Doja Cat Has Choice Words For Tyga After His ‘AI Album’ Admission: ‘He Is A Penis’

Doja Cat has taken aim at fellow rapper Tyga after he shared that he’d use artificial intelligence (AI) tools to produce his latest musical project.

While taking part in a recent Twitch livestream, the Jealous Type performer told her followers, seemingly completely unprovoked: “Nobody asked me anything about Tyga, but I just felt like saying this. Tyga is a penis for making an AI album.”

The Grammy winner was referring to the latest musical offering from Tyga, which he released at the end of July under the moniker Starface.

Starface marked a musical departure for the Ayo performer, taking inspiration from 80s synth music rather than his usual hip-hop and rap.

He subsequently told Vibe: “We definitely used AI as a [tool on the album]. And I know people are going to be mad about me saying this, but it’s where technology is going.”

Tyga
Tyga

via Associated Press

Tyga insisted: “It’s no different than when autotune came out. Some people were opposed to it, but real artists took it and used it.”

“We were like, ‘You know what? I need some ‘80 synths for a certain part of this song. I need a guitar solo done ASAP’. It is what it is,” he added, but insisted that all of the vocals heard on the album are his own.

Starface, and the news that it was created with AI, have been met with a predominantly negative reception – most notably from the music outlet Pitchfork, which gave the album a 0.0 rating for the first time in 20 years.

AI remains a contentious issue across the entertainment industry, with artists like Madonna, Beyoncé and Ariana Grande among those to have spoken out against its increased usage.

The technology has proved to be just as contentious a subject among creatives in television and cinema, and was a major factor in the industry-wide Hollywood strikes of 2023.

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James Norton Says House Of The Dragon ‘Stands For Something Important’ In A ‘World Of AI’

James Norton has said he feels “proud” to be part of a show like House Of The Dragon, which leans into practical effects as much as possible, particularly in a climate when AI is becoming more prominent.

The British actor joined House Of The Dragon in its third season, and can currently be seen in action as Ormund Hightower.

Speaking to Jessie Ware on her podcast Table Manners, James admitted: “I’ve got to say, like in the world of AI, I feel like shows like House of the Dragon stand for something important because so much of what you see is actually real.”

“I mean, the dragons aren’t,” he quickly added of the Game Of Thrones spin-off. “But even the heads of the dragons are real.

“So when you see the dragon [in House Of The Dragon], what we see as actors is about three people all dressed in blue, like the Blue Man Group, head to toe in blue. They’re holding these big sticks, and they have the dragon’s head on it, and they have the wings as well on sticks, and so they move. They’re like puppeteers.”

House Of The Dragon is now into its third season
House Of The Dragon is now into its third season

Reflecting on the rise of AI in the entertainment industry, and the world at large, he said it is “really humbling and encouraging to be on a set” like House Of The Dragon.

“It’s incredible,” he enthused. “Basically, the studio builds are vast and so detailed. I mean, everything like my sword, the armour, it was all so intricate, and there were teams of people who made my sword. You know, they have an old-fashioned blacksmith fashioning the metal.”

Back in 2023, he lamented that Game Of Thrones’ central dragons “were like all the same”, while in House Of Dragon, the mythical creatures “had personality” and “came alive”.

However, since then, the writer appears to have had something of a falling out with the team behind House Of The Dragon, claiming his relationship with showrunner Ryan Condal is “abysmal”.

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Steven Spielberg Insists He’d ‘Never Have Used AI’ In Disclosure Day After Emily Blunt Claims

Steven Spielberg has clarified his stance on AI in cinema after Emily Blunt recent comments about their new film, Disclosure Day.

In Spielberg’s new sci-fi blockbuster, Emily plays a local weatherwoman who begins speaking in an unusual, clicking alien language mid-broadcast, for reasons that become apparent over the course of the film.

During a recent interview with Entertainment Weekly, the British star opened up about the origins of these noises, claiming that Spielberg had told her: “You know, we could do it with AI, or you could do it.”

“I was like, ‘I feel confident I can make some weird noises’,” she then quipped.

Meanwhile, she also revealed to Hot Ones host Sean Evans that AI was something she was “a bit terrified of” when it was apparently presented to her as an option for her Disclosure Day character’s alien language.

Emily Blunt in Disclosure Day
Emily Blunt in Disclosure Day

Since then, Spielberg sat down with ITV News to discuss the film, during which Emily’s comments about him supposedly offering to create these sounds with generative AI were brought up.

“I would never have used AI,” he insisted. “I would have gone the old-fashioned way, you get a dolphin, an elephant, you slow it down, you speed it up, you play it backwards.”

He added that his Oscar-winning sound designer, Gary Rydstrom, would have found an organic way to make the sounds had Emily not been able to do them herself.

Spielberg has put his foot down on using generative AI during the filmmaking process in the past.

“I’m not willing to substitute, because I don’t really believe in sentience,” he said on the IMO podcast in March. “I don’t believe there is any substitute for the soul. I don’t think that is an algorithm that is inventible.”

He claimed: “Use AI as a tool, but do not use AI as the final word on anything creative. That’s where I draw the line.”

Explaining how she settled on the sounds that eventually made it into Disclosure Day, she told Entertainment Weekly that she had sent the iconic filmmaker voice notes of herself “clicking, humming, doing weird Barry White low singing mixed with clicking mixed with Morse code sounds”.

“I just tried everything,” she added. “We sort of threw the kitchen sink at it, and I think he wanted it to sound mathematical and not too terrifying.”

The Devil Wears Prada actor shared that the final version audiences hear in Disclosure Day is a mix of layered noises she recorded in a sound booth.

Emily also expanded on Hot Ones about how she and the sound team for Disclosure Day ultimately created the chilling sounds that get broadcast across America in the film without AI.

She explained that the sound engineer had one microphone by her mouth and another by her throat to “capture it in a really weird way”.

“And then the sound designer went away and created that weird sound,” she continued. “Even kind of leading up to that moment where she starts speaking in this non-human language, it’s a four-minute oner that we shot that leads up to that moment where she’s gradually sort of disintegrating.”

Disclosure Day is out now in cinemas.

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Katy Perry Sets The Record Straight After Latest Music Video Sparks AI Speculation

Katy Perry has a message for those speculating that she relied on generative AI to create her latest music video.

Earlier this year, the Grammy nominee unveiled the stand-alone single Bandaids, alongside an accompanying music video which took inspiration from the Final Destination horror films.

In the clip, Katy plays a character who has several brushes with death over its four-minute runtime, including one sequence in which she is seen sawing through a tree-branch she’s sitting on, before falling straight to the ground.

Certain visual elements of the video led some to question if artificial intelligence tech was used to help create it, but Katy set the record straight in a behind-the-scenes Instagram post showing her on set, shared on Tuesday night.

“For those of you that thought this was AI… it wasn’t,” she wrote in the caption. “Cool dude.”

Bandaids is the first new music from Katy since her split from her long-time partner Orlando Bloom, prompting some suggestions that the lyrics were inspired by the break-up.

“It’s not what you did, it’s what you didn’t, you were there, but you weren’t,” the California Gurls star sings in the opening verse, adding: “Got so used to you letting me down, no use trying to send flowers now, telling myself you’ll change, you don’t, Band-Aids over a broken heart.”

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Here’s How Katy Perry Stole The Show At The 2024 Met Gala Despite Not Actually Being There

Katy Perry was one of the most talked-about stars on this year’s Met Gala red carpet – which is a pretty impressive feat considering she wasn’t even there.

And apparently even Katy’s mum was fooled by the image, as revealed in an Instagram post.

“Couldn’t make it to the Met, had to work,” Katy joked, alongside a photo of a text from her mum that read: “Didn’t know you went to the Met. What a gorgeous gown, you look like the Rose Parade, you are your own float.”

Katy apparently replied: “Lol mom the AI got you too! BEWARE!”

The singer claimed she was in the studio on the night of the Met Ball, working on her upcoming sixth album.

Katy’s next release will be the follow-up to her last album, Smile, which topped the charts upon its release in 2020, two days after she welcomed her first child, a daughter named Daisy, with her fiancé Orlando Bloom.

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