Yes, Wednesday morning saw the arrival of With Love, Meghan: Holiday Special, the first (and, presumably, only) festive special in the Duchess of Sussex’s two-season project which has seen her offering tips on everything from cooking and crafting to gardening and generally being a great first.
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Seasons one and two of With Love, Meghan were slammed by critics upon their release earlier this year, with many reviews claiming that the show felt out of step with what’s going on in the world, particularly in light of the current social and economic climate.
And – surprise, surprise! – the Holiday Special has also been met with a similarly lukewarm response.
Here’s a selection of what critics are saying about With Love, Meghan’s seasonal swansong…
“That, mercifully, is the end. I feel both offended and harmed, but in the spirit of goodwill I will add a star to my rating in gratitude for the fact that at least we are safe now until next year. God bless us, every one.”
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“I said a little prayer before watching With Love, Meghan: Holiday Celebration. Give me the strength, I muttered, to endure what is to come, and the grace not to give in to despair. I’ve been struggling since the trailer landed a couple of weeks ago, because it opened with Meghan, in wellies, dancing around Christmas trees shouting, ‘Hey-oh!’. Now the whole festive episode has arrived and it is more than we could have hoped for, or done to deserve.”
Naomi Osaka pays Meghan Markle a visit in her new Holiday Celebration
JAKE ROSENBERG/NETFLIX
“You’ll be reaching for the Christmas spirits – make mine a double – within the first five minutes, as Meghan talks us through the basics. ‘Once a year, you get to do the tree thing’. Advent calendars ‘are about having a surprise every day for 24 days until you get to Christmas’. ’Tis the season to wrap gifts. You don’t say!
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“This is reminiscent of the advice given by Pippa Middleton in Celebrate, that seminal work of non-fiction produced by the Princess of Wales’s sister, which recommended serving turkey on Christmas Day and going stargazing at night-time because that’s when it’s dark.”
“It’s not a real special by any stretch, but some YouTube content or the radio that you might put on in the background as you do your tree or wrap your presents. White noise to dull the senses. It’s all a little Stepford Wives; not informative, fun, enjoyable or even aspirational.”
“Sometimes, people are given a platform because of who they are, rather than what they can bring, and With Love, Meghan gives me the same feeling as when I am around very wealthy people who think that making a salad with friends makes them ‘grounded’ and ‘relatable’. On the other hand, there’s something soothing, even enjoyable, about the show’s glossy inanity.”
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“It’s hardly scintillating stuff, but Netflix has really hit its stride with this special episode of With Love, Meghan. They’re really leaning [into] the frantic energy of its star trying to crack puns without splashing hot oil or butter down her pristine cashmere sweaters. Honestly, the production team must be trolling Meghan here with increasingly bizarre and elaborate set-ups for her to impart hosting ‘hacks’. In fact, are they really hacks? They would make anyone actually hosting Christmas for a big group have a nervous breakdown before the canapes were served.”
With Love, Meghan and With Love, Meghan: Holiday Celebration are streaming now on Netflix.
Released on the platform last week, the eight-part mystery drama stars Homeland’s Claire Danes as a woman who begins to grow suspicious about her new next door neighbour, portrayed by Matthew Rhys.
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At the time of writing, The Beast In Me was number one on Netflix’s list of most-watched shows in the UK, with those who’ve already binged it pondering whether the story could continue in some capacity.
With that in mind, we’ve got good news and bad news for fans of The Beast In Me hoping for more from the show…
So, will there be a season 2 of The Beast In Me on Netflix?
First, the bad. The Beast In Me is billed on Netflix as a “limited series”, and as anyone who’s now binge-watched all eight episodes will know, the story is a self-contained one that clearly wasn’t created with the intention of continuing the story.
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However, that doesn’t necessarily mean there couldn’t be more from the drama in the future, as Netflix shows like Beef and Monster were originally conceived as one-offs, only to be brought back when they proved popular with viewers.
Claire Danes and Matthew Rhys share the screen in The Beast In Me
So, given that The Beast In Me has already soared to the top of Netflix’s most-watched chart, it’s definitely not beyond the realm of possibility that the team behind it might look at bringing it back.
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In fact, it’s something showrunner Howard Gordon has already expressed interest in…
What has the team behind The Beast In Me said about a possible season 2?
Asked about the possibility of more episodes in the future, Gordon told TV Insider: “The short answer is, I would say, sure […] I think there probably is a story there.”
But while – spoiler alert – Matthew Rhys would not be back for any future episodes, the showrunner also told TheWrap: “To the extent that Aggie is a writer who has been delivered to this next stage of her life, whatever that stage is… if there is a story, there might be more.”
He also teased: “I am tempted by the character of her grifter father in some way. We’ll see how the show does and if an idea comes. But I think they’d be open to more.”
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Who else stars in the cast of The Beast In Me?
Besides Claire Danes and Matthew Rhys, the show features an impressive array of stars including…
Brittany Snow
Natalie Morales
Deirdre O’Connell
David Lyons
Tim Guinee
Hettienne Park
Bubba Weiler
Aleyse Shannon
Julie Ann Emery
Will Brill
Kate Burton
Bill Irwin
Leila George
Find out more about where you might have seen the stars of The Beast In Me before here.
Earlier this month, the third season of Monster began streaming, focussing on the horrific crimes of serial killer and grave-robber Ed Gein, whose actions inspired the murderous fictional characters in movies like The Texas Chainshaw Massacre, The Silence Of The Lambs and Psycho.
Following its debut, the show received criticism from many viewers over the way the show hinted at a link between the latter and Ed Gein, because of the way the actor chose to conceal his sexuality publicly in his lifetime.
Anthony Perkins on the set of Psycho
The Legacy Collection/THA/Shutterstock
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Speaking to TMZ, Anthony’s son Osgood Perkins (the director behind recent horror movies like Longlegs and The Monkey) claimed he “wouldn’t watch” the series “with a 10-foot pole”.
He also slammed streaming platforms for “glamourising” the true-crime genre and which he said is “increasingly devoid of context”, while lamenting that “the Netflix-isation of real pain” is “playing for the wrong team”.
Osgood Perkins
via Associated Press
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Oz told People magazine last year that the way his parents concealed his father’s sexuality from him when he was growing up was part of the inspiration for his movie Longlegs.
“Everybody knew it, even my brother and I theoretically knew it, but we were never given any language for it,” he claimed.
“The idea that [my mother] could make up – not make up, it’s not a lie – but it’s like a cover, a storytime…”
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He said that Longlegs became “the most baroque horror version of, ‘What’s going on in my household?’”, noting: “Every kid probably feels [that] to some greater or lesser extent. But if your father’s a public movie star and you don’t know who he is, that’s a little bit more profound.”
Bridgerton bosses have revealed that fans’ next trip to The Ton is mere months away.
It’s now been over a year since the latest instalment of the Netflix period drama, which broke from the order of the original novel series in order to bring fans the love story between Colin Bridgerton and Penelope Featherington, played by fan-favourites Luke Newton and Nicola Coughlan.
On Monday morning, Netflix shared an exciting preview video for season four, which revealed some good news and bad news for Bridgerton devotees.
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First, the good news: Bridgerton will be back on our screens early next year.
Unfortunately, not all of the news is positive however, with Netflix once again making the decision to split the season in two, the first part of which will arrive on Thursday 29 January 2026, followed by a second drop four weeks later, on 26 February.
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It was previously confirmed that the new batch of episodes will focus on Benedict Bridgerton, portrayed in the first three seasons by Luke Thompson.
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While Benedict has previously taken a somewhat more fast-and-loose approach to romance, the new season will see him falling in love with a new character, played by Yerin Ha, who meets him at a much-hyped masquerade ball.
An official Netflix synopsis previously teased: “The fourth season of Bridgerton turns its focus to bohemian second son Benedict. Despite his elder and younger brothers both being happily married, Benedict is loath to settle down – until he meets a captivating Lady in Silver at his mother’s masquerade ball.”
Unsurprisingly, the third season of Netflix’s controversial Monster anthology was faced with backlash from the get-go.
Ryan Murphy’s latest creation depicts the life and crimes of real-life serial killer Ed Gein, following previous seasons’ equally-controversial dramatisations of Jeffrey Dahmer and the Menendez brothers’ crimes.
Joey Pollari as Anthony Perkins and Tom Hollander as Alfred Hitchcock in Monster: The Ed Gein Story
As well as taking viewers into the bowels of Gein’s depravity, Monster highlights that his crimes influenced many iconic horror films like Texas Chainsaw Massacre and Alfred Hitchcock’s aforementioned Psycho, depicting Perkins (played in the show by Joe Pollari) being cast as the infamous fictional killer Norman Bates by Alfred Hitchcock (as portrayed by Tom Hollander).
However, viewers have pointed out that Monster makes some dangerous and “tasteless” links between Gein and Perkins, because of the latter’s decision to keep his sexuality private.
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“Ryan Murphy is so tasteless to me, man. If you’re going to do a Anthony Perkins biopic, do a Anthony Perkins biopic and give him the respect he deserves,” wrote one viewer. “But you comparing Ed Gein being a closeted killer to him being a closeted gay man is homophobia”.
Another criticised the show for implying that “Anthony Perkins had a special connection and understanding of Gein because Gein being a murderer is just like being a closeted gay man”.
Meanwhile others called Murphy’s Perkins subplot “disrespectful” and accused the show of “pushing” false narratives about Hitchcock casting Perkins in Psycho because of his sexuality and a perceived connection to Gein.
Ryan Murphy is so tasteless to me man. If youre going to do a Anthony Perkins biopic, do a Anthony Perkins biopic and give him the respect he deserves.
But you comparing Ed Gein being a closeted killer to him being a closeted gay man is homophobia,
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Ryan Murphy is so tasteless to me man. If youre going to do a Anthony Perkins biopic, do a Anthony Perkins biopic and give him the respect he deserves.
But you comparing Ed Gein being a closeted killer to him being a closeted gay man is homophobia,
the Ryan Murphy Ed Gein show saying that Anthony Perkins had a special connection and understanding of Gein because Gein being a murderer is just like being a closeted gay man pic.twitter.com/iZnTtIegVt
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ryan murphy portraying hitchcock telling anthony perkins that he’s perfect for the norman bates role because he shares ed gein’s sexual deviancy because of his homosexuality… perkins family estate we ride at dawn
i refuse to believe Anthony Perkins was walking around catatonicslly depressed telling people: \"I am Ed Gein forever\" lmao. we need to end the Murphy serial killer extended universe. it’s made the true crime genre hit its nadir fr
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i refuse to believe Anthony Perkins was walking around catatonicslly depressed telling people: “I am Ed Gein forever” lmao. we need to end the Murphy serial killer extended universe. it’s made the true crime genre hit its nadir fr
I expected Ryan Murphy’s MONSTER: The Ed Gein Story to be trashy (liked the Dahmer season, the Menendez season was awful) but my god to have Anthony Perkins calling himself a “monster” in conversion therapy….? This has got to be the most ridiculous garbage I’ve ever seen
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This has got to be the most ridiculous garbage I’ve ever seen— shay 🪦 (@astronomonov) October 4, 2025\n\n\n","options":{"_maxwidth":{"label":"Adjust width","placeholder":"220-550, in px","value":""},"_theme":{"value":"","values":{"dark":"Use dark theme"}}},"provider_name":"Twitter","title":"shay 🪦 on Twitter / 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I expected Ryan Murphy’s MONSTER: The Ed Gein Story to be trashy (liked the Dahmer season, the Menendez season was awful) but my god to have Anthony Perkins calling himself a “monster” in conversion therapy….? This has got to be the most ridiculous garbage I’ve ever seen
In another Monster scene, Perkins is seen undergoing so-called “conversion therapy”, while elsewhere Hollander’s Hitchcock muses about “urges”, “secrets” and a “sickness”, telling Perkins: “I had to cast you, Anthony. You’re like him.”
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While Psycho was loosely inspired by Gein, the writer of the novel on which the film was based has also stressed that he was interested by the idea of a solitary figure in a small town where everyone knows each other’s business.
During the conversation, Murphy defended his show from accusations that it’s “exploitative”, insisting he instead hopes to “provoke the question” about society with each season about a different societal theme, using various real-life murder cases to do so.
He also ruled out future seasons about John Wayne Gacy (“there’s nothing redemptive there?”) and Ted Bundy (“when you look at those crimes, what are the themes there? It doesn’t ask you any questions about society”), which is when the subject of Magione was then raised.
So, what did he actually say?
Luigi Mangione in December 2024
via Associated Press
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Well, speaking to the US outlet, Murphy revealed that he and his team “have a ‘maybe one day’ file” of ideas for future seasons of Monster that “just aren’t ready yet”.
He then said that one such concept would be a season about Magione, the 27-year-old who is currently in police custody, accused of fatally shooting Brian Thompson, the CEO of the American health insurance organisation UnitedHealthcare.
According to Variety, Murphy quickly dismissed the idea of focussing on Mangione after he, in their words “deemed it too early to proceed”.
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“We know nothing about him,” the Emmy winner pointed out.
Monster: The Ed Gein Story will debut on Netflix on Friday 3 October, with a fourth run of the controversial show already in production.
The next iteration will be the first to centre around a female killer, with Ella Beatty set to reunite with Ryan Murphy for the new series, which she’ll lead as Lizzie Borden, sharing the screen with other Murphy-verse alum including Billie Lourd and Vicky Krieps.
Rebecca Hall and British performer Jessica Barden will also be part of the cast of the show, which Netflix said will tell the story of “the infamous young woman accused of murdering her parents with an axe”.
The dramatic crime thriller stars Jude Law and Jason Bateman as two estranged brothers whose reunion turns both of their lives upside down, and since it premiered last week, it has been consistently hovering around the top of Netflix’s most-watched chart.
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Now that many of us have binge-watched all eight episodes of Black Rabbit, the question is: could a second season be on the horizon? And on that front, we’ve got some good news and bad news…
Will Black Rabbit get a season 2 on Netflix?
Black Rabbit was created as a miniseries, meaning its creators never intended for it to have a future after its original run.
And following the events in the series finale – which ties up almost all of the characters’ storylines, as well as killing off one of its leads – it seems unlikely that their stance on that is about to budge.
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“It was a story that had a beginning and an end and everyone was there to serve this tight but closed story,” Kate Susman said during an interview with Esquire.
Black Rabbit viewers are already contemplating whether a second season could be in the works
“The idea was always for it to be a limited series for a number of reasons,” she also told TheWrap.
What have the creators of Black Rabbit said about the future of the show?
That being said, though, if you were hoping to return to the world of Black Rabbit in the future, you could be in luck.
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Kate told TheWrap: “As soon as we got on set and realised what we had with the crew and what we had been able to put together with the cast and the producing team, everyone was kind of like, ‘Why are we ending this? This is a good thing we got going here’.
“There are so many storylines I still want to follow.”
With that in mind, Kate has insisted that a Black Rabbit spin-off is something she’d definitely consider in the future.
Troy Kotsur as Mancuso in the second episode of Black Rabbit
Her co-creator (and husband) Zach Baylin also teased: “Hopefully, people will watch and like the show. Then, you know, maybe we get to explore some of those other avenues.”
If you’re a fan of a fast-paced thriller full of unpredictable twists and turns, Netflix has something you might want to check out this weekend.
On Thursday morning, the streaming giant premiered its new series Black Rabbit, which centres around two brothers who are reunited after an estrangement.
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Jude Law plays one of the men, a successful New York nightclub owner whose life is turned upside down when his chaotic brother, portrayed by Jason Bateman, strolls back into his life, with chaos in his wake.
Reviews of the show so far have been pretty positive, with critics predicting big viewing figures for Black Rabbit, and even some (though, admittedly, not all!) of the less enthusiastic assessments still pointing out that the show is likely to make for binge-friendly viewing.
Here’s a selection of what the critics are saying about Black Rabbit so far…
“Pick of the week […] It’s snappy, fast-talking trash but with an undercurrent of fraternal tenderness that lends it a dimension beyond the generic.”
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“Black Rabbit is worth watching for its stylish direction, propulsive pace that mitigates some of the narrative wheel-spinning, and most of all Law and Bateman’s brilliantly cast brother act. But technical polish and the faithful execution of genre conventions alone can’t elevate a show beyond competence.”
Black Rabbit is a new crime thriller now streaming on Netflix
“There are parts of Black Rabbit that I appreciated, from a ground-level New York City vitality to a searing supporting performance from Troy Kotsur to a two-episode conclusion that’s effectively tense, right up until a soggy ending that left me convinced the series has no awareness that its main characters aren’t antiheroes, they just suck in very conventionally clichéd ways.”
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“Law and Bateman have the convincing physical shorthand of siblings, the little eyebrow raises and exasperated smirks that convey a lifetime spent loving and infuriating each other. That familiarity is the backbone of Black Rabbit, and it gives urgency and emotional weight to everything that comes after the brothers reunite.”
","type":"video","meta":{"author":"Netflix","author_url":"https://www.youtube.com/channel/UCWOA1ZGywLbqmigxE4Qlvuw","cache_age":86400,"description":"Meet Vince & Jake in the Black Rabbit Emmys commercial. These two brothers are on the run from the mob in NYC and out of options.\n\nWhen the owner of NYC’s biggest hotspot (Jude Law) allows his troubled brother (Jason Bateman) to return to the family business, trouble multiplies.\n\nMake a Reservation for BLACK RABBIT here: https://www.netflix.com/blackrabbit\n\nBLACK RABBIT is a limited series created and executive produced by Zach Baylin and Kate Susman for Youngblood Pictures. 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“The writing and the pacing of Black Rabbit during the appetiser portion of the program are solid enough that one will want to stick around for dessert, though there’s quite a bit of filler, too.”
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“There’s always something happening, but it doesn’t always work. Everything is pitched at the same level of intensity, even if it’s obviously not as important or ends up not mattering. The runtimes are bloated, and some long scenes may have you eyeing the fast forward button… [but] the good news is that the show gets better as it goes on.”
“Although the series never feels like it could go anywhere, at least the inevitability instilled by its flash-forward opening quickly illustrates why you don’t have to keep hanging around.”
Even when Netflix was a simple DVD rental service, the premise was roughly as it is today: the company offered the best TV shows and movies for customers to view in the comfort of their own home.
After all, these rollouts are not always big box office earners for the streamer.
Take 2018′s The Ballad Of Buster Scruggs, directed by the famous Coen brothers and starring the likes of Liam Neeson and James Franco, which was “barely” shown in UK theatres – it only appeared in a tiny smattering of Curzon cinemas.
And recently, the brand’s CEO, Ted Sarandos, described the traditional model of releasing movies to cinemas as “outdated.” So what’s going on?
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Netflix’s original film ‘Pinocchio,’ which premiered at the BFI London Film Festival before being shown in select cinemas
Well, to qualify for some prestigious awards – notably including the Oscars – movies have to follow certain rules. These often include a theatrical run.
To be considered for an Oscar, for instance, a film has to be “feature length” (over 40 minutes) and have had a “theatrical qualifying run of at least seven consecutive days in the same commercial motion picture theatre, during which period screenings must occur at least three times daily, with at least one screening beginning between 6pm and 10pm daily.”
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Some believe this is the primary reason for Netflix’s tiny theatrical releases.
Additionally, a theatrical release, and certainly a film festival premiere, can help to build buzz and a sense of prestige for upcoming titles, too.
But the usually tiny cinema releases are not without their critics.
Director Stephen Spielberg reportedly proposed a rule change that would make streaming giants ineligible for Academy Award nominations, too.
At the time (2019), Netflix posted on X: “We love cinema. Here are some things we also love…
“Access for people who can’t always afford, or live in towns without, theatres… letting everyone, everywhere enjoy releases at the same time… giving filmmakers more ways to share art. These things are not mutually exclusive.”
We love cinema. Here are some things we also love:
-Access for people who can’t always afford, or live in towns without, theaters -Letting everyone, everywhere enjoy releases at the same time -Giving filmmakers more ways to share art
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We love cinema. Here are some things we also love:
-Access for people who can’t always afford, or live in towns without, theaters -Letting everyone, everywhere enjoy releases at the same time -Giving filmmakers more ways to share art
The Wednesday universe just got a whole lot bigger after a new cohort of stars joined the Netflix hit for its long-awaited second season.
After a three-year wait, the new episodes see Jenna Ortega’s character finally heading back to Nevermore to tackle new mysteries while she navigates family, friends and old foes.
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Joining returning stars like Catherine Zeta-Jones, Luis Guzmán, Isaac Ordonez and the rest of the kooky family, this season brings a host of new stars and A-list performers into the mix.
With the first four episodes of the season available to watch now (ahead of part two dropping on 3 September), you might have spotted more than a few familiar faces.
Here’s where you’ve seen them before…
Joanna Lumley
Dame Joanna Lumley as Patsy Stone in Absolutely Fabulous
Dame Joanna’s career spans decades, including TV shows like The New Avengers, Sapphire & Steel, Sensitive Skin, Finding Alice and Fool Me Once, while The Wolf Of Wall Street, Ella Enchanted, Paddington 2 are among her many film credits.
She’s also known for her numerous travel series where she’s journeyed all over the world to countries like Russia, Japan and India (where she was born).
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Wednesday actually marks a Tim Burton reunion for Dame Joanna, who voiced Maudeline Everglot in his 2005 stop-motion classic Corpse Bride and played Aunt Spiker in James And The Giant Peach, which he produced.
Steve Buscemi
Steve Buscemi in Boardwalk Empire
Moviestore/Shutterstock
Another screen legend joining this season is Steve Buscemi in the role of Principal Dort. You’ll know him for playing Nucky in Boardwalk Empire, along with Mr “I Don’t Tip” Pink in Reservoir Dogs.
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His other big movie credits include Fargo, The Death Of Stalin and Ghost World. With more than a few hardman roles added to his resume over the years, he’s also no stranger to comedy, having appeared in Hubie Halloween, The Unbreakable Kimmy Schmidt, and The Week Of.
If nothing else, you’ve most definitely seen his famous “how do you do, fellow kids” line memed to high heaven from 30 Rock, or heard his voice as Randall in Pixar’s Monsters, Inc.
Billie Piper
Billie Piper as Rose Tyler in Doctor Who
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Doctor Who fans will always know and love Billie Piper as the iconic companion Rose in the first two revived seasons of the beloved sci-fi show.
She joins Wednesday as Isadora Capri, the Academy’s new head of music, and has previously starred in shows like Secret Diary Of A Call Girl, I Hate Suzie and Penny Dreadful, and portrayed Fanny Price in the Jane Austen TV movie adaptation of Mansfield Park.
Before all of that, though, she was a chart-topping popstar, racking up hits like Because We Want To, Day And Night and Girlfriend.
Thandiwe Newton
Thandiwe Newton as Maeve in Westworld
Bad Robot/Kobal/Shutterstock
The A-list Brits just keep on coming, with Thandiwe Newton joining Wednesday in the role of psychiatrist Dr. Rachael Fairburn.
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She won an Emmy for her stunning portrayal of brothel madam Maeve in Westworld, while her other memorable roles across film include Beloved, Mission Impossible II and Crash. Her TV credits, meanwhile, range from Line Of Duty, Rogue and ER.
Thandiwe has also had some huge voice parts, including Mona in Big Mouth and Eshe in Disney’s Lion King prequel Mufasa, which came out last year.
Christopher Lloyd
Best known for his work in Back To The Future, Christopher Lloyd previously played Uncle Fester in two Addams Family movies
Paramount/Kobal/Shutterstock
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The Back To The Future legend is officially returning to the Addams Family universe, after portraying Uncle Fester in Barry Sonnenfeld’s 1990s films.
However, this time around, he’s playing Professor Orloff, Nevermore’s longest-serving teacher. Along with his unforgettable role as Doc Brown in the iconic sci-fi trilogy, he’s also known for playing Jim Ignatowski in the Emmy-winning comedy series Taxi.
Christopher’s other notable movie credits include Who Framed Roger Rabbit, One Flew Over The Cuckoo’s Nest and Star Trek III: The Search for Spock.
She won an Academy Award for her contribution to the A Star Is Born soundtrack (and snagged an additional nomination for her performance as Ally in the film itself), and has gone on to land starring roles in Joker: Folie à Deux and the 2021 series House Of Gucci.
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Gaga previously led the fifth season of American Horror Story back in 2015, winning a Golden Globe in the process, before returning to play the witch Scáthach in the the following year’s series.
Haley Joel Osment
Haley Joel Osment in The Sixth Sense
Moviestore/Shutterstock
Former child actor Haley Joel Osment guest stars in the first episode of season two as a serial killer known as the Kansas City Scalper.
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You may well still be a little traumatised from his performance in The Sixth Sense (for which he received an Oscar nomination) with Bruce Willis. He also delivered a hugely moving performance in A.I. Artificial Intelligence.
As an adult, you might have watched him in Blink Twice, Sex Ed, Extremely Wicked, Shockingly Evil And Vile and, much more recently, Happy Gilmore 2.
Heather Matarazzo
Heather Matarazzo on the set of The Princess Diaries in 2001
Ron Batzdorff/Brownhouse Prod/Botnp Inc/Kobal/Shutterstock
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All millennials likely did a double take when they spotted Heather Matarazzo in the new season as Dr. Fairburn’s righthand woman Judi – who is best known to many of us for playing Mia’s best friend Lily Moskowitz in The Princess Diaries.
Her other credits include Welcome to the Dollhouse, Saved!, The Devil’s Advocate and Hostel: Part II.
Frances O’Connor
Frances O’Connor in the 1999 adaptation of Mansfield Park
Moviestore/Shutterstock
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Another season two guest star is Frances O’Connor, who is, funnily enough, another A.I. Artificial Intelligence alum, previously playing Haley Joel Osment’s mum in the Spielberg movie.
Frances has also been seen in the 1999 adaptation of Mansfield Park, The Conjuring 2, Mr. Selfridge and The End.
Owen Painter
Owen Painter in The Handmaid’s Tale
Hulu/Instagram/Eva Vives
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You might not recognise him in his Slurp zombie get-up in Wednesday, but Owen’s resume includes a small role as a border control guard in The Handmaid’s Tale and a young Lucas in Tiny Beautiful Things.
Evie Templeton
Evie Templeton in season two of Wednesday
Nevermore student Agnes DeMille, a superfan of Wednesday’s, is set to make Evie Templeton one of the breakout stars of season two.
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Wednesday is Evie’s biggest acting gig to date, but she’s also had small roles in Criminal Record, Life After Life and Robert Zemeckis’ reimagining of Disney’s Pinocchio.