Strictly Come Dancing Announces Exciting Plans As Show Celebrates Its 20th Birthday

Strictly Come Dancing has announced it will be celebrating its 20th anniversary in style.

Wednesday marks 20 years since the first episode of Strictly began airing on the BBC, back when Tess Daly was co-hosting with the late, great Sir Bruce Forsyth and the judging panel was made up of Craig Revel Horwood, Dame Arlene Phillips, Bruno Tonioli and Len Goodman, who died in April 2023.

To coincide with Strictly’s big birthday, the BBC has announced a one-off special will be airing later in the year celebrating the show’s impact in the last two decades.

Fresh from Strictly’s win at the TV Baftas over the weekend, a BBC press release has teased that the “unmissable one-off programme” promises “a journey through 20 years of unforgettable entertainment featuring iconic performances and plenty of heart-warming interviews with past celebrity stars, professional dancers, and judges”.

This nostalgic special hopes to “showcase why Strictly Come Dancing has captured the hearts of the nation for the past 20 years”, and helped it become one of the broadcaster’s “best known and well-loved programmes”.

Kalpna Patel-Knight, the BBC’s Head of Entertainment, enthused: “Strictly Come Dancing is more than just a TV show, it has become an integral part of British culture, bringing families together and inspiring viewers of all ages to embrace the joy of dance.

“Throughout its 20-year history, the show has launched careers, sparked trends, and touched the hearts of millions with its dazzling performances, emotional journeys, and unforgettable moments and we will be showcasing it all in this very special programme.”

Meanwhile, as well as this one-off special, Strictly will be returning for its 22nd series later in the year, with actor Nicola Peltz Beckham, boxer Tommy Fury and all-round national treasure Hannah Waddingham among those tipped to be taking part.

Last year’s series was won by Coronation Street actor Ellie Leach and her partner Vito Coppola, beating Layton Williams and fellow soap star Bobby Brazier in the live final.

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People with HIV can be sperm and egg donors

UK laws have changed to keep up with the science that shows it can be safe.

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More hospitals leaving patients in corridors to free up ambulances

A new policy sees people treated in NHS hospital corridors as admissions outstrip beds.

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Millions more middle-aged are obese, study suggests

Using a new, lower BMI cut-off for obesity would give a truer picture of who is affected, researchers say.

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Virtual reality becomes more engaging when designers use cinematic tools

Cinematography techniques can significantly increase user engagement with virtual environments and, in particular, the aesthetic appeal of what users see in virtual reality.

This was the result of a recent study conducted by computer scientists at the University of Helsinki. The results were published in May at the ACM Conference on Human Factors in Computing Systems (CHI).

The team aimed to investigate how principles of composition and continuity, commonly used in filmmaking, could be utilized to enhance navigation around virtual environments.

Composition refers to how the elements in a scene are oriented with respect to the viewer, whereas continuity is about how camera positions between shots can help viewers to understand spatial relationships between elements in the scene.

“Using these ideas, we developed a new teleportation method for exploring virtual environments that subtly repositions and reorientates the user’s viewpoint after teleportation to better frame the contents of the scene,” says Alan Medlar, University Researcher in computer science at the University of Helsinki.

The images show how this differs from regular teleportation used in modern VR games: from the same starting point (top images), regular teleportation moves the user forward while retaining the same orientation (middle images), whereas cinematic techniques can increase the visual appeal of the environment (bottom images).

Sense of space preserved without motion sickness

The results also address the issue of motion sickness — a common problem for VR users. Usually, to prevent nausea, designers use teleportation as a method for moving through digital spaces. The researchers’ approach is also based on teleportation, but it aims to fix the problems associated with this technique.

“In virtual environments, teleportation can lead to reduced spatial awareness, forcing users to reorient themselves after teleporting and can cause them to miss important elements in their surroundings,” says Medlar.

“The cinematography techniques we used give the designers of virtual environments a way to influence users’ attention as they move around the space to affect how they perceive their surroundings,” he continues.

Implications for gaming, museums, and movies

The research carries substantial implications for a range of VR applications, especially as the affordability of VR headsets keeps improving. Video games, virtual museums, galleries, and VR movies could all benefit from these findings, utilizing the proposed methods to craft more engaging and coherent experiences for their users.

Medlar believes the results will be of practical use to virtual reality designers.

“The potential impact of improving navigation in VR and giving designers more tools to affect user experience is huge.”

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90% of Floridians believe climate change is happening

The latest edition of Florida Atlantic University’s “Florida Climate Resilience Survey,” found that 90% of Floridians believe that climate change is happening. In comparison, a recent Yale University survey showed 72% of all Americans believe climate change is happening. The FAU survey includes questions on beliefs about climate change, experience with extreme weather events and support for climate-related policies.

The Florida Climate Resilience Survey also shows belief in human-caused climate change has surged among Florida Independents while slipping among Republicans in the state since last fall.

But despite these changes, the latest edition of the survey found enduring support among Floridians for increased government action to address the consequences of a warming planet. The survey found 68% of all respondents want state government to do more and 69% want the federal government to do more to address climate change, a finding consistent with previous surveys.

“Floridians support strengthening our resilience to the effects of climate change because they are experiencing it. The urgency to act means debate over causes is largely irrelevant,” said Colin Polsky, Ph.D., founding director of FAU’s School of Environmental, Coastal, and Ocean Sustainability (ECOS), a professor in geosciences, and director of the FAU Center for Environmental Studies (CES) within the Charles E. Schmidt College of Science.

Among the 58% of Floridians who believe human activity is the cause of climate change, the survey found changing attitudes based on party affiliations. Among Floridians who report no party affiliation, belief that climate change is caused by human activity increased by 11% since the last survey in September 2023 (to 64% in the latest survey). But belief in human-caused climate change among Florida Republicans declined during that time, dropping to 40% from 45%.

The survey also found noteworthy differences in opinion based on the age of the respondents. Respondents under age 50 were more likely to believe that human activity is the cause of climate change than those 50 and older (66% to 50%) and more likely to want state government to do more to address its impacts (77% to 59%).

“Global warming became a major public issue in 1988. The age 50 cutoff is therefore a good proxy for separating people whose formative years included this issue versus those who did not,” said Polsky.

The latest survey found that 67% of Floridians believe climate change should be taught in schools. More than two-thirds of respondents have supported climate education in classrooms in nine of the 10 surveys conducted since 2019.

Florida Democrats (87%) and independents (68%) expressed the highest level of support for climate education in the latest survey, but even a majority of Republicans expressed this belief (52%).

“This abiding majority support for K-12 teaching climate change confirms the premise that Floridians want more climate change awareness and action regardless of the cause,” said Polsky.

The survey also found falling support for solar power as the primary form of energy production that Florida should be supporting for the future: 51% of all respondents support that statement, a decrease of 4% since last fall.

This decline has been happening since solar energy reached peak support of 62% in September 2022, but the recent drop was most pronounced among Florida Republicans. While support for solar remained consistent among Florida Democrats and independents since the last survey, such support fell 9% among Republican respondents.

Overall, most respondents said that climate change sparked their concern for the well-being of future generations (68%). But less than half of all respondents (48%) said they would be willing to pay $10 a month to strengthen Florida’s infrastructure to weather hazards.

CES has conducted the Florida Climate Resilience Survey since October 2019 and now does so every spring and fall. The latest edition was conducted in English and Spanish from March 18-21. The sample consisted of 1,400 Floridians, ages 18 and older, with a survey margin of error of +/- 2.53 percentage points.

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Metalens expands Its reach from light to sound

Junsuk Rho from the Department of Mechanical Engineering, the Department of Chemical Engineering, and the Department of Electrical Engineering, Dr. Dongwoo Lee from the Department of Mechanical Engineering, and Beomseok Oh, a PhD student, from the Department of Chemical Engineering at Pohang University of Science and Technology (POSTECH) have achieved a breakthrough in surpassing the limitations of traditional acoustic metalenses. They have successfully developed the first wide field-of-hearing metalens. This research has been recently published in the international journal, Nature Communications.

Sound waves, originating from vibrations in mediums like gases and liquids, are omnipresent in our daily experiences. Notably, high-frequency ultrasound waves, imperceptible to the human ear, are utilized in medical ultrasound examinations for diagnosing tissues or organs within the body. Consequently, sound waves serve as a vital energy source not only in medicine but also in telecommunications, energy harvesting, imaging, and various other domains. Acoustic lenses are fundamental in all these applications as they are instrumental in accurately focusing sound waves.

Professor Junsuk Rho’s team, known for their work on metalens, is attracting acclaim for their advancements in optical metalens for light wave manipulation as well as acoustic metalens for sound control. Metalens, comprised of artificial structures usually smaller than the wavelength of the waves, enables unrestricted manipulation of waves while significantly reducing lens thickness. This research extends the concept of a “wide field-of-view,” currently trending in next-generation AR and VR devices and displays, into the realm of acoustics, opening avenues for novel applications of “wide field-of-hearing” technology.

Wide field-of-hearing measures the breadth of angles through which a lens can display a sound image. Traditional acoustic metalenses suffer from undesired sound distortion (aberration) when waves approach at non-perpendicular angles. The team devised a method to meticulously control the phase of the metalens, ensuring precise focusing of sound waves regardless of their angle of incidence. This marks the first successful achievement and demonstration of a wide field-of-hearing using ultra-thin metalenses, achieving up to 140 degrees of field-of-hearing without sound distortion.

Professor Junsuk Rho of POSTECH stated, “By first demonstrating the significance and necessity of field-of-hearing, we’ve established a new paradigm in the realm of acoustic metalenses.” He added, “We will continue our work to further explore its applications in acoustic imaging and high-sensitivity sensing along with explorations in energy harvesting and submarine monitoring within underwater environments.”

The research was conducted with support from POSCO N.EX.T IMPACT and an organization-specific task of the Korea Research Institute of Ships & Ocean Engineering.

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Brazilian butt lift firms banned after woman in hospital

The woman required emergency hospital treatment following the procedure in a hotel function room.

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Teenager used pills for illegal abortion, court hears

Sophie Harvey, of St Mary’s Road, Cirencester, is accused of taking the drug to end her pregnancy.

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Here’s How Actors Stay Still When Playing Dead, And It’s Not How I Thought

It doesn’t matter whether you’re into soaps, gore, rom-coms, or dramas; rare is the telly lover who’s managed to avoid seeing the on-screen death of their favourite character.

And if you’ve watched a show with a particularly high character kill-off rate, like Game of Thrones, you’ve likely witnessed post-battle scenes that’d make Napoleon feel queasy.

But once you’ve got past why your beloved character has gone to Hollywood Heaven, the question of just how actors manage to lay so convincingly still for so long during the corpse shots comes up.

Luckily, Marina Hyde, co-host of behind-the-scenes podcast The Rest Is Entertainment, has answers for us.

Which are?

Marina spoke to a producer about forensic pathology prior to the podcast and learned that yep, people do cast corpses.

She explained that “some people do freak out” when playing corpses, and not everyone can lay still enough for long enough to get a good shot, “so you have to audition [for corpse roles] by lying still.”

Ever with perfect corpse casting, though, shots used to not linger on the chest because it’s very hard not to show the rise and fall of breath.

“But now ― this is like one of the big routine instances of VFX ― they can capture it at rest (the chest) at one moment, then they layer that still in the rest of the footage.

“For those ones where there’s an open-eye corpse, the VFX is particularly useful,” Marina added.

Her co-host Richard Osman said, “Essentially there are some actors who are very very good at being still, and now they cheat the ‘not breathing’ elements.”

Woah.

I know! A Reddit thread asking people who had played dead on-screen to share their experiences also provides some gory insight.

“I was on an episode of Chicago Fire as a featured extra. I was in a rubble scene after a marathon bombing,” site user Citrous_Oyster wrote.

“The camera was on a crane facing down on the file and I was laying on my back across the rubble. I was instructed to try and hold my breath as long as I could or take short breaths. I was in a yellow jacket so it also hid some of my breathing which helped,” they shared.

“I work in post-production and can confirm I have removed breaths from actors playing dead. Not particularly complicated generally,” Redditor Jewel-jones added.

The more you know…

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