British Stereotypes And Clichés Galore: What Christmas Movies Always Get Wrong

This article was originally published in December 2020.

Red London buses, the bumbling Brit and the over-zealous American, and endless messages of goodwill and cheer: Christmas movies are often guilty of presenting a very one-note image of the festive period.

In fact, the genre is so rigidly defined, throngs of people light up social media each year to argue how Die Hard cannot possibly a Christmas film, even though it’s set at Christmas – presumably because it isn’t filled with festive clichés.

Perhaps audiences have Hollywood to blame for establishing a genre that feels like it relies so heavily on stereotypes.

“It’s funny rewatching a couple of Christmas films and reminding myself about them,” says Isibeal Ballance, the TV producer who worked with writer-director Mark Gatiss on subversive Christmas drama The Dead Room.

“The characters are always stereotypical. More so than any other time of year, these films lack nuance and get straight down to the point – the story of a character’s redemption.”

Hugh Grant played a fictitious prime minister in Love Actually
Hugh Grant played a fictitious prime minister in Love Actually

Moviestore/Shutterstock

Whether Love Actually, Miracle On 34th Street, The Holiday or even Scrooge, characters in the most famous Christmas films appear to play into Isibeal’s argument

Over here in the UK, we’re often awkward, miserable or earnest, and over in the States, hugely vivacious, positive and romantic.

“I think it is amazing how little people in America know about the UK and how little people in the UK know about the USA,” adds Douglas Mackinnon, director of the Doctor Who Christmas special Husbands Of River Song and Sherlock’s The Abominable Bride.

He recalls one memorable instance: “I had a shoot that started on Buckingham Palace and an American exec asked what ‘that old building’ was. So I’m not surprised that the stereotypes come out very quickly!”

Sherlock's 2015 Christmas special The Abominable Bride
Sherlock’s 2015 Christmas special The Abominable Bride

Paddington, for one, is guilty of “ruthless use of red buses”, says Douglas, who believes the British accent often attempted by Americans in Christmas films is “inevitably a posh accent, often based on not-too intensive research by listening to old interviews with Diana or Charles, or by watching The Crown.”

What do English actors do? They’ll likely copy Sean Connery’s accent if they’re playing a Scottish character, and other actors will turn to Dick Van Dyke if they need to play British, he suspects.

Of course, there’s a comforting familiarity about certain stereotypes. “Great writing doesn’t head for cliché, but the complication is that often a story can start in a familiar place to let the audience in,” explains Douglas. “The problems start if you also finish in a familiar place.”

Not all Christmas shows follow this cookie-cutter approach. The Dead Room is a clever example of how we can rethink Christmas drama while avoiding cliché: set in an old radio building, haunting shots show a crumbling studio, as an older man relives trauma from his past. It is perhaps inspired by Dickens’ A Christmas Carol, but the feel is grittier, more modern and more realistic, as an older man recounts trauma from his past.

The Dark Room starred Simon Callow in the lead role
The Dark Room starred Simon Callow in the lead role

Die Hard is perhaps the most famous example of a Hollywood Christmas blockbuster subverting expectations of the genre. Bob Clark’s thriller Black Christmas about a killer who is never caught – hardly the fairytale ending – is unusual too, much like Shane Black’s Kiss Kiss Bang Bang: another example of a properly dark, unusually witty Christmas film.

In the psychological horror Better Watch Out, stereotypes about Christmas are manipulated to trick the viewer into thinking they are in familiar territory. “Our goal was to get audiences comfortable, yawning, ‘I’ve seen this before…,’” Chris Peckover, director, tells HuffPost UK.

“So when the turn came it would be utterly upheaving. And then to drive the knife in, we continued with the holiday stereotypes ― characters wearing ugly Christmas sweaters, serving hot cocoa to the carollers ― to create a disturbing juxtaposition with the unfolding events. It’s the very nature of stereotypes as lazy and familiar that we harnessed.”

Due to the pandemic, 2020′s crop of Christmas films was minimal: but while Holidate starring Emma Roberts and The Princess Switch: Switched Again with Vanessa Hudgens appear more on familiar territory, Netflix’s major seasonal release Jingle Jangle stylistically switched things up.

Sure, it plays on some Christmas cliches: there’s a toymaker at the heart of the plot and it’s set on the snow-laden cobbled streets of Victorian England, but the way director David E. Talbert has fused African prints, hairstyles, music and dance with the classic Dickensian Christmas movie aesthetic stretches the genre excitingly toward pastures new.

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Hugh Grant’s Reaction To Seeing Love Actually For The First Time Was Anything But Festive

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Two decades years after Love Actually first graced our screens and became one of the most beloved – and successful – Christmas films of all time, some of its stars have been doing a bit of reminiscing.

In a 20th anniversary special released in 2022, cast members including Bill Nighy, Laura Linney, Emma Thompson and Hugh Grant came together to take a trip down memory lane.

Thankfully, most of them have long memories – including Emma, who recalls the first time that she and Hugh watched the finished version of the festive film.

Although Hugh’s response, according to Emma, wasn’t exactly warm and fuzzy.

Emma Thompson and Hugh Grant at the premiere of Love Actually in 2003
Emma Thompson and Hugh Grant at the premiere of Love Actually in 2003

Dave Benett via Getty Images

“Hugh came up behind me as we were walking out and said, ‘Is that the most psychotic thing we’ve ever been in?’” Emma recalled in the special.

Hugh then responded sheepishly: “Did I say that?”

Love Actually may be ingrained in the public consciousness, but a year earlier Hugh admitted he is a little less familiar with the details of the 2003 film – revealing he can’t actually remember what happened to his character.

Martine McCutcheon, Hugh Grant, Emma Thompson in Love Actually
Martine McCutcheon, Hugh Grant, Emma Thompson in Love Actually

UniversalUniversal/Dna/Working Title/Kobal/Shutterstock

Asked about the possibility of a Love Actually sequel in an interview with Digital Spy in 2021, Hugh replied: “I don’t know. I’ve never thought about that… I can’t even remember what happens in the film.”

He explained with a laugh: “It’s so long since I’ve seen it. You’d have to remind me. How do I end up?”

The Bafta wi played the UK prime minister, David, who falls for Downing Street staff member Natalie, played by former EastEnders star Martine McCutcheon.

In one of the film’s most memorable scenes, Hugh, as the PM, can be seen prancing about No.10 to the Pointer Sisters’ Jump (For My Love), which the actor later described as “absolute hell”.

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