Earlier this month, the third season of Monster began streaming, focussing on the horrific crimes of serial killer and grave-robber Ed Gein, whose actions inspired the murderous fictional characters in movies like The Texas Chainshaw Massacre, The Silence Of The Lambs and Psycho.
Following its debut, the show received criticism from many viewers over the way the show hinted at a link between the latter and Ed Gein, because of the way the actor chose to conceal his sexuality publicly in his lifetime.
Anthony Perkins on the set of Psycho
The Legacy Collection/THA/Shutterstock
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Speaking to TMZ, Anthony’s son Osgood Perkins (the director behind recent horror movies like Longlegs and The Monkey) claimed he “wouldn’t watch” the series “with a 10-foot pole”.
He also slammed streaming platforms for “glamourising” the true-crime genre and which he said is “increasingly devoid of context”, while lamenting that “the Netflix-isation of real pain” is “playing for the wrong team”.
Osgood Perkins
via Associated Press
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Oz told People magazine last year that the way his parents concealed his father’s sexuality from him when he was growing up was part of the inspiration for his movie Longlegs.
“Everybody knew it, even my brother and I theoretically knew it, but we were never given any language for it,” he claimed.
“The idea that [my mother] could make up – not make up, it’s not a lie – but it’s like a cover, a storytime…”
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He said that Longlegs became “the most baroque horror version of, ‘What’s going on in my household?’”, noting: “Every kid probably feels [that] to some greater or lesser extent. But if your father’s a public movie star and you don’t know who he is, that’s a little bit more profound.”
Unsurprisingly, the third season of Netflix’s controversial Monster anthology was faced with backlash from the get-go.
Ryan Murphy’s latest creation depicts the life and crimes of real-life serial killer Ed Gein, following previous seasons’ equally-controversial dramatisations of Jeffrey Dahmer and the Menendez brothers’ crimes.
Joey Pollari as Anthony Perkins and Tom Hollander as Alfred Hitchcock in Monster: The Ed Gein Story
As well as taking viewers into the bowels of Gein’s depravity, Monster highlights that his crimes influenced many iconic horror films like Texas Chainsaw Massacre and Alfred Hitchcock’s aforementioned Psycho, depicting Perkins (played in the show by Joe Pollari) being cast as the infamous fictional killer Norman Bates by Alfred Hitchcock (as portrayed by Tom Hollander).
However, viewers have pointed out that Monster makes some dangerous and “tasteless” links between Gein and Perkins, because of the latter’s decision to keep his sexuality private.
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“Ryan Murphy is so tasteless to me, man. If you’re going to do a Anthony Perkins biopic, do a Anthony Perkins biopic and give him the respect he deserves,” wrote one viewer. “But you comparing Ed Gein being a closeted killer to him being a closeted gay man is homophobia”.
Another criticised the show for implying that “Anthony Perkins had a special connection and understanding of Gein because Gein being a murderer is just like being a closeted gay man”.
Meanwhile others called Murphy’s Perkins subplot “disrespectful” and accused the show of “pushing” false narratives about Hitchcock casting Perkins in Psycho because of his sexuality and a perceived connection to Gein.
Ryan Murphy is so tasteless to me man. If youre going to do a Anthony Perkins biopic, do a Anthony Perkins biopic and give him the respect he deserves.
But you comparing Ed Gein being a closeted killer to him being a closeted gay man is homophobia,
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Ryan Murphy is so tasteless to me man. If youre going to do a Anthony Perkins biopic, do a Anthony Perkins biopic and give him the respect he deserves.
But you comparing Ed Gein being a closeted killer to him being a closeted gay man is homophobia,
the Ryan Murphy Ed Gein show saying that Anthony Perkins had a special connection and understanding of Gein because Gein being a murderer is just like being a closeted gay man pic.twitter.com/iZnTtIegVt
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the Ryan Murphy Ed Gein show saying that Anthony Perkins had a special connection and understanding of Gein because Gein being a murderer is just like being a closeted gay man pic.twitter.com/iZnTtIegVt
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Episode two of Ed Gein show pushing the narrative that Anthony Perkins was chosen to play Norman Bates because Alfred Hitchcock thought Perkins was like Gein because of Perkins’ sexuality… Ryan Murphy hell is hot pic.twitter.com/9wskfqSI09
ryan murphy portraying hitchcock telling anthony perkins that he’s perfect for the norman bates role because he shares ed gein’s sexual deviancy because of his homosexuality… perkins family estate we ride at dawn
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ryan murphy portraying hitchcock telling anthony perkins that he’s perfect for the norman bates role because he shares ed gein’s sexual deviancy because of his homosexuality… perkins family estate we ride at dawn
i refuse to believe Anthony Perkins was walking around catatonicslly depressed telling people: \"I am Ed Gein forever\" lmao. we need to end the Murphy serial killer extended universe. it’s made the true crime genre hit its nadir fr
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i refuse to believe Anthony Perkins was walking around catatonicslly depressed telling people: “I am Ed Gein forever” lmao. we need to end the Murphy serial killer extended universe. it’s made the true crime genre hit its nadir fr
I expected Ryan Murphy’s MONSTER: The Ed Gein Story to be trashy (liked the Dahmer season, the Menendez season was awful) but my god to have Anthony Perkins calling himself a “monster” in conversion therapy….? This has got to be the most ridiculous garbage I’ve ever seen
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This has got to be the most ridiculous garbage I’ve ever seen— shay 🪦 (@astronomonov) October 4, 2025\n\n\n","options":{"_maxwidth":{"label":"Adjust width","placeholder":"220-550, in px","value":""},"_theme":{"value":"","values":{"dark":"Use dark theme"}}},"provider_name":"Twitter","title":"shay 🪦 on Twitter / 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I expected Ryan Murphy’s MONSTER: The Ed Gein Story to be trashy (liked the Dahmer season, the Menendez season was awful) but my god to have Anthony Perkins calling himself a “monster” in conversion therapy….? This has got to be the most ridiculous garbage I’ve ever seen
In another Monster scene, Perkins is seen undergoing so-called “conversion therapy”, while elsewhere Hollander’s Hitchcock muses about “urges”, “secrets” and a “sickness”, telling Perkins: “I had to cast you, Anthony. You’re like him.”
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While Psycho was loosely inspired by Gein, the writer of the novel on which the film was based has also stressed that he was interested by the idea of a solitary figure in a small town where everyone knows each other’s business.
During the conversation, Murphy defended his show from accusations that it’s “exploitative”, insisting he instead hopes to “provoke the question” about society with each season about a different societal theme, using various real-life murder cases to do so.
He also ruled out future seasons about John Wayne Gacy (“there’s nothing redemptive there?”) and Ted Bundy (“when you look at those crimes, what are the themes there? It doesn’t ask you any questions about society”), which is when the subject of Magione was then raised.
So, what did he actually say?
Luigi Mangione in December 2024
via Associated Press
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Well, speaking to the US outlet, Murphy revealed that he and his team “have a ‘maybe one day’ file” of ideas for future seasons of Monster that “just aren’t ready yet”.
He then said that one such concept would be a season about Magione, the 27-year-old who is currently in police custody, accused of fatally shooting Brian Thompson, the CEO of the American health insurance organisation UnitedHealthcare.
According to Variety, Murphy quickly dismissed the idea of focussing on Mangione after he, in their words “deemed it too early to proceed”.
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“We know nothing about him,” the Emmy winner pointed out.
Monster: The Ed Gein Story will debut on Netflix on Friday 3 October, with a fourth run of the controversial show already in production.
The next iteration will be the first to centre around a female killer, with Ella Beatty set to reunite with Ryan Murphy for the new series, which she’ll lead as Lizzie Borden, sharing the screen with other Murphy-verse alum including Billie Lourd and Vicky Krieps.
Rebecca Hall and British performer Jessica Barden will also be part of the cast of the show, which Netflix said will tell the story of “the infamous young woman accused of murdering her parents with an axe”.
Monsters: Menéndez Brothers star Cooper Koch has revealed what his reaction was when producer Ryan Murphy presented the idea for episode five of the Netflix-topping series to him.
The latest season of the TV super-producer’s true crime series Monsters centres around Erik and Lyle Menéndez, who are both serving life sentences for killing their parents in the late 1980s.
At the time, the siblings claimed they were acting in self-defence after years of physical, emotional and sexual abuse, while the prosecution argued that the Menéndez brothers’ motivations were financial.
Episode five – titled ‘The Hurt Man’ – features a 35-minute single shot of Erik (Cooper Koch) sharing the abuse he and his brother Lyle (portrayed by Nicholas Alexander Chavez) allegedly suffered at the hands of their father José and mother Kitty Menéndez prior to killing the couple.
“I cried,” Cooper told Deadline. “Ryan told me that I got the job, and then on the same day, he told me that I was gonna have that episode. And it was always planned to be that way, it was always one scene and one shot, and it didn’t really change. The script didn’t really change at all from the first time that I read it.”
He also shared that he and co-star Ari Graynor, who plays lawyer Leslie Abramson in the series only rehearsed the scene once prior to filming.
He said: “At the end everybody was very moved and everyone was crying, including myself and including Ari. (Director) Michael just looked to us and said,‘I don’t want to touch it. I just want to shoot it.’”
The second instalment of Ryan Murphy’s polarising true crime series centres around Erik and Lyle Menéndez, the brothers who are currently serving life sentences for the murder of their parents in the late 1980s.
On Friday afternoon, the Official Charts Company confirmed that a surge in streams to Milli Vanilli’s I’m Gonna Miss You and Crowded House’s Don’t Dream It’s Over had led to them both re-entering the top 40 this week.
Don’t Dream It’s Over is currently at 37, while I’m Gonna Miss You is at 40.
This isn’t the first time this year that a popular show or film has resulted in an old song surging back into the charts, though.
Monsters: The Lyle And Erik Menéndez Story is now streaming on Netflix.
Since it began streaming last month, Ryan Murphy’s polarising true crime drama has divided opinion among critics and viewers, but has proved to be a huge draw for Netflix users.
However, it has now been replaced in the number one position on Netflix’s UK chart.
It’s probably no great surprise to hear that, as of Friday afternoon, Heartstopper has taken over the top spot from Monsters, a day after returning for its third season.
So far, the new batch of episodes have received near-unanimous praise for the way they handle “more mature” themes for Heartstopper, with the first half of the season diving deeper into Charlie’s mental health and eating disorder.
While almost all of the show’s central cast are back for the third season, one notable absentee is Olivia Colman.
Having already split opinion right down the middle and sparked plenty of debate about its more graphic and salacious scenes, HuffPost UK managed to speak to the cast of The Lyle And Erik Menéndez Story about the making of the show – and its aftermath.
Cooper admitted was “super nervous at first” but his meeting with the Menéndez brothers proved to be a “really amazing” experience.
He met with Lyle and Erik Menéndez, as well as a group of other incarcerated individuals, in the prison gymnasium, where the inmates shared their names and stories, and the brothers also gave a presentation about a “greenspace project that they’d been working on”.
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“The thing that I really wanted to do was look both of them in the eye and tell them that I believe them and that I support them and I’m going to do everything that I can to advocate for them – and that in playing the role I tried to be authentic and just to have integrity,” he told us.
Cooper added: “They’re both so kind, really upstanding individuals. They’ve done so much amazing work on themselves in prison.”
Chloë Sevigny, Javier Bardem, Nicholas Chavez and Cooper Koch on the set of Monsters
MILES CRIST/NETFLIX
Cooper ‘can understand’ where the backlash against Monsters has come from, but he stands by the show
“I don’t think it’s changed my point of view on the series,” he insisted of the ongoing controversies surrounding the show. “We always [intended to take] this Rashomon approach with all these different perspectives.”
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“Our goal [was always] to really show all sides of the case – in my eyes, I sort of always saw it as the audience is going to be the jury and they’re going to be able to determine what they believe at the end of the show.”
“But I can understand and sympathise with how that would be jarring for people to see these other perspectives, and so I understand why it’s getting that sort of response,” he added.
“I think there’s a lot of support out there for the brothers, which I love.”
Cooper Koch in character as Erik Menéndez
MILES CRIST/NETFLIX
Nicholas Chavez admitted that working for the role was actually a big part of helping him get into character as Lyle
“It’s said in the first episode that José thought they could become a great family like the Kennedys,” he said.
“I think that there were many expectations of perfectionism within this family and I wanted Lyle’s physique to reflect that as well.”
He also took a similar approach when it came to Lyle’s toupée
Nicolas says “mask work” was an important part of his creative process.
“During this time in his life there were many expectations to wear masks in many different facets of his life,” he explained.
“The toupée, for instance, became very symbolic of this for me, a mask that was imposed on him by his father, and just because symbolic of the image that the Menéndez family wanted to project to the world about who they were.”
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Nicholas Chavez on set with Cooper Koch in Monsters
MILES CRIST/NETFLIX
During the making of Monsters, Chloë Sevigny found herself becoming protective of her young co-stars
She says that between herself, showrunners Ryan Murphy and Ian Brennan, the show’s directors and her co-star Javier Bardem, “we all really wanted to protect the boys, first and foremost” and “make sure that they felt safe”.
“They had a lot to carry in the show and we felt like they were internalising it in a way,” she claimed. “We wanted to make sure that they had a way to kind of let go and turn it off and not internalise it too much.
“Javier was really supportive of them, and encouraging them, and we were saying how great how they were in scenes, but also how important it was to sit down, talk about the work, talk about ourselves personally, about our families and be open with one another.”
Chloë Sevigny as Kitty Menéndez
MILES CRIST/NETFLIX
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Chloë was also ‘really impressed’ with the support offered on set by Netflix
“The whole environment was very sensitive to the material,” she revealed. “Netflix has released a statement across the cast and crew that if any of the material we were dealing with was triggering in any way to anyone they would provide help and support for them.
Chloë revealed it this was “really the first time I had seen that on a set, and I was really impressed with the way they handled it”.
Javier Bardem had apparently been wanting to be part of a Ryan Murphy show since visiting his wife Penélope Cruz on the set of American Crime Story
Javier Bardem as José Menéndez
MILES CRIST/NETFLIX
“I had the chance to be on set back in the day in Miami for a couple of days, and I saw the quality of everybody behind and in front of the camera, and it was the first time I had access to a show like that on set,” the Oscar winner recalled. “Since that day, I was like, ‘I would love to make one of these’.”
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The Spanish actor previously collaborated with Ryan Murphy on the film Eat Pray Love, but Monsters is their first time working together on the small screen.
“I’ve known Ryan since 2009, and I know how loving and caring and what a beautiful person he is,” Javier added.
Despite all the controversy surrounding Ryan Murphy’s Dahmer, the show was a big part of Javier Bardem saying yes to Monsters
Asked if he felt trepidation about signing up to play José Menéndez because of the backlash against Dahmer, Javier claimed “it was the opposite for me”.
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“I binged the whole show in two nights, and I was mesmerised by the quality of it all,” he said.
“What I loved about it, among many other things, was what was underneath – the criticism of the homophobic, racist society back in the day, where if you were just a nice white guy, blond, you could more or less skate out of justice compared to other people.”
“And I knew that when he was bringing this show to us, there was way more than just a murder,” he continued. “It was something about trauma, abuse and relationships.”
Cooper Koch will ‘without a doubt’ be watching the Menéndez brothers’ authorised documentary when it debuts on Netflix next month
Erik and Lyle Menéndez pictured in court in 1992
via Associated Press
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“Absolutely,” Nicholas agreed. “I’m really excited to see the perspectives that they share with this documentary.”
“I’m quite glad that Netflix is giving them this platform,” he added.
Monsters: The Lyle And Erik Menéndez Story is now streaming on Netflix.