shang-Chi and the Legend of the Ten Rings
Oren Yaacoby – KPop Demon Hunters, Spirited
Ben Zales – Freakier Friday, Ballerina
Producers
Karim Aïtouna – Poisonous Roses, Where the Wind Comes From Andrea Berentsen Ottmar – Sentimental Value, The Worst Person in the World Yulia Evina Bhara – Autobiography, Tiger Stripes Olha Bregman – Timestamp, Stop-Zemlia Eli Bush – Marty Supreme, Lady Bird Mark Ceryak – Sorry, Baby, Aftersun Lamia Chraïbi – Mica, The End Robert Connolly – Paper Planes, Emily Sylvain Corbeil – Falcon Lake, It’s Only the End of the World Andrew D. Corkin – Rosemead, The Desperate Hour Ben Cosgrove – The Good German, Rumor Has It… Rodolfo Cova – The Family, Fortitude Liz Destro – Clerks III, The Little Hours Marta Donzelli – The Last One for the Road, Sworn Virgin Maria Ekerhovd – Sentimental Value, The Ugly Stepsister Tania El Khoury – Backstage, The River Negar Eskandarfar – Careless Crime, A Separation Nicolas Gonda – Hamnet, The Tree of Life Adrián Guerra – The Penguin Lessons, Buried Marianela Illas – The Family, El Amparo Oleg Kokhan – Animals in War, Eternal Homecoming Nataliya Libet – Timestamp, Stop-Zemlia Kevin Loader – My Cousin Rachel, The Personal History of David Copperfield Liza Marshall – Hamnet, The End We Start From Matthew Miller – Nirvanna The Band The Show The Movie, Blackberry Mason Novick – Juno, Lisa Frankenstein Chad Oman – F1, Top Gun: Maverick Leontine Petit – Sweet Dreams, Mr. K Igor Savychenko – When the Trees Fall, Brothers. The Final Confession Shan Zuolong – Resurrection, Long Day’s Journey into Night Alexandru Teodorescu – Dracula, Kontinental ’25 Volodymyr Yatsenko – U Are the Universe, Reflection
Production and Technology
Alicia Accardo Jeff Barnes Derek Bradley Gregory Brentin Marguerite Derricks David Eubank Maxine Gervais Jillian Giacomini Geoffrey Haley Josh Haynie Jim Helman Farah Khan Theodore Kim Lori Korngiebel Mark Meyer John Moyer Domonkos Párdányi Alexandra Patsavas Karyn Ruth Rachtman Rajesh Ramachandran Christopher Russell Christopher Paul Scott Steven S. Shapiro Jamal Sims Andrea Wertheim
Production Design
Serge Archambault – Dune: Part Two, Beau Is Afraid Mohamed Attia – Al Aref, Al Feel Al Azraq Andrew Bennett – Glass Onion: A Knives Out Mystery, No Time to Die Anthony Carlino – One Battle after Another, Babylon Monique Champagne – Sinners, Nickel Boys Gina Louise Sara Cromwell – Downton Abbey, Mary Queen of Scots Tamara Deverell – Frankenstein, Nightmare Alley Kelsi Ephraim – Everything Everywhere All at Once, Palm Springs Zachary Fannin – Guardians of the Galaxy Vol. 3, Avatar: The Way of Water Thales Junqueira – The Secret Agent, Baby Jason Kisvarday – Everything Everywhere All at Once, Swiss Army Man Carlos Lagunas – Cabrini, Sound of Freedom Elizabeth Linn – West Side Story, Joker Florencia Martin – One Battle after Another, Babylon Caty Maxey – Civil War, Jurassic World Brad Ricker – Black Panther: Wakanda Forever, Dune Clint Schultz – Top Gun: Maverick, Star Trek Lisa Scoppa – Caught Stealing, The Whale Hugues Tissandier – Valerian and the City of a Thousand Planets, The Messenger: The Story of Joan of Arc Simon Weisse – Asteroid City, The Grand Budapest Hotel Jane Wuu – Star Trek, The Curious Case of Benjamin Button
Short Films
Scott Aharoni – Money Talks, Leylak David Atrakchi – Five to One, Rise of a Star Arvin Belarmino – Agapito, Hinakdal Miguel Angel Caballero – The Ballad of Tita and the Machines, Acuitzeramo Bruno Carnide – Memories of an Empty House, The Girl Who Walked on Snow Chiang Wei Liang – Kaohsiung City, Yancheng District, Fubei Rd., No.31, Luzon Akinola Davies – Lizard, Contactless Dani Feixas Roca – Tito, Paris 70 Andrew Freedman – Retirement Plan, Undressing My Mother Kryzz Gautier – Chimera, Keep Delete Conall Jones* – All the Empty Rooms, Stranger at the Gate Abby Lynn Kang Davis – The Queen of Basketball, A Concerto Is a Conversation Mickey Lai – WAShhh, The Cloud Is Still There Tamika Lamison – Superman Doesn’t Steal, The Magic Bracelet Chris Lavis* – The Girl Who Cried Pearls, Madame Tutli-Putli Andrew Stephen Lee – At Little Wheelie Three Days Ago, Manila Is Full of Men Named Boy Noëlle Lévénez – The Man Who Could Not Remain Silent, Alarms Vea Mafile’o – I Am Not Your Dusky Maiden, Lea Tupu’ Anga (Mother Tongue) Florence Miailhe* – Butterfly, Urban Tale Natalie Musteata – Two People Exchanging Saliva, The Appointment Sharon S. Park – The Unreachable Star, Soak Jack Piatt – The Singers, Lolo & The Barbershop Lkhagvadulam Purev-Ochir – A South Facing Window, Snow in September Christopher Radcliff – We Were the Scenery, Jonathan’s Chest Craig Renaud* – Armed Only with a Camera: The Life and Death of Brent Renaud, Between Borders: American Migrant Crisis Alexandre Singh – Two People Exchanging Saliva, The Appointment Maciek Szczerbowski* – The Girl Who Cried Pearls, Madame Tutli-Putli Peter Tscherkassky – Train Again, The Exquisite Corpus Tom Van Avermaet – Hearts of Stone, Death of a Shadow Loren Waters – Tiger, Udeyonv (What They’ve Been Taught)
Sound
Eric Beam – The Novice, Justice League Laia Casanovas – Sirāt, Parallel Mothers Greg Chapman – Frankenstein, Nightmare Alley Ryan Delavan Cole – Deadpool & Wolverine, Miss Juneteenth Ron Eng – The Nun, Mulholland Drive Victoria Franzan – Belén, Heroic Losers Trevor Gates – Twinless, Doctor Sleep Abdolreza Heidari – It Was Just an Accident, Terrestrial Verses Warren Keith Hendriks – Bad Boys: Ride or Die, Better Man Rawad Hobeika – Palestine 36, Goodbye Julia Kim Eun-jung – Concrete Utopia, Decision to Leave Patrushkha Mierzwa – Killers of the Flower Moon, Ad Astra Michael Miller – Spinal Tap II: The End Continues, Nosferatu Rodrigo Ortiz – Primate, Patriots Day Jessie Pariseau – Superman, Wicked Yasmina Praderas – Sirāt, A Perfect Enemy Nina Rice – The Sheep Detectives, Barbie Jacob Riehle – Project Hail Mary, The Batman Nathan Robitaille – Frankenstein, The Shape of Water Steve Schatz – Project Hail Mary, Guardians of the Galaxy Vol. 2 Tetsuo Segawa – Matinee, Akira Hassan Shabankareh – The Seed of the Sacred Fig, Finding Farideh Bernardo Uzeda – My Name Is Daniel, Good Manners Tony Villaflor – One Battle after Another, Vice Amanda Villavieja – Sirāt, Mimosas Chris Welcker – Sinners, Bill & Ted Face the Music Jack Whittaker – Smurfs, Seberg Alexa Zimmerman – Black Phone 2, Little Women Brad Zoern – Frankenstein, The Shape of Water
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Visual Effects
Stephen Aplin – Jurassic World Rebirth, Aladdin Christopher Batty – Transformers One, Aquaman Daniel Bethell – Furiosa: A Mad Max Saga, The Flash Jelmer Boskma – Eternals, Ant-Man and the Wasp Russell Bowen – The Lost Bus, Venom: Let There Be Carnage Gavin Boyle – Creation of the Gods II: Demon Force, Creation of the Gods I: Kingdom of Storms Mike Brazelton – Madame Web, Bullet Train Stuart Bullen – Mission: Impossible – The Final Reckoning, Guardians of the Galaxy Vol. 3 TJ Burke – Project Hail Mary, Ballerina Charmaine Chan – Jurassic World Rebirth, The Creator Nicolas Chevallier – F1, The Fall Guy Amy Beth Christenson – Transformers One, Indiana Jones and the Dial of Destiny Sonia M. Contreras – Tron: Ares, The Irishman Keith Dawson – F1, Ready Player One Donnie Dean – Sinners, Nickel Boys Tara DeMarco – The Marvels, The Bronze Raul Essig – Wicked: For Good, Wicked Bill Georgiou – Twisters, Mission: Impossible – Dead Reckoning Part One Becky Graham – Death on the Nile, Bhoot: Part One – The Haunted Ship Pablo Grillo – Paddington in Peru, The Little Mermaid Robert Harrington – F1, Thunderbolts* Nicole Herr – The Lion King, The Jungle Book Christian Kaestner – Gladiator II, Alien: Covenant Shawn Kelly – Venom: The Last Dance, Avengers: Infinity War Andy Kind – How to Train Your Dragon, The Little Mermaid Brandon K. McLaughlin – The Lost Bus, Killers of the Flower Moon Jay Mehta – Creation of the Gods I: Kingdom of Storms, Maharshi Glenn Joseph Melenhorst – How to Train Your Dragon, John Wick: Chapter 3 – Parabellum Espen Nordahl – The Electric State, Sinners Thomas Proctor – Mortal Kombat II, Justice League Michael Ralla – Sinners, Black Panther: Wakanda Forever Joshua Keir Simmonds – The Sheep Detectives, Together Fausto Tejeda – Now You See Me: Now You Don’t, The Ambush Marjolaine Tremblay – The Shack, Game Night Guido Wolter – Sinners, Shang-Chi and the Legend of the Ten Rings Clement Yip – Atlas, Sonic the Hedgehog 3 David Zaretti – The Lost Bus, The Running Man
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I hate cleaning. I know, that’s not revolutionary or new in any way. But if I’m being honest with myself, it’s simply not going to get done amidst the million other things I have going on at all times. I’m a busy gal!
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Recently, I did something life-changing: I accepted that about myself, and got a robot vacuum.
Specifically, the Shark PowerDetect UV Reveal, which hoovers and mops your entire house without you even having to think. I got it for full price but good news for you: you can get more than 50% off the original price of £1,099 on Amazon right now!
A robot vacuum is something I’ve been contemplating for a long time – I knew I wanted one that could do multiple things (I mean, preferably clean my shower and toilet, too) but I was yet to find the right one.
When Shark released its latest vacuum, I was convinced to finally make the jump.
Using UV detection, it’s able to find the most stubborn stains in your house that not even you can see. It also empties its own rubbish into its base, including dust and dirty mop water, so you don’t have to do anything – finally, exactly what I need.
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An honest review of the SharkPowerDetect UV Reveal
First impressions
After managing to somehow lug the vacuum up my stairs by myself (that’s on going to the gym) it was time to face what I think is the worst part of getting any new product: the set up.
Luckily, assembling the parts was fairly easy – I filled the water tank with the included floor cleaner and plugged the base into a wall socket. Then came connecting the Shark Clean app to the vacuum, which was painless thanks to the inclusion of a QR code.
Somewhat surprisingly, the most difficult part was connecting the vacuum to WiFi. I’m Gen Z, so this shouldn’t happen, but it took me about three attempts to successfully make the robot stay connected.
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Getting started
Once the robot was talking to me, I knew everything was working as it should. The app instructed me to get the robot to map my house, which it did quickly, marking out where there were chairs, tables, rugs, and sofas.
It also gave me the option to demarcate where each room starts and ends – great, as I have an open floor kitchen and living room – and section off ‘no-go’ zones the robot had missed on its initial scan.
Then came for the first clean. I asked it to vacuum just my living room, which it did with complete ease.
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I hate to admit this, but I finally understood why some people get emotionally attached to their robot: watching it twirl around chair legs, figure out where my rugs start and end, and empty itself at its base was like watching a confused (but unusually elegant) dog sniff around my house.
My affection only grew when I realised, around 40 minutes later, that my house was completely spotless. Before investing in a robot vacuum, my biggest concern was whether it would be able to get deep into the corners of my room.
But thanks to the included side brushes, it managed to get into hard-to-reach spots, and spent more time around bases of chairs than I usually would when hoovering myself.
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The mop function was also completely unobtrusive, as it dries after itself, so you never have to worry about slipping on its wet trail.
It also takes itself back to the base for an empty whenever its dust tank gets full, and (reassuringly) to clean its mop pad several times during the course of a full-room mop.
Added features
After using the vacuum for the first time, I used the Shark app to set a cleaning schedule.
What’s great is you can ask the robot to only vacuum or mop at a time – because who’s mopping every day unless you have a particularly dirty dog or mucky children – or to spot clean an area you’ve had an unfortunate spillage in.
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You can even do this when you’re not home, so you know you’ll always come home to a clean house.
Much to my joy, that means I rarely ever have to think about cleaning, other than when I happen to be in my living room when it’s time for its clean, and every 60 days when you need to empty its base and refill its water.
Final verdict
Rating: 4.5/5
It’s easy to use once you’ve set it up
Gets into the corners and around chairs
Doesn’t leave a wet trail behind it
Can detect where the carpet is and spot clean
Empties its own dust and cleans its own water pad
A little noisy
It can’t clean your skirting or areas that are covered (duh)
Connectivity to the app can be a little tricky
Overall, I’ve been extremely happy with my new robot friend. Yes, I’ve developed an unhealthy dependence on it (don’t worry, I’m still cleaning the rest of my house) and find it way too charming.
Now, though, I no longer have to worry about doing basic but boring cleaning tasks. Naturally, its format means it doesn’t clean skirting boards or countertops, so Shark, please develop that next.
But it does a great job of checking off all-over vacuuming and mopping. The only drawback is that connectivity to the app can occasionally fall off.
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I also think the Shark Clean app could use some work, it’s a pretty basic interface, which does get the job done, but in future I’d like to see more features.
For £489 on Amazon right now, though, I have no complaints. So run, don’t walk, because you only have 36 hours left to snatch up this, frankly, insane deal.
A placebo, or fake supplement, may offer real benefits for older adults, according to new research from psychologists at the Università Cattolica in Milan. After taking placebo pills for three weeks, participants showed improvements in both physical performance and cognitive function. Surprisingly, the benefits were seen even when participants knew the pills contained no active ingredients.
The study, published in the International Journal of Clinical and Health Psychology, was led by Diletta Barbiani, Alessandro Antonietti, and Francesco Pagnini. It was supported by PNRR grants through the Age-IT project.
“The study is part of an established line of research in which we analyze the role of the mind in aging processes, which is very important,” says Pagnini, Full Professor of Clinical Psychology at the Faculty of Psychology of the Università Cattolica.
Testing the Placebo Effect in Healthy Aging
Until now, no research had investigated whether a traditional placebo could influence abilities that naturally decline with age.
“Our goal,” Professor Pagnini explains, “was to clarify whether an open-label placebo therapy (i.e., where the recipient is aware it is a placebo) or a fake supplement (people don’t know it’s a placebo) could influence psychological, cognitive, and physical functions in older adults living in the community.”
To explore that question, the researchers recruited 90 healthy older adults and randomly assigned them to one of three groups. One group received no treatment at all. A second group received placebo pills but was told the pills contained active ingredients designed to improve well-being and physical function. The third group received the same inactive pills but was openly informed that the pills were placebos that could still trigger beneficial mind-body responses.
Before and after the three-week study, participants completed questionnaires (providing information on levels of perceived stress, psychological well-being, sleepiness, fatigue, optimism, self-efficacy, and stereotypes about aging). They also took objective tests measuring short-term memory, selective attention, and physical performance.
Memory, Stress, and Physical Performance Improved
After three weeks, the participants who knowingly took placebo pills experienced lower stress levels than both the deceptive placebo group and the control group. They also showed significant improvements in short-term memory compared with those who received no intervention.
Overall, both placebo groups experienced gains in cognitive and physical performance, although the strongest improvements were generally seen among participants who knew they were taking a placebo.
Physical performance increased by 7% in the deceptive placebo group and by 9.2% in the open-label placebo group. Cognitive performance also improved. Depending on the specific test, scores increased by between 12.6% and 14.6% among participants who believed they were taking a real supplement, while those who knowingly took a placebo improved by between 6.9% and 21.5%.
“These are significant effects,” the psychologist emphasizes, “comparable to those seen in some experimental studies on physical activity regarding physical performance and cognitive training, especially with regard to memory.”
Researchers also observed reductions in drowsiness. Stress levels improved most noticeably among participants who were aware they were taking a placebo.
A New Approach to Healthy Aging?
The findings suggest that placebo treatments can improve several aspects of functioning in older adults, with open-label placebos performing as well as, or in some cases better than, deceptive placebos.
According to the researchers, this makes open-label placebos a promising and ethically acceptable strategy for supporting healthy aging.
Professor Pagnini says the results add to growing scientific evidence that the mind plays an important role in the aging process. Thoughts, emotions, and self-perception may influence not only psychological well-being but also physical abilities and cognitive function, highlighting the powerful connection between the mind and the body.
For thousands of years, the ancient city of Sardis in western Turkey changed hands as Greeks, Romans, Byzantines, and Ottomans rose and fell. Yet while the city’s rulers changed repeatedly, one thing has remained remarkably steady. Since 1958, archaeologists have returned every year as part of the Harvard Cornell Exploration of Ancient Sardis, making it one of the world’s longest running institutional excavation projects.
“It’s really important that it has institutional continuity,” said Benjamin Anderson, associate professor of history of art and visual studies in the College of Arts and Sciences. “Many of us know and have been mentored by colleagues of the previous generation of excavators. As a result, it’s one of the few long-term archaeological projects in the region that has generated a critical mass of data.”
For the past several years, Anderson has focused on documenting the walls and buildings of Sardis’ acropolis, which became an important center during the Byzantine period after Roman rule.
“This is a city that shows up in lots of ancient historical sources,” he said. “But now, just in the last 75 years or so, we have the possibility of telling that story, also, through what the project has found archaeologically.”
This summer marked another milestone. Thanks to decades of excavation and the support of the local community, Sardis was added to the UNESCO World Heritage List.
“The opportunity to really start understanding a culture through the material remains is pretty unusual, and it requires that kind of long-term commitment,” Anderson said. “That’s also what’s being celebrated by the World Heritage designation by UNESCO. This project has always been distinguished from the very beginning by a desire to communicate results and to make their work legible to tourists and to locals and all manner of different audiences.”
Sardis Preserves Thousands of Years of History
Once the capital of the Iron Age kingdom of Lydia, Sardis occupied a strategic location between the Mediterranean and the Anatolian plateau. According to Annetta Alexandridis, associate professor of the history of art and classics in A&S, it served as “a place of cultural encounter between the East and West.”
The Lydian era remains especially significant to archaeologists and historians. The Lydians are widely credited with inventing coinage, and their ruler, King Croesus, became legendary for his immense wealth. Alexander the Great later conquered Lydia, after which Sardis became part of the Roman Empire, followed by the Byzantine and Ottoman empires.
“Because it was not over built by a modern city — it’s only a little village — Sardis gives you a really long history, from the Bronze Age, third millennium BCE, to basically today,” Alexandridis said. “These layers are all there, and make it sometimes difficult to excavate, because they are not clearly stratified. They interfere with each other, but, in a way, it’s an ongoing history, and that makes it so fascinating for us.”
As associate director of the excavation, Alexandridis studies Roman funerary culture and is now leading a survey of Sardis’ cemeteries, many of which have received far less attention than the nearby Bin Tepe cemetery, located about 10 kilometers north of the city. Bin Tepe contains some of the largest tumuli (burial mounds) ever recorded.
A Site That Shaped Archaeology
Sardis also occupies an important place in the history of American archaeology. The first modern excavation, led by the American Society for the Excavation of Sardis in the early 20th century, was “a really large-scale exploitation,” Alexandridis said. Excavators uncovered the Temple of Artemis and the necropolis, but many artifacts were damaged, disappeared, or were taken to the United States through questionable means. Among them was a massive column that remains on display at the Metropolitan Museum of Art.
The project ended with the Greco-Turkish War in the early 1920s. Over the following decades, some artifacts gradually made their way back to Turkey.
“It’s one of the first cases where we can see the whole discussion about restitution of antiquities that were illegally exported, until some were returned to Turkey,” Alexandridis said. “It has all of these broader issues of how to deal with cultural heritage from a not only preservation or scholarly point of view, but also political and legal, and of the question of stewardship and responsibility for culture in the past.”
The modern Harvard Cornell partnership began in 1958 under Harvard archaeologist George M. A. Hanfmann and Cornell architect Henry Detweiler from the College of Architecture, Art and Planning, whose expertise centered on documenting historic buildings.
“If you went to Sardis in 1950 there were a few things kind of sticking up above ground, but there was nothing really to see, per se,” Anderson said. “The architects were the first generation of Cornellians who were there, and the project really committed to taking what they’d excavated responsibly, supplementing it through newly manufactured pieces, and presenting a total experience of the structure, instead of just producing a drawing and putting it in a publication.”
During the 1950s and 1960s, the team reconstructed a monumental bath gymnasium complex and the largest synagogue in the ancient world. Those restoration efforts became influential models for similar work at archaeological sites elsewhere.
Since then, excavations have uncovered mud brick city walls, the acropolis, a Persian period garbage pit, a gold refining workshop, an ancient shopping district, and, most recently, a sanctuary plaza that required 15 years of excavation.
Training the Next Generation of Archaeologists
Today, the project is based at the Harvard Art Museums and includes researchers from Turkish institutions as well as several American universities, including the University of Wisconsin, Madison and the University of California, Berkeley. Cornell primarily contributes graduate students, along with an increasing number of undergraduates, who spend 10 weeks each summer working at the site.
Students either catalog recovered artifacts, most of which are ceramics, or “broken pots,” as Anderson described them, or supervise excavation trenches.
Because Sardis sits on an alluvial plain, some trenches extend as much as 12 meters underground.
“[They’re] quite terrifying in their own right,” Anderson said.
“Local workers, who are already trained, gradually remove the soil, and the students are there observing, documenting, taking notes, asking questions, determining when they need to stop and call in maybe the director or an associate director to take a look at what’s coming up, when they should take a photograph, when they should bring in the architects to make a state drawing of a particular moment,” Anderson said.
According to Anderson, Sardis is one of only three excavation projects worldwide that “most people who go on to a career in classical archaeology in the U.S. have been through.”
More than half of the researchers involved today are Turkish experts and students, and local participation remains central to the project’s success.
“A topic that regularly accompanies what we are doing is how are we doing it? How do we include local expertise?” Alexandridis said.
Today, women from the Sardis region work alongside men in excavation and restoration efforts.
A Local Connection to an Ancient City
Leyla Uğurer, now a doctoral student in history of art and archaeology, grew up near Sardis. She first studied English language and literature at Istanbul University before deciding to pursue classical archaeology.
“To learn archaeology, you have to work at the site as well,” she said.
Beginning in 2022, she surveyed rock cut tombs dating from the Lydian through Roman periods around Sardis. She continued that work for three summers before supervising the excavation of a late Roman site this year.
Her experience at Sardis inspired her to pursue a Ph.D. at Cornell, where Alexandridis became her adviser. Both share an interest in funerary art, which provides insights into beliefs about beauty, the afterlife, and everyday life.
This was the city on “one of the most important trade roads in the ancient world,” where the first coin was minted and Alexander the Great visited, Uğurer said. “You were raised there, so you have the same culture going on in you and around you. I remember looking at archaeologists when I was a child and admiring them. To be familiar with those archaeological works going on also helps you understand the archaeological importance more.”
She believes UNESCO recognition will bring important benefits to the region.
“As a local, I can say it is very important,” she said. “First of all, now it is known worldwide and because of UNESCO, there can maybe be more funding for the excavation, also people, more tourists and more research. People will know the area much better, and there will be more protection.”
Protecting Sardis for the Future
Greater protection is badly needed. Sardis’ landscape is vulnerable to natural erosion, while many tumuli have already been damaged by farming. Looting has also become a serious problem.
Alexandridis said treasure hunters now operate on an “industrial dimensions” scale, using explosives, bulldozers, and often weapons to target ancient burial mounds.
Even after nearly seven decades of continuous excavation, researchers say Sardis still has much more to reveal.
“This is why the long-term commitment is so important,” Anderson said. “One season’s work, you’ll learn how to do the thing, but you’re not necessarily going to find something that will be especially significant for the history of the site, until maybe 10 years later, you find something else a little bit further away, and the pieces start to add up.”
Even relatively small asteroids can have surprisingly eventful histories. NASA’s Lucy spacecraft recently revealed that asteroid Donaldjohanson is a wobbling, peanut-shaped object that has been shaped by collisions, sunlight, and even a brief encounter with liquid water long ago.
The asteroid formed about 155 million years ago when fragments from a violent collision gradually came together. Since then, a subtle but persistent force generated by sunlight has altered its rotation, while traces of ancient water remain preserved in its rocky surface.
On April 20, 2025, Lucy passed within 650 miles of Donaldjohanson while traveling through the main asteroid belt on its way to a group of Jupiter Trojan asteroids. During the flyby, the spacecraft captured the first close-up images and collected detailed scientific measurements. Those observations revealed an asteroid that does not rotate in the simple way scientists expected.
Lucy also provided detailed views of Donaldjohanson’s unusual shape, along with craters, ridges, and other surface features that help tell the story of its evolution.
Lucy’s Asteroid Flyby Reveals an Unusual Rotation
The encounter served as a practice run for Lucy’s future visits to the Trojan asteroids, beginning with its flyby of Eurybates on Aug. 12, 2027. While testing spacecraft systems and mission operations, scientists gained a valuable opportunity to study a previously unexplored asteroid and compare it with Bennu and Ryugu, two asteroids that have been examined up close through sample-return missions.
Researchers reported their findings on June 18 in the journal Science.
Before Lucy’s arrival, astronomers studying Donaldjohanson from Earth noticed a repeating pattern in the asteroid’s brightness. Those observations suggested it was an elongated object completing one rotation every 10.5 Earth days.
The spacecraft’s close-up measurements revealed a more complicated reality.
Instead of rotating around a single axis like most asteroids and planets, Donaldjohanson behaves more like a wobbling spinning top. Scientists found that it turns end-over-end once every 10.5 days while also rocking back and forth around its long axis once every 26.5 days.
Peanut-Shaped Asteroid Formed From Ancient Collision
Earth-based observations had already hinted that Donaldjohanson was elongated, but Lucy showed that the asteroid is actually composed of two connected lobes joined by a narrow neck.
Scientists describe this type of structure as bilobate. It likely formed when two fragments produced by an earlier collision drifted together and merged under their own gravity.
Researchers estimate that the asteroid was spinning at least ten times faster shortly after it formed. Over the last 20 to 60 million years, however, that rotation gradually slowed.
As the spin rate decreased, the balance between centrifugal forces and gravity changed. Loose rock and debris shifted down slopes, reshaping parts of the surface and contributing to the softened appearance of many craters visible in Lucy’s images.
The team believes this slowdown was caused by the YORP effect, a subtle process driven by sunlight.
When sunlight warms an asteroid, the surface releases that energy as infrared radiation. Although the resulting recoil force is extremely small, it acts continuously over millions of years. Because Donaldjohanson’s shape is uneven, those tiny forces do not cancel out completely and instead create a twisting effect that gradually alters the asteroid’s rotation.
The same process can either slow or accelerate an asteroid’s spin. Bennu, which rotates once every four hours, and Ryugu, which rotates roughly once every seven hours, were likely spinning much more slowly in the distant past before YORP sped them up.
Evidence of Ancient Water on Donaldjohanson
As Lucy raced past Donaldjohanson at about 30,000 mph, its instruments detected iron-rich clay minerals on the asteroid’s surface.
These minerals could only have formed in the presence of liquid water. However, scientists believe the water exposure was relatively brief.
Over time, prolonged interaction with water tends to replace iron within clay minerals with other elements such as magnesium. Because the clays on Donaldjohanson remain iron-rich, researchers concluded that liquid water was present only for a limited period.
The situation appears different for Bennu and Ryugu. Both asteroids contain magnesium-rich clays, suggesting they experienced much longer periods of water exposure, possibly lasting millions of years while they were still parts of larger parent bodies.
Those differences may indicate that the parent asteroids formed at different times or in different regions of the solar system before eventually moving into the main asteroid belt.
Comparing Donaldjohanson, Bennu, and Ryugu
Scientists believe Donaldjohanson originated from the rocky remains of a larger asteroid rich in carbon and water that was shattered in a collision within the main asteroid belt.
Bennu and Ryugu likely formed through a similar process and in the same general region. Yet important differences set them apart.
Donaldjohanson is only about 155 million years old, making it much younger than Bennu and Ryugu, which are estimated to have formed 1 to 2 billion years ago.
Its orbital history is also different. Donaldjohanson has remained in the asteroid belt since its formation, while Bennu and Ryugu eventually migrated into near-Earth orbits that periodically bring them close to our planet. Those trajectories made them ideal destinations for sample-return missions.
“It’s helpful for scientists to compare Donaldjohanson with asteroids like Bennu and Ryugu, which are seemingly similar asteroids, because every subtle difference is another clue to our origin story,” said Simone Marchi, Lucy deputy principal investigator and lead author of the study at the Boulder, Colorado, office of the Southwest Research Institute.
“Once we start learning more about the Trojans, a completely different population of space rocks with very different histories, our understanding of solar system formation is destined to be challenged,” said Marchi.
Named after the famous fossilized human ancestor discovered in Ethiopia in 1974, Lucy is on its way to become the first mission to explore Jupiter’s Trojan asteroids. These ancient and relatively unchanged objects formed early in solar system history and may help scientists better understand how the planets formed and migrated before settling into their present-day positions.
About the Lucy Mission
Lucy’s principal investigator is based at the Boulder, Colorado, office of the Southwest Research Institute, which is headquartered in San Antonio. NASA’s Goddard Space Flight Center in Greenbelt, Maryland, oversees mission management, systems engineering, and safety and mission assurance. Lockheed Martin Space in Littleton, Colorado, built the spacecraft.
Lucy is the 13th mission in NASA’s Discovery Program. The program is managed by NASA’s Marshall Space Flight Center in Huntsville, Alabama, for the agency’s Science Mission Directorate in Washington.
Around 40% of adults worldwide are affected by osteopenia: a loss of bone mineral density. This condition is extremely common particularly in postmenopausal women and elderly adults. It’s estimated that more than 500,000 fractures occur annually in the UK due to low bone density.
Osteopenia itself does not usually cause symptoms and it develops silently over time. Many people may not even be aware that they have the condition until they have experienced a fracture or had a bone density test, typically recommended because of risk factors such as age and menopause. This makes osteopenia a significant but often under-recognized public health issue.
Bone is a dynamic tissue that undergoes continuous renewal through a process called bone remodeling. During this process, old bone is broken down (resorption) and new bone is formed (formation).
During early adulthood this process is balanced, so bone resorption equals bone formation. Bone mass usually peaks around a person’s mid-20s to early-30s. After this peak bone loss gradually exceeds bone formation. Over time this leads to reduced bone density.
Ageing is the main risk factor for bone loss. But several additional factors can accelerate the process.
For instance, hormonal changes, especially the decline in estrogen after the menopause, can significantly increase bone breakdown. This is because estrogen helps protect bones by slowing the natural process of bone breakdown. Around one in two women over 50 will experience a fragility fracture.
Lifestyle also plays an important role. Smoking, excessive alcohol consumption and physical inactivity can contribute to reduced bone strength over time. Diet is equally important. Insufficient calcium intake and low vitamin D can limit the body’s ability to build and maintain strong bones.
Certain medications, particularly long-term steroid use, as well as health conditions that affect hormone levels or nutrient absorption (such as Crohn’s or coeliac disease), can further increase the risk.
Managing osteopenia
Detecting osteopenia early is crucial. This allows you and clinicians to take steps that can reduce the risk of fractures and prevent osteopenia progressing to osteoporosis, where bone loss is more advanced and the risk of fractures is significantly higher.
Bone mineral density is commonly measured using a dual-energy X-ray absorptiometry (DXA) scan. This is a type of low-dose X-ray scan used to assess bone strength. Results are usually given as a T-score, which compares a patient’s bone density to that of a healthy young adult. A T-score between –1.0 and –2.5 indicates osteopenia, while a T-score below –2.5 meets the diagnostic threshold for osteoporosis.
Management of osteopenia typically focuses on slowing down or preventing further bone loss and reducing the risk of fractures. This involves making lifestyle changes (such as avoiding smoking, limiting alcohol intake or maintaining healthy body weight), nutritional support and, in some cases, prescription treatment.
Weight-bearing exercises, such as walking, dancing or jogging stimulate bone formation by placing strain on the skeleton. Resistance training can further strengthen bones and muscles.
Research shows that regular physical activity is associated with improved bone mineral density and may reduce the risk of osteoporosis. Exercise, such as Tai Chi, also improves balance and muscle strength, reducing the risk of falls that could lead to fractures.
Sufficient calcium intake supports bone structure too, while vitamin D helps the body absorb calcium efficiently. Foods such as dairy products, leafy green vegetables and fortified products are common dietary sources. Supplements may also be recommended where dietary intake is insufficient. In the UK, vitamin D deficiency is relatively common, so supplementation is often advised.
Not everyone with osteopenia requires drug treatment. Instead, clinicians often use a fracture risk assessment tool to evaluate ten-year probability of a fracture based on age, bone mineral density, steroid use and other risk factors.
Osteopenia should not be viewed merely as a mild or early form of osteoporosis but rather as a warning sign and point of intervention. Progression from osteopenia to osteoporosis is not inevitable.
Evidence suggests that early detection and targeted lifestyle changes can maintain bone health, significantly slow bone loss and reduce risk of developing osteoporosis later in life. In some cases, bone density may even improve with appropriate treatment and lifestyle adjustments.
But prevention requires a long-term perspective. Bone health reflects the cumulative influences of our health and lifestyle across the lifespan including our diets, physical activity levels and hormonal changes we have gone through. Maintaining healthy habits over time remains the most effective strategy for protecting bone strength.