8 Film And TV Adaptations The Authors Who Inspired Them Hated

If you love both reading and watching films, 2026 offers rich rewards – this year will see everything from new Pride and Prejudice and Sense and Sensibility adaptations to yet another instalment in the Dune franchise.

Project Hail Mary, The Odyssey, H is For Hawk, and Wuthering Heights are already out, meanwhile.

Generally, hitting the big or small screen spells good news for book sales. People can’t stop buying copies of the Homeric text after Nolan’s blockbuster; Wuthering Heights sales skyrocketed after Emerald Fennell’s controversial interpretation.

But that doesn’t mean every author is a fan of their works’ film or telly counterparts.

Here, we rounded up eight authors who criticised adaptations of their books:

1) E.B. White wasn’t delighted with 1973’s Charlotte’s Web

Charlotte's Web
Charlotte’s Web

Paramount Pictures

E.B. White, who wrote the 1952 children’s book, had been in negotiations with the production team John and Faith Hubley.

Eventually, Hanna-Barbera got the rights instead. After their animated 1973 movie came out, White wrote: “The movie of Charlotte’s Web is about what I expected it to be. The story is interrupted every few minutes so that somebody can sing a jolly song. I don’t care much for jolly songs. The Blue Hill Fair, which I tried to report faithfully in the book, has become a Disney World, with 76 trombones.”

His wife, meanwhile, told would-be director of the abandoned original adaptation, Gene Dietch, “We have never ceased to regret that your version of Charlotte’s Web never got made. The Hanna-Barbera version has never pleased either of us.”

2) Truman Capote didn’t love 1961’s Breakfast at Tiffany’s

Author Truman Capote spent many years disparaging the movie based on his 1958 novel, calling it the “most miscast” movie (he’d wanted Marilyn Monroe for the part Audrey Hepburn got).

When asked what he didn’t like about the adaptation, he replied, “Oh god, just everything” – the book’s narrator role changes, as does the book’s ending.

3) Stephen King had issues with 1980’s The Shining

The Shining
The Shining

Warner Bros Pictures

Speaking to The Paris Review about Kubrick’s version of his story, King said he thought the movie was “Too cold. No sense of emotional investment in the family whatsoever on his part”.

He added that Shelley Duvall as Wendy was “insulting to women. She’s basically a scream machine…

“And Kubrick didn’t seem to have any idea that Jack Nicholson was playing the same motorcycle psycho that he played in all those biker films he did… The guy is crazy. So where is the tragedy if the guy shows up for his job interview and he’s already bonkers? No, I hated what Kubrick did with that.”

The writer had penned his own version of the script, which Kubrick didn’t use.

4) Rick Riordan disavowed the 2010 Percy Jackson and The Lightning Thief flick

Author Rick Riordan let his feelings about the adaptation be known on X, where he likened the movie to “my life’s work going through a meat grinder when I pleaded with [the studio] not to do it.”

He also posted, “I still have not seen the movies, and don’t plan on ever doing so… I judge them from having read the scripts because I care most about the story. I certainly have nothing against the very talented actors. Not their fault. I’m just sorry they got dragged into that mess.”

Still, the writer hinted he was “gonna fix” this with Disney+’s 2023 series, Percy Jackson and the Olympians, for which he had more oversight.

5) Michael Ende called 1984’s The Neverending Story “revolting”

Going so far as to remove his name from the movie’s credits, Ende publicly described the movie as “revolting” and claimed, “the makers of the film simply did not understand the book at all”.

The author even reportedly tried (and failed) to sue in order to stop the movie from going out, saying his “moral and artistic existence is at stake in this film”.

6) PL Travers had such a contentious relationship with Disney due to Mary Poppins, there’s a whole film about it

The film, which won a remarkable five Oscars, had a very different nanny to the one in PL Travers’ books (she “never wastes time being nice”) – Travers also disliked the fact that Disney made Mrs Banks a Suffragette.

So contentious was her relationship with Walt Disney that the movie Saving Mr Banks was made to chronicle the making of the film.

7) Alan Moore, the mind behind V for Vendetta’s comics, called the 2005 movie’s writing “rubbish”

V For Vendetta
V For Vendetta

Warner Bros Pictures

When asked to weigh in on the adaptation, Moore said: “I’ve read the screenplay. It’s rubbish”.

He also told the New York Times that for a lot of the DC projects that had become movies, “I don’t want anything more to do with these works because they were stolen from me – knowingly stolen from me.”

8) Moore also slammed the Watchmen film

The writer, who claimed the studio was using his brother’s serious illness to pressure him, said of the movie: “curse this wretched film and everything connected with it”.

Speaking to GQ, meanwhile, he said: “I would be the last person to want to sit through any adaptations of my work.

“From what I’ve heard of them, it would be enormously punishing. It would be torturous, and for no very good reason… It seemed to me that what people were taking away from works like Watchmen or V For Vendetta wasn’t the storytelling techniques, which to me seemed to be the most important part of it. It was instead this greater leeway with violence and with sexual references. Tits and innards.”

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Harlan Coben Says His New Netflix Show Has 1 Exciting Difference

Some matches, like strawberries and cream, are made for each other. Netflix and author Harlan Coben seem to be another such example.

So perhaps it’s no wonder the author is yet again working with the service.

This week, Netflix began production on Myron Bolitar in New York.

Coben told the Hollywood Reporter (THR), “It’s been really heady and really interesting” to see the show come together.”

And, the author said, this new title might have a crucial difference.

“The other series that I’ve done are all designed to be limited series – and I don’t want season twos out of them, even if sometimes we think about them. My rule on that is that unless we can come up with a better story, I don’t see a season two,” he said.

“With I Will Find You, what, would we have another kid go missing?… [But] The Myron Bolitar series is created, like the books themselves, [so] that we can run more than one season if we’re so blessed.”

That’d spell good news for fans, who have previously been left with relatively short series.

Harlan Coben, left, Sam Worthington and Britt Lower
Harlan Coben, left, Sam Worthington and Britt Lower

via Associated Press

Netflix’s Tudum said that the series follows the character who first appeared in 1995’s Deal Breaker, and went on “to appear in 12 of Coben’s novels, where he’s found himself investigating blackmail attempts, murder, and more.”

The show’s synopsis reads, “After an injury ends his NBA dreams, Myron Bolitar reinvents himself as a sports agent – using charm, smarts, and a ruthless partner to navigate the high-stakes and dirty world of sports, where saving his clients often means risking himself.”

As for who’ll star in the show, Coben told THR, “It took a long time to figure out this cast – this one’s harder for me. If you don’t like David Burroughs in I Will Find You, well, that’s only one book. But [titular character] Myron has lived with me for a long time.”

But they’ve settled on some names, including:

  • Colin Woodell as Myron Bolitar (“I think he’s just an incredible talent, and it took a long time to find him. And now I even see him as Myron,” Coben told THR),
  • KJ Apa as Win Lockwood, “the one Myron turns to when clients find themselves in trouble”,
  • Diane Guerrero as Esperanza Diaz, a wrestler,
  • Jabari Banks as Dwayne Richmond, a “charismatic tennis prodigy”,
  • Chloe Fineman as Parker Quinn, a sports reporter,
  • Jamie McShane as homocide detective Detective Ray Dimonte, and
  • Ra’Mya Latiah Aikens as Wanda Green, Dwayne Richmond’s “charming and smart fiancée”,

among others.

We don’t have a release date for Myron Bolitar yet – but keep your eyes peeled.

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It’s Your Last Chance To Catch 8 Netflix Titles Leaving This June

Who doesn’t love a good Netflix binge of a weekend – even one as sunny as this one?

Whether it’s the just-dropped Harlan Coben drama critics say is “maddeningly watchable” or one of the suggestions from our list of the streamer’s brand-new June titles, there’s plenty of options to work through.

But if you’re finding it hard to choose, why not pick the movies and shows leaving the subscription service soon? After all, you won’t have a chance to do so again any time soon.

Here’s what’s on its way out in June 2026 from today on in the UK, per The Independent:

Leaving Saturday, 20 June

1) North Shore

Netflix's North Shore
Netflix’s North Shore

Netflix / ITV

Starring Game of Thrones star John Bradley alongside Downtown Abbey’s Joanne Froggatt, the six-episode show’s synopsis reads: “When a UK minister’s daughter dies mysteriously in Sydney, a London detective must team up with his Australian counterpart to unravel the mystery.”

2) The Secret Agent

The Secret Agent
The Secret Agent

Netflix / BBC

Toby Jones (Detectorists, The Hack), Vicky McClure (Line of Duty), and Stephen Graham (Adolescence, Boiling Point) lead this four-episode gem, which is set in Victorian London. “A shopkeeper who doubles as a spy for the Russian Embassy comes under pressure to commit an act of politically-motivated terrorism,” Netflix summarises the show.

3) Spirit: Stallion of the Cimmaron

Spirit: Stallion of the Cimmaron
Spirit: Stallion of the Cimmaron

Dreamworks / Netflix

Yes, that is *the* DreamWorks horse flick from your childhood we’re talking about. Its stellar cast includes Good Will Hunting’s Matt Damon and Succession’s James Cromwell.

Leaving Sunday, June 21

4) Love Is a Story

Love Is A Story
Love Is A Story

Netflix / Zazu Film

This Romanian rom-com focuses on “two young artists, a violin player and an actress, [who] fight to achieve their dreams and keep their relationship together during Christmastime.” It stars Raluca Aprodu, Dragoș Bucur, and Ducu Darie.

5) #Selfie

#Selfie
#Selfie

Netflix / Zazu Film

The Romanian coming-of age flick follows a group of teenage girls (Flavia Hojda, Crina Semciuc, Olimpia Melinte, and more) who flee pre-exam stress by going on a seaside adventure.

6) #Selfie 69

#Selfie69
#Selfie69

Netflix / Zazu Film

Another of the Romanian movie series is set to leave on the same day. This comedy is a sequel to #Seflie, with some familiar names in the cast list. It focuses on “a trio of party-loving friends [who] make a bet: who can get married in three days” after a breakup?

7) The Secret

The Secret
The Secret

ITV / Netflix

Based on a true story, this drama has a pretty juicy description: “A dentist and a Sunday school teacher begin a torrid extramarital affair that leads them to make a murderous pact.” Stars include James Nesbitt (Cold Feet), Genevieve O’Reilly (Andor), and Laura Pyper (Emma).

8) Who Are You: School 2015

Who Are You
Who Are You

KBS2 / Netflix

This 16-episode Korean school drama involves “a bullied high school orphan [who] finds herself in the place of an identical-looking girl who’s gone missing” after losing her memory. Cast members include Yook Sung-jae (The Golden Spoon) and Nam Joo-hyuk (The Great Battle).

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Peter Capaldi Just Shared Why He Really Left Doctor Who

Peter Capaldi, who was the 12th Doctor on BBC hit Doctor Who, has spoken out about his exit from the show.

The Thick Of It Star left the franchise in 2017. In a recent appearance on YouTube series 100 Questions with John Simmons, he claimed that he decided to leave the role because “I just wasn’t sure that it was going to go in the direction that I… everybody was leaving that I’d worked with.”

He added, “Everybody was leaving. Jenna [presumably Jenna Louise-Coleman, who played the Doctor’s companion Clara Oswald] had gone, and Steven [probably former head writer Steven Moffat, who also left in 2017] was going, and Brian [likely Brian Minchin], the producer, was going, and those are the people that make it work for you.

“We’d had some talks about the direction. I wasn’t sure that that was where I wanted to go with the show. And I also thought, I’m not sure I could come up with anything new.”

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Peter continued to say that while his regeneration, which saw the actor replaced by Jodie Whittaker, was “very sad”, he thinks that the biological process the Doctor uses to survive serious damage has become “diminished”.

Calling the concept “a very, very powerful death motif,” he said, “To be perfectly honest, I think there are too many regenerations.

“I love all the Doctors, but I’ve lost count now of how many of them there are, so the weight of this kind of regeneration is diminished. Whereas when I grew up as a kid, the first time it happened it was: ‘What just happened there?’ It was mysterious and strange. It holds the mystery of the show, the regeneration.”

It’s not the first time he’s expressed his feelings about the show, of which he was a super-fan in his youth.

On the Half Of The Picture podcast this year, he claimed: “The show became very, very big. And it was never like that when I loved it. So it became a different thing.

“I think the show is a little bit of a victim of its success. You know, the show that I loved was a tiny thing, a little small thing that survived. It just survived, but nobody knew that it was warming its way into the culture in such a deep way. And I think that’s what I have an affinity with.”

In the ’70s, the Doctor Who fan club received so much correspondence from a young Capaldi that then-president of the group, Keith Miller, said he felt “haunted” by the Doctor-to-be.

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