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Gillian Anderson Speaks For The First Time About ‘Unfortunate’ Salt Path Controversy

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Gillian Anderson has spoken for the first time about the controversy surrounding the source material for her 2024 film The Salt Path.

The Emmy winner starred opposite The White Lotus actor Jason Isaacs in the big-screen adaptation of Raynor Winn’s book of the same name.

However, last year, Winn’s book – which was marketed as a memoir upon its release in 2018 – found itself at the centre of scrutiny when The Observer published a lengthy report which cast doubt on the legitimacy of some of the claims outlined within it.

Reflecting on the situation in a new interview with Radio Times, Gillian branded it “very unfortunate”.

“The film was doing really well in the UK – beyond my expectations,” she recalled. “I think we were about to sign with Sony Classics for the United States the week when the article came out, so it sucked, and continues to suck.”

Gillian Anderson and Jason Isaacs in The Salt Path
Gillian Anderson and Jason Isaacs in The Salt Path

Black Bear

Gillian continued: “A lot of people were enjoying it, regardless, and it is special in its own right. I hope people are able to experience it as its own entity, separate from what may or may not be true or whatever controversy there is.”

In Winn’s writing, she spoke of how she and her husband Moth walked the 600-mile length of the South West Coast Path after being made homeless.

She also wrote about Moth’s struggles with the neurodegenerative disease corticobasal degeneration (CBD), which he was diagnosed with shortly before the couple lost their home.

However, The Observer’s piece raised questions about a number of parts in the book, including exactly what led to the couple being made homeless, and specific parts of Moth’s illness.

A statement provided by Winn’s legal team to The Observer at the time said: “The Salt Path lays bare the physical and spiritual journey Moth and I shared, an experience that transformed us completely and altered the course of our lives. This is the true story of our journey.”

The Telegraph also published a more detailed version of this statement last year, which said: “[The] Observer article is highly misleading. We are taking legal advice and won’t be making any further comment at this time.”

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Tron: Ares Has Critics Pulling No Punches In Their Scathing Reviews

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The original Tron, released in 1982, has gone on to become a veritable cult classic of the sci-fi genre.

Unfortunately, the same can’t be said for its most recent iteration, Tron: Ares, if critics’ reviews are anything to go by.

Starring Jared Leto, Greta Lee, Evan Peters and Gillian Anderson, the new sequel has been heavily panned in early reviews, with some going as far as describing it as one of 2025’s worst big-screen offerings.

Here’s a selection of what the critics have had to say about Tron: Ares…

“The worst film of the year and a new low for Disney. The music’s great, but this Jared Leto vehicle is otherwise an ethically dubious, horribly written nadir in franchise slop.”

“The matrix of pointlessness is reloaded in this mind-bendingly dull sci-fi, more a screensaver than an actual film […] Tron: Ares (almost) comes to life just once – when Evan Peters gets a smack in the face from Gillian Anderson playing his mum, in an old-fashioned bit of analogue reality. That’s a bit of firm parenting you might feel like handing out to every producer involved in this film, and it’s sad to see the estimable Greta Lee and Jodie Turner-Smith being made to look so lifeless.”

“So bad it makes you wish AI would hurry up and destroy Hollywood. [Tron: Ares is] a shambolic film populated by some of the most aggressively charmless characters ever seen in a blockbuster.”

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“Tron: Ares will make you want to log off. Gillian Anderson should have known better than to appear in this uninspired sequel. [The film’s title character, Ares is] a dead-eyed digital super-soldier played by the bearded charisma vacuum and scene-wrecking super-plank Jared Leto (and you thought he was bad in Morbius).”

“Tron: Ares is not a film. It’s an absolutely brilliant soundtrack by Nine Inch Nails with some visual elements getting in the way. The music is loud, aggressive, adventurous, soaring, gritty and emotive, everything the actual movie is not.”

“Like lead actor Jared Leto’s high-def cheekbones, it looks great, but the movie is saddled with callbacks to the earlier film (and the 1980s at large) that suggest it’s aimed more at Gen X than the Alpha kids who could launch the property into the future.”

Not all of the reviews for Tron: Ares have been negative – but the more forgiving ones are few and far between
Not all of the reviews for Tron: Ares have been negative – but the more forgiving ones are few and far between

“Without giving too much away, there is room for a Jeff Bridges appearance, and also a nostalgia-driven sequence that fans of the original Tron will love. What a pity the script itself flounders, hampered by the fact Hollywood has churned out numerous AI stories of late. Certainly, this lacks the cheekiness of, say, M3GAN. With the exception of an amusing riff about Depeche Mode (better than Mozart, according to Ares), it requires a much-needed humour injection.”

“Tron: Ares [is] a franchise entry that honours its roots while taking significant steps forward. It’s no sci-fi insta-classic, but there are worse things to be than a surprisingly entertaining post-summer popcorn bucket.

Tron: Ares arrives in UK cinemas on Friday 10 October.

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