Oasis Set The Record Straight Amid Widespread Glastonbury 2025 Rumours

Oasis have dismissed speculation that they will be making an appearance at next year’s Glastonbury festival.

Despite the initial announcement about Liam and Noel Gallagher’s upcoming reunion shows specifying they would mark fans’ only opportunity to see them live in 2025, the last few days have seen rumours emerging suggesting the group could be putting in a performance on the Pyramid Stage next year.

However, they have now spoken out to insist this will not be the case.

“Despite media speculation, Oasis will not be playing Glastonbury 2025 or any other festivals next year,” they said in a statement.

“The only way to see the band perform will be on their Oasis Live ’25 World Tour.”

It’s perhaps worth pointing out that earlier in the summer, Noel made headlines when he slated the most recent Glastonbury line-up, for which he ended up facing a huge backlash.

After literal years of theorising about whether the estranged Gallagher brothers would ever put their differences aside and perform together again, it was confirmed on Tuesday morning that Oasis would be doing a string of gigs around the UK and Ireland in 2025.

So far, a total of 15 live shows have been announced, beginning in Cardiff in July.

Following this, the tour will travel to Manchester, London and Edinburgh, with two last shows scheduled for Dublin on 16 and 17 August.

Alongside the announcement, Oasis said:

“The guns have fallen silent.

“The stars have aligned.

“The great wait is over.

“Come see.

“It will not be televised.”

Tickets for Oasis’ 2025 tour will go on sale on Saturday morning at 9am BST, although a fan pre-sale is also taking place on Friday. Visit Oasis’ website for more information on this special pre-sale event.

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I Just Learned How Long It Really Takes To Animate A TV Show, And I’m In Shock

If you’ve ever completed a flipbook in the corner of your school copybook, you’ll likely have thought to yourself, “How can animators do this for entire episodes?”

Even given that backgrounds are reused, many animated shows use 24 frames per second ― the thought of drawing enough to last you, say, 30 minutes is enough to make me giddy.

Luckily, both TV writer Michael Jamin (formerly of King Of The Hill and Beavis & Butthead) and animator Butch Hartman (who’s worked on shows like Danny Phantom and The Fairly OddParents) have answers.

Unluckily, however, both their accounts mean I’ll never be able to watch a cartoon in the same way again.

It’s a lonnng time

According to Jamin, he spent about six weeks writing a 30-minute episode of King Of The Hill with his colleagues ― after that, they’d spend a couple of weeks making the episode’s soundtrack.

Animators needed the final cut of the track to ensure their characters’ mouths moved in time.

When those were sent to the animators, he said the storyboard (not the whole animated show ― just the storyboard) took “a month or so.”

A month or two after that, they’d watch an early “animatic” to see how it flowed ― but only “a few months after THAT” would they see the coloured-in version. This was still months before the final edit.

“From beginning to end, when it’s ready to air, it’s about nine months,” he added.

That seems to check out

Hartman agreed, saying Danny Phantom and Fairly OddParents both consisted of two 11-minute animated sections.

In the end, it would take “about ten months to do.”

That’s from conceiving the script to completion, though, he says.

However he adds “it’s sped up now with flash animation to about six months, but that’s about the time.”

Oh good… a casual half-a-year!

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18 Artists Who’ve Hit Out At Donald Trump For Using Their Songs

With just a few short months until the US presidential election, it’s not unfair to say that Donald Trump isn’t exactly spoilt for choice when it comes to popular musicians who want to endorse him.

In fact, in the last few weeks alone, a number of artists have spoken out against the former president for featuring their music in his campaign videos or playing it at his rallies.

This is nothing new, though.

Over the years, plenty of singers and bands have hit back at Trump for using their music without permission.

Here’s a look at some of the most high-profile examples…

Beyoncé

via Associated Press

In August 2024, Trump’s spokesperson Steven Cheung shared a video of the Republican candidate accompanied by Beyoncé‘s song Freedom, which has become an anthem of Kamala Harris’ presidential campaign in the last few weeks.

Seemingly unhappy with her song’s usage, reports claimed that Beyoncé had issued the Trump campaign with a cease-and-desist letter, and it didn’t take long before the video in question disappeared from Cheung’s social media page without comment.

Céline Dion

via Associated Press

When Trump played Céline Dion’s My Heart Will Go On at a rally in August 2024, the Grammy winner responded with a blistering statement that made headlines the world over.

“In no way is this use authorised, and Céline Dion does not endorse this or any similar use,” the statement said.

Alluding to the fact the song is most popular for its associations with Titanic, the statement concluded: “And really, THAT song?”

Sinéad O’Connor

via Associated Press

The family of the late Sinéad O’Connor were understandably upset after Nothing Compares 2 U was played at various campaign stops in March 2024.

“It is well known that Sinéad O’Connor lived by a fierce moral code defined by honesty, kindness, fairness and decency towards her fellow human beings,” the Irish singer’s estate said.

“It was with outrage therefore that we learned that Donald Trump has been using her iconic performance of Nothing Compares 2 U at his political rallies. [It is] no exaggeration to say that Sinéad would have been disgusted, hurt and insulted to have her work misrepresented in this way by someone who she herself referred to as a ‘biblical devil’.”

Johnny Marr

via Associated Press

Johnny Marr, best known for his work as lead guitarist in The Smiths, was suitably unimpressed to discover the group’s song Please, Please, Please Let Me Get What I Want had been played at a Trump rally.

“I never in a million years would’ve thought this could come to pass. Consider this shit shut right down right now,” he tweeted.

The musician has been similarly critical when Conservative MPs have tried to align themselves with The Smiths’ music.

Rolling Stones

SIPA USA/PA Images

The Rolling Stones threatened to sue Trump back in 2020, after he used their songs at his election rallies in spite of cease-and-desist directives.

Their 1969 hit You Can’t Always Get What You Want was a frequent choice at Trump’s events, with the band confirming music rights organisation BMI had already notified the then-president’s campaign explaining that the unauthorised use of their songs would break its licensing agreement.

Prior to that, th Rollinge Stones had already complained about Trump using their music during his previous campaign in 2016.

Village People

SIPA USA/PA Images

Also in 2020, Village People’s lead singer Victor Willis asked the president to stop playing songs like Macho Man and Y.M.C.A. if he went through with threats to deploy the military on peaceful protesters in America.

Months later, Trump was seen dancing to Y.M.C.A. at a rally, with Victor telling BBC News: “I don’t endorse Trump, I’ve never endorsed Trump, nor has the Village People.”

When asked what he thought about Trump’s dancing, he laughed and added: “Donald Trump does what Donald Trump does. I’ve never seen him actually put his hands up and make the Y.M.C.A. He’s changed it to M.A.G.A. or something.”

Linkin Park

SIPA USA/PA Images

Linkin Park sent a cease-and-desist letter to Trump when he retweeted a campaign-style video featuring the group’s track In The End back in July 2020.

The pro-Trump video was posted on X (then still known as Twitter) by White House staff member Dan Scavino, which was then shared on the president’s page.

Making their stance explicitly clear, a message was then posted on the band’s Twitter page, which said: “Linkin Park did not and does not endorse Trump, nor authorise his organisation to use any of our music. A cease-and-desist has been issued.”

X later told Sky News that they respond to “valid copyright complaints sent to us by a copyright owner or their authorised representatives”.

Tom Petty

EMPICS Entertainment

The family of the late Tom Petty issued a cease-and-desist order after his song I Won’t Back Down was used at a Trump rally in June 2020.

They said in a statement: “Trump was in no way authorised to use this song to further a campaign that leaves too many Americans and common sense behind.

“Both the late Tom Petty and his family firmly stand against racism and discrimination of any kind. Tom Petty would never want a song of his to be used in a campaign of hate. He liked to bring people together.’’

Neil Young

The singer announced he was intending to sue Trump in August 2020 after one of his songs was played against his wishes during the president campaign rallies despite earlier warnings.

The copyright infringement complaint that was filed read: “This complaint is not intended to disrespect the rights and opinions of American citizens, who are free to support the candidate of their choosing.

“However, Plaintiff in good conscience cannot allow his music to be used as a ‘theme song’ for a divisive, un-American campaign of ignorance and hate.”

Prince

Richard E. Aaron via Getty Images

Prince’s estate hit out at the US president after Purple Rain was used at a rally in Minneapolis, the late singer’s home town, in October 2019.

The late singer’s song was played despite the Trump campaign having previously pledged not to do so a year earlier, following its use in the 2016 election race.

“The Prince estate will never give permission to President Trump to use Prince’s songs,” the estate wrote on Twitter, also sharing the letter the president’s representatives that confirmed it would not use Prince’s music “in connection with activities going forward”.

Brian Wilson and Al Jardine

Scott Dudelson via Getty Images

Beach Boys co-founders Brian Wilson and Al Jardine wanted fans to know they were not part of a fundraising effort for Trump featuring the current incarnation of the band.

In 2020, the Beach Boys performed at a Trump fundraiser in Newport Beach, California. However, that was the current touring version of the group led by Mike Love ― the band’s other surviving co-founder, who has often been at loggerheads with his old bandmates, a Trump supporter.

A spokesperson for Brian and Al told Variety at the time: “We have absolutely nothing to do with the Trump benefit today in Newport Beach. Zero. We didn’t even know about it and were very surprised to read about it in the Los Angeles Times.”

Black Sabbath

Doug Peters/EMPICS Entertainment

In 2019, Sharon Osbourne blasted the US leader for using the Black Sabbath track Crazy Train in a campaign video, and making it clear that Trump was “forbidden” from using her husband Ozzy’s music in future videos or at his rallies.

She went on to suggest that tracks by Kanye West, Kid Rock or Ted Nugent – all of whom have publicly endorsed Trump in the past – might be more appropriate. musical choices for him

Rihanna

SIPA USA/PA Images

Rihanna issued a withering response after learning that her song Don’t Stop The Music was being played at a pro-Trump event in 2018.

She wrote on X: “Not for much longer… me nor my people would ever be at or around one of those tragic rallies, so thanks for the heads up!”

Adele

Doug Peters/EMPICS Entertainment

Adele took umbrage with Donald Trump during his 2016 election campaign, when Rolling In The Deep was used repeatedly at his rallies.

In a short but to-the-point statement, her spokesperson said: “Adele has not given permission for her music to be used for any political campaigning.”

R.E.M.

Rex/Shutterstock

Adele’s statement was somewhat more subdued than R.E.M., who were less-than-thrilled to learn that Trump had been blasting their tune, It’s The End Of The World As We Know It at his rallies prior to the 2016 election.

Frontman Michael Stipe issued a statement telling the then-presidential candidate to “go fuck himself”, making it clear he wanted nothing to do with his ideologies.

Aerosmith

NurPhoto via Getty Images

Steven Tyler sent Donald Trump a cease-and-desist letter when he first started using Dream On at his campaigns in 2015.

True to form, Trump responded on X that he’d already found a “better song” to replace Dream On, adding: “Steven Tyler got more publicity on his song request than he’s gotten in ten years. Good for him!”

Queen

Express Newspapers via Getty Images

If anyone was going to try and clumsily appropriate the message of We Are The Champions in their political campaign, it was going to be Donald Trump, right?

Guitarist Brian May assured one fan in 2016: “I will make sure we take what steps we can to dissociate ourselves from Donald Trump’s unsavoury campaign.”

However, in August 2020, the band admitted it had been “an uphill battle” to get the Trump campaign to stop using their songs.

Isaac Hayes

via Associated Press

Shortly after Celiné Dion’s immediately-iconic message to Trump, the family of Isaac Hayes – who died in 2008 – also took issue with the presidential hopeful for playing Hold On, I’m Comin’, a Sam & Dave song written by the singer and actor, at his rallies.

Isaac’s son, Isaac Hayes III, shared a legal letter on social media, revealing he and his family were planning to sue Trump for 134 counts of “copyright infringement”, and claiming they had previously requested multiple times that the Republican candidate not play Hold On I’m Comin’ at his rallies.

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‘A Load Of B*****ks’: Critics Aren’t Exactly In Love With Rylan Clark’s New Naked Dating Show

It was always going to happen eventually, wasn’t it?

After dating formats that have seen contestants winning one another over in elaborate animal masks, sussing out a potential date using only their singing voice and, indeed, getting engaged without ever actually clapping eyes on each other, it was only a matter of time before somebody answered the age-old question: “What if Love Island… but naked?”

Paramount+ was the one who finally to be that “somebody”, with the first two instalments of the result, the succinctly-named Dating Naked, now available to stream.

Fronted by Rylan Clark, the show sees a group of singletons moving into a Love Island-esque summer paradise, and exploring the possibility of romance while completely starkers the whole time.

So far, critics have widely panned Dating Naked, with one-star reviews in a number of outlets, and words like “tedious”, “attention-seeking” and “banal” all being thrown around.

Here’s a selection of what critics have had to say (including a smattering of positive reviews, too)…

“[The only] vaguely entertaining thing about Dating Naked is that it’s hosted by Rylan Clark, who remains clothed and only says ‘I feel a bit overdressed’ once. Otherwise, it’s one heavily constructed reality show ding-dong after another, as partnerships are thrown together and discarded quicker than a cardigan at the door… [This] is a load of bollocks.”

“There are no redeeming features here, not even host Rylan, whose perma-grin seems stapled to his face as he repeats the same few phrases on autopilot […] Save yourself the bother; even if there’s no actual underwear in sight, this show is still pants.”

“Far from injecting a new lease of life into the weary reality TV format, the nudity renders the whole thing strangely banal and mundane. It’s not really shocking, it’s just a bit tedious and attention-seeking. It’s not sexy, either – it’s too anatomical for that. It’s hard to have any sort of allure when it’s all openly displayed on a platter. If less is more, this is definitely too much.”

“Dating Naked UK isn’t necessarily awful because the contestants are naked. It’s awful and the contestants are naked. Once the novelty has worn off, it’s a dire, derivative reality contest with absolutely nothing to offer.”

The alarming truth is that after around ten minutes of the first episode the nakedness becomes, for the viewer at least, utterly unremarkable. Honestly, by the end of episode two I’d even stopped making mental notes to not forget the pigs in blankets this Christmas.”

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“Dating Naked is bonkers but extremely watchable. It’s hard to think where reality TV might take us next in the pursuit of something we haven’t seen.”

“Reality TV formats work best when they turn the volume up on real life. If I wanted to watch normal people dating, I can do that down the Slug and Lettuce any night of the week. It’s why programmes such as Dating Naked are essential.

“I have seen two early episodes of the Paramount+ show and it is fascinating what the dynamic of being nude brings to conversation.”

The first two episodes of Dating Naked are available to watch now on Paramount+.

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