Sabrina Carpenter has hit out at US president Donald Trump’s administration after the White House used her song to soundtrack a video she has described as “evil and disgusting”.
Responding on the same platform on Tuesday afternoon, the Grammy winner wrote: “This video is evil and disgusting. Do not ever involve me or my music to benefit your inhumane agenda.”
“This post honestly makes me sick,” she responded. “My music is about love, unity, and spreading positivity – never about division or hate.”
In early 2024, it was revealed that the Grammy winner was dating the actor Barry Keoghan, until it was reported towards the end of last year that they had parted ways.
“I think I came out of a sad situation, a lot less bitter than I intended or expected to,” the Espresso singer began. “With a little bit more of the like, ‘you know what? There’s two people involved and this is part of growing up’.”
She continued: “I don’t want to be enemies with people that I loved. I loved them. I think obviously it depends on what happens and what goes down and how much you feel like you can truly trust that person.
“But I feel like it is one of those situations where even the album starting with ‘Oh, boy’ was sort of an eye roll to yourself being like, ‘here we go again’. And I think that that’s something that feels very reflective of this time in my life where you don’t really have a lot of time to sort of mope and weep.
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“You kind of just got to get back out there – not even in a dating way, not even in a romantic way – just get back out there in terms of, if you’re staying inside and you’re thinking about how everything’s going wrong, everything’s going to go wrong and you’re going to be inside. But a lot of life is truly happening out there.
“So it’s that switching on that mindset of being like, ‘you know what? Just because you deal with something that’s difficult and maybe really hurts you, doesn’t mean that you’re damaged, doesn’t mean you can’t do it again, doesn’t mean you can’t open yourself up’. And I think this one was a newer heartbreak experience for me.”
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Sabrina’s fans immediately thought of the Saltburn star earlier this year when it was announced that the lead single from Man’s Best Friend would be titled Manchild (which went on to become her fourth UK number one single).
“You know what’s funny? I feel pretty transparent going into any of my relationships, that I write songs. And I think they’re just as down for it,” she insisted, when asked if she felt bad for the online abuse levelled at her ex.
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“I think also most of the time, [my exes have been] pretty flattered when they get a song written about them, good or bad.”
Sabrina then insisted: “I think they’re just excited to get a shout-out. I’m not scared of men in that sense. I am scared of men sometimes, but I’m not scared in that sense.
“I think I will attract exactly who I’m supposed to attract.”
In the days after their split was made public, the Oscar-nominated actor announced he was taking a step back from social media due to hateful comments that were being posted on his accounts, specifically about his appearance, upbringing and skills as a father.
In the clip, she’s joined by two-time Oscar nominee Colman Domingo, who plays the Frank-N-Furter to her Janet.
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Colman Domingo in Sabrina Carpenter’s Tears video
As with Rocky Horror, the video opens with Sabrina dressed demurely, before she encounters Colman’s mysterious character, and finds herself in increasingly surreal (and, indeed, racy) scenarios, culminating in her putting her own spin on some of the cult film’s most iconic scenes.
Meanwhile, as you may have come to expect from the performer of songs like Juno and Bed Chem, the lyrics feature some pretty suggestive double entendres.
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The song features Sabrina singing about how arousing she finds it when a man does simple things like showing “a little initiative”, “remembering I have feelings”, knowing how to “assemble a chair from IKEA” and even offering to “just do the dishes”.
Sabrina Carpenter in some of the most memorable scenes in her Tears music video
“I get wet at the thought of you being a responsible guy,” she croons over the chorus. “Treating me like you’re supposed to do, tears run down my thighs.”
Sabrina recently shut down critics of her more racy lyrics during an interview with Gayle King for Friday’s edition of CBS Mornings.
“[My new album] album is not for any pearl clutchers,” she quipped. “But I, I also think that even pearl clutchers can listen to an album like that in their own solitude and find something that makes them smirk and chuckle to themselves…”
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Sabrina Carpenter’s Man’s Best Friend is available to stream now.
Barry Keoghan and Sabrina Carpenter pictured together in 2024
Dave Benett/WireImage for Vanity Fair
During a wide-ranging new interview with Rolling Stone, Sabrina was asked directly if any of her famous exes served as the inspo for the track.
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“It’s about your dad,” she quipped by way of response.
Elsewhere in the interview, Sabrina spoke about the interest in her personal life since her rise to global fame in the past year.
“When you get down the little rabbit hole is truly when people start commenting on you as a person or you physically,” she explained.
“All of those things that you’re already thinking on a day-to-day basis. You don’t need a stranger from Arkansas to remind you.”
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Of the things people write about her online and in the press, she claimed: “You’re like, ‘That didn’t happen then. That did happen then. You’re missing a few key details there’. People underestimate how tricky it is to navigate being a young woman, having relationships, and then having a bunch of strangers have opinions on them.
“Because surely, all of these people that are commenting, if they had the same microscope on their personal lives, I don’t think they’d be as eloquently spoken as me. I know it’s a tale as old as time. It’s just unfortunate that it’s still a tale.”
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Manchild is currently on course to get Sabrina her fourth number one single in the UK, following the success of Espresso, Please Please Please and Taste in 2024.
As 2024 starts to wind down, and we all gear up for our New Year’s Eve speculation, many of us will be feeling a little nostalgic and reflective.
Plenty of people will be using these next few days to look back at the past 12 months and their personal highlights – whether that’s in their own lives or just the TV, music and films that made the year for them.
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Others, though, will be using this time to catch up on the key moments they missed out on earlier in the year.
We’ve already rounded up some of the best TV shows from 2024 to dive into now you’ve got some time on your hands, but music fans will be pleased to hear we’ve got you covered, too.
Here are 14 essential albums released in 2024 to check out before the end of the year (in the order they were released)…
Singer-songwriter Nadine Shah had been through a turbulent few years while putting together her fifth album, Filthy Underneath – culminating in the death of her mother, a divorce and a stint in a mental health facility.
On her fifth album, Nadine didn’t shy away from any of this when recording Filthy Underneath. Reflecting on some of her darkest times with frankness, courage and, often, a refreshing sense of humour – most notably on lead single Greatest Dancer, in which she reflects on a night in watching Strictly with her mother during lockdown, while under the influence of her mum’s pain medication, and follow-up Topless Mother, in which she pokes fun a former therapist. There’s also a beautiful ode to her late mum on See My Girl, and a lament about the current climate in the UK on Sad Lads Anonymous.
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Although its heavy themes don’t make for the easiest of listens, the eclectic Filthy Underneath’s production is also a feast for the ears – like a mix of Rahim Redcar and David Bowie, in a Geordie accent.
Ariana Grande has done some of her best work with pop superproducer Max Martin, so fans were overjoyed when they found out the pair would be reuniting in a big way on her seventh album.
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The result was Eternal Sunshine, on which Ariana and the Swedish pop juggernaut worked on all but three of the final tracklisting.
Of course, by the time the album came along, the Grammy winner had a few things to get off her chest after finding herself at the centre of tabloid headlines about the breakdown of her marriage and subsequent relationship with Broadway performer Ethan Slater, who she met while still working on Wicked.
Ari kicked off the new era with Yes, And?, a breezy house-inspired bop where she takes on her critics head-on (“why do you care so much whose **** I ride?” she ponders at one point), while elsewhere she sends up her own reputation on singles We Can’t Be Friends and The Boy Is Mine, as well as album cut True Story.
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There are also personal moments when Ari reflects on romance past and present on the likes of Bye, I Wish I Hated You, the beautiful Imperfect For You and Ordinary Things, which ends the collection with a voicenote from the singer’s beloved Nonna.
After the more experimental sound of her ambitious break-up album Star-Crossed, Kacey Musgraves went back to her roots on Deeper Well, both in terms of its more simplistic and organic instrumentation, but also its stripped-back visuals.
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The title songs sees Kacey reintroduce fans to herself at a new, more reflective stage of her life, while the rest of the album sees the Grammy winner analysing various aspects of her life.
She also asks big questions, pondering the existence of God on The Architect and Heaven Is, before ending on a hopeful note with the pretty Anime Eyes and Nothing To Be Scared Of, as she looks ahead to a new romance.
After capturing her attention with Renaissance, Beyoncé decided to head in a completely different direction with the second part of her three-act musical project.
It may have taken the Texas-born star the better part of a decade, but she eventually issued her rebuttal in Cowboy Carter, after really doing her homework on the origins of country music, and used her album not just to highlight Black performers who are currently excelling in the genre, but also shining a light on those who came before her.
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She also made sure to have the co-sign from some genuine country music legends, like Dolly Parton (whose song Jolene she covered) and Willie Nelson – but never one to limit herself, Beyoncé also tries on other genres for size on Cowboy Carter too, dipping her pedicured toes into everything from gospel and soul to funk and classic rock and roll.
“This ain’t a Country album. This is a Beyoncé album,” Beyoncé said of her eighth full-length release, and it’s hard to argue with that thesis.
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On their debut release, it’s fair to say that British four-piece English Teacher came out of the gate strong.
Described by critics as “chaotic” and full of “surprises”, This Could Be Texas certainly keeps listeners on their toes over its 50 minutes, eventually peaking within the top 10 here in the UK and, crucially, earning them the coveted Mercury Prize title over the likes of Charli XCX, Corrine Bailey Rae, Ghetts and Brit Award winners The Last Dinner Party.
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Share 14 snippets of your life in one single Short with “Fortnight (feat Post Malone)” by using remix or adding the official sound.\n\nhttps://yt.be/ForAFortnightChallenge\n\n►Subscribe to Taylor Swift on YouTube: https://ts.lnk.to/subscribe\n►Shop Merch: http://taylorswift.lnk.to/store\n\n►Follow Taylor Swift Online: \nTikTok: http://tiktok.com/@taylorswift \nInstagram: http://instagram.com/taylorswift \nTwitter: http://twitter.com/taylorswift13 \nSnapchat: http://snapchat.com/add/taylorswift \nFacebook: http://facebook.com/taylorswift \nTumblr: http://taylorswift.tumblr.com \nWebsite: http://www.taylorswift.com \n\n►Follow Taylor Nation Online \nTikTok: http://tiktok.com/@taylornation\nYouTube: https://youtube.com/taylornation\nInstagram: http://instagram.com/taylornation \nTwitter: http://twitter.com/taylornation13\nTumblr: http://taylornation.tumblr.com\n\nDirector: Taylor Swift\nDirector of Photography: Rodrigo Prieto \nProducer: Jil Hardin \nEditor: Chancler Haynes \nProduction Designer: Ethan Tobman \n1st AD: Anthony Dimino \nVisual Effects: Parliament\nProduction Companies: Taylor Swift Productions & Object & Animal\n\n#taylorswift #postmalone #fortnight #thetorturedpoetsdepartment","options":{"_cc_load_policy":{"label":"Closed captions","value":false},"_end":{"label":"End on","placeholder":"ex.: 11, 1m10s","value":""},"_start":{"label":"Start from","placeholder":"ex.: 11, 1m10s","value":""},"click_to_play":{"label":"Hold load & play until clicked","value":false}},"provider_name":"YouTube","thumbnail_height":720,"thumbnail_url":"https://i.ytimg.com/vi/q3zqJs7JUCQ/maxresdefault.jpg","thumbnail_width":1280,"title":"Taylor Swift – Fortnight (feat. 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After taking a more outward-facing approach with the songwriting on her hit albums Folklore and Evermore, and looking back on follow-up Midnights, Tortured Poets saw the Grammy winner returning to the more confessional – though veiled – lyricism she was synonymous with earlier in her career.
While much of the album is perceived as a break-up record about her short-lived romance with The 1975 frontman Matty Healy (and the ensuing media furore that it created), she also alludes to her split from her long-time partner Joe Alwyn and looking ahead to her new relationship with NFL player Travis Kelce.
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And with song titles like The Smallest Man Who Ever Lived, I Can Fix Him (No Really I Can) and So Long, London, The Tortured Poets Department is Taylor at her most unflinching.
Rachel Chinouriri – What A Devastating Turn Of Events
","type":"video","meta":{"author":"Rachel Chinouriri","author_url":"https://www.youtube.com/channel/UCmluVMOmrTozqKtRXDz7RXg","cache_age":86400,"description":"The official video for ‘Never Need Me’ by Rachel Chinouriri. Listen right now! https://rachelchinouriri.lnk.to/neverneedme ✨\n\nTaken from the debut album ‘What A Devastating Turn of Events’ that you can pre-order now – out 3rd May! https://rachelchinouriri.lnk.to/WADTOE\n\nFOLLOW\n\nSubscribe to my mailing list 💌 http://rachelchinouriri.com/\nText me! https://rachelchinouriri.lnk.to/textme\n\nhttps://rachelchinouriri.lnk.to/insta…\nhttps://rachelchinouriri.lnk.to/tiktok\nhttps://rachelchinouriri.lnk.to/spotify\nhttps://rachelchinouriri.lnk.to/twitter\nhttps://rachelchinouriri.lnk.to/facebook\n\nLYRICS\n\nA call in the dead of the night\nit’s strange but it’s such a delight\nto hear your voice again\nit’s been a long time\nsince i last saw you\nYou never swim\nyou drown in your drink\nrevealing the secrets you think\nyou need me cos you’re scared\nwhat the hell am i supposed to do?\n\nIf you can’t change\nI doubt that I can help you\nI’ve made plans and sorry they’re without you\n\nIn my head you can do what you like\nOh no I couldn’t care what you do with your life\nI hope you just take it easy\nI hope that you never need me\nAnd maybe I’ll regret not sticking around\nBut how can I swim if you’re pulling me down?\nJust promise you’ll take it easy\nI hope that you never need me\n\nYou say i’m the love of your life\nBut now just isn’t the time\nYou’re doing it again\nthis is why your cycle never ends\nYou’re addicted to trouble you choose\nI’m surprised you’re even confused\nI know you’ll never learn\nwhat the hell am i supposed to do?\n\nIf you can’t change\nI doubt that I can help you\nI’ve made plans and sorry they’re without you\n\nIn my head you can do what you like\nOh no I couldn’t care what you do with your life\nI hope you just take it easy\nI hope that you never need me\nMaybe I’ll regret not sticking around\nBut how can I swim if you’re pulling me down?\nJust promise you’ll take it easy\nI hope that you never need me\n\nI’ll love you if you let me\nI’ll love you if you let me come on\n\nWithout you in my head you can do what you like\nOh no I couldn’t care what you do with your life\nI hope you just take it easy\nI hope that you never need me\nMaybe I’ll regret not sticking around\nBut how can I swim if you’re pulling me down?\nJust promise you’ll take it easy\nI hope that you never need me\n\nAHHHH!\nAHHHH!\nJust promise you’ll take it easy\nI hope that you never need me\nAHHHH!\nAHHHH!\nJust promise you’ll take it easy\nI hope that you never need me\n\nCREDITS\n\nDirected by Jake Erland\nProduced by Jake River Parker\nAssistant produced by Rowan Mackintosh King\nEdited by Laura Cairney-Keize & Alex Gregory \nCommissioned by Francesca Costa\nLabel – Parlophone / Atlas Artists\nManagement – Atlas Artists\n\nStyling (Rachel Chinouriri & Florence Pugh) – Shannon Kelsey Ann\nStylist (Lead Man & Supporting Artists) – Ellie Walker\nHair Stylist (Rachel Chinouriri) – Shamara Roper\nHair Stylist Assistant (Rachel Chinouriri) – Donica Campbell\nHair Stylist (Florence Pugh) – Shon Hyungsun Ju\nMakeup Artist (Rachel Chinouriri) – Georgia Hope\nMakeup Artist (Florence Pugh) – Alex Babsky\nMakeup (Lead Man & Supporting Artists) – Hebe Wallace\nMakeup (Lead Man & Supporting Artists) – Chloe Pack\n\nCasting Directors – Sophie Greetje & Thomas Adams\n\nCast:\nHerself – Rachel Chinouriri\nLeading Female – Florence Pugh\nLead Male – Freddie Dennis \nLead Female – Tara Leonard\n\nSupporting Artists:\nDarren Lee, Georgia Killick, Izzy Dennis, Ethan Joseph, Joe Grey Adams, Em Tunnicliffe, Effie Cherif, Meg Wells, Roisin Salmon, Kit Wyborn, Minna Gladstone, Dimitar Stoilov, Blessing Smith, Abiba Gbane, and more!\n\nAn OB42 Production\n\nExecutive Producers – Polly Millner & James Waters \nProduction Managers – Maddy Williams & Emily Mulkerins \nAssistant Directors – Freddie Wright, Oli Hill & Tyler Richards\nMovement Director – Weronika Szczerek\nDirector of Photography – Jake Hunter\nAssistant Cameras – Jeff Vine & Tom Watson\nCamera Trainee: Luke Gurney\nDigital Image Technician – Rosie 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We’re going to say it – Rachel Chinouriri’s Never Need Me is probably the best single released by a British performer in 2024, and follow-up album What A Devastating Turn Of Events proved there’s so much more that this artist is capable of.
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It Is What It Is and the brilliantly-titled Dumb Butch Juice continue the conversational style first showcased on Never Need Me, as she reflects on past relationship drama in an extremely relatable way, while elsewhere on the album Rachel broaches difficult and – at times – heartwrenching topics in a ways many artists a lot further into their careers would struggle with, singing about everything from body image and self-harm to loneliness and gender inequality with both confidence and sensitivity.
Here’s hoping a support act on Sabrina Carpenter’s 2025 tour can help boost Rachel’s career to the next level as even more people discover this must-listen album.
Billie Eilish returned to the music scene with a quiet confidence in 2024 (we imagine that second Oscar winner probably helped with that), dropping her strongest and most personal release to date on Hit Me Hard And Soft.
Having been in the spotlight since she was a teenager, Billie’s third album introduced the chart-topping singer at a different stage in her life, singing about new themes and diving headfirst into new genres, spawning two of 2024’s biggest hits in Lunch and Birds Of A Feather.
Alright, this is the biggie. The album that pretty much defined 2024, Brat marked the first album Charli XCX put out after renewing her record deal, and it became apparent pretty early on with the uncompromising Von Dutch and 360 – not to mention the album’s acidic green hues – that the British singer was doing things her way this time around.
Once people began to catch on, the era only grew in scale, from the confessional Girl, So Confusing remix with Lorde, the viral Apple dance and the arrival of “Brat summer”, culminating in A-list guest features on the re-released version, an Album Of The Year nomination at next year’s Grammys and even Brat creeping into the US election.
All we can say is, now Charli’s had a massive hit on her hands with something so unapologetically bold and true to her own vision, we can’t wait to see what she follows the Brat era with.
She’s been quietly working away in the music industry for a good few years now, but 2024 was the year it all really paid off for Sabrina Carpenter.
Few can say they’ve had a year as big as her, with three massive number ones under her belt (not to mention an extra two top 20s), and even a Netflix special over the Christmas period, pushing her from a little-known cult figure to a real force to be reckoned with in the music industry.
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Short N’ Sweet might not be a debut – it’s actually Sabrina’s sixth album overall – but it still feels like a breakthrough moment for a young star really discovering what kind of artist they are in the past year.
","type":"video","meta":{"author":"Fontaines DC","author_url":"https://www.youtube.com/channel/UCVtO4Hc3qiKScQBad51RAIQ","cache_age":86400,"description":"Taken from the new album ROMANCE, out 23 August on XL. Pre-order here: https://fontainesdc.x-l.co/romance.oyd\n\nStream Starburster here: https://fontainesdc.x-l.co/starburster.oyd\n\n2024 UK & Ireland Tour:\nPre-order* from the UK official store before 3pm BST Tuesday 23rd April 2024 to get early access to tickets. General sale begins 10am on Friday 26 April: https://fontainesdc.com/\n\n20 Nov – Wolverhampton, UK – The Halls\n22 Nov – London, UK – Alexandra Palace\n24 Nov – Cardiff, UK – Utilita Arena\n26 Nov – Plymouth, UK – Pavilions\n27 Nov – Nottingham, UK – Motorpoint Arena\n29 Nov – Manchester, UK – Aviva Studios\n3 Dec – Leeds, UK – First Direct Arena\n4 Dec – Glasgow, UK – OVO Hydro\n6 Dec – Dublin, IE – 3Arena\n\nWritten and Directed by Aube Perrie\nProducers: Two Happy (Joseph Goldman & Luke Tierney)\nProduction Company: Pulse Films\nHead of Music: Rik Green\nEP: Elena Argiros \n\nLine Producer: Fin Mulligan Wild\nManchester Service: AntFarm\nProduction Manager: Molly Singer\nProduction Assistant: Lucy Calderhead\n\nDirector of Photography: Christopher Ripley\n1st AC: Danny Usman\n2nd AC: Ken Carson\nData Wrangler / Camera Trainee: Alex De Palma\nData Wrangler: Beanie Baker\n2nd Unit DOP: Orlando Morris\n\n1st Assistant Director: Mathieu Pérez\n2nd Assistant Director (1st AD Pickup): Dom Child\n2nd Assistant Director: Lydia Shenton\n3rd Assistant Director: Katie Burnside\nFloor Runner: Ellie Fox\nPA: Sean Tant\n\nLocation Manager: Steve Cooper\nLocation Scouts: Toni Jordan & Miles Starkie\n\nGaffer: Chris Sarginson\nSpark: Harry Cohn\n\nCostume Designer: Ellie Walker\nCostume Assistant: Henry Hawksworth\nCostume Assistant: Isobel May Cain\n\nProduction Designer: Ruta Staseviciute\nArt Director: Orla Lawn\nArt Assistant: Jazz Helsen Pierce\n\nSFX / Prosthetics: Stuart Richards & Victoria Holt\nHair & Makeup Artist: Helena Smythe\n\nEditor: Gwennaël Ghelid\n\nPost House: Glassworks\nPost Producer: Andrew Patrick\nColourist: Jonny Thorpe \n\nSound Design: Mark Hellaby\nSound House: 750MPH\nProducer: Olivia Ray\n\nRecord Label: XL Recordings\nCommissioner: Scott Wright\nArtist Management: Emma Greengrass & Trev Dietz, Wildlife Entertainment\n\nDirectors Rep: HANDS\n\nMedic: Paul Derome\nUnit Drivers: Tony McGuigan, Heath Derrig & Peter Roberts\nAnimal Handler: Simone Aquilina\n\nStarring Fontaines D.C.\n\nSupporting Cast: Tracey Whardall, Olivia Hill, Andrew Bunker, Nicola Myers, Lea Harper, Peter Holmes, Fay Millray, Manuela, Maxine Noble, Alan Harper.\n\nCamera: Panavision Manchester\nLighting: Drop City\nCatering: MADE Catering\nLocation Support: Location One\n\nSpecial thanks to Panavision Manchester, Mike Greaves, Dean Oram, Glen Moore, Drop City & all of the fantastic people who helped bring this video to life.\n\n#fontainesdc #romance #starburster","options":{"_cc_load_policy":{"label":"Closed captions","value":false},"_end":{"label":"End on","placeholder":"ex.: 11, 1m10s","value":""},"_start":{"label":"Start from","placeholder":"ex.: 11, 1m10s","value":""},"click_to_play":{"label":"Hold load & play until clicked","value":false}},"provider_name":"YouTube","thumbnail_height":720,"thumbnail_url":"https://i.ytimg.com/vi/KHocVRUlvkk/maxresdefault.jpg","thumbnail_width":1280,"title":"Fontaines D.C. – Starburster (Official 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Fontaines D.C. took their biggest swing yet on the more electronic-inspired Romance, earning them their best reviews and sales to date, and a legion of new fans.
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The Irish rock group’s fourth album even wound up earning them their first nominations at next year’s Grammys, where they’re in the running for both Best Rock Album and Best Alternative Music Performance for lead single Starburster (which saw the band working with music video legend Aube Perrie on the accompanying clip).
This one’s technically a mixtape rather than a proper album, but it’s just so strong we couldn’t quite bring ourselves to exclude it.
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We’ve been championing Doechii for a good few years now, after she proved herself to be one of the most exciting and shape-shifting stars on the music scene. Alligator Bites Never Heal is her strongest work to date, showing off just how capable Doechii is at anything she tries her hand at. When her proper debut album inevitably follows in 2025, watch out.
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Award-winning rapper Tyler, The Creator went back to his roots on Chromakopia which he said was his way of paying tribute to his early life growing up in California before rising to fame as part of Odd Future.
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The album got underway with the elaborate music video for Noid, co-starring Ayo Edebiri, with the boundary-pushing album following a week later.
Like his previous acclaimed releases Igor and Flower Boy, Chromakopia sees Tyler confidently hopping from genre to genre, this time with a seriously impressive bunch of collaborators including Solange, Lil Wayne, British singer-songwriter Lola Young, electro singer Santigold and fellow rapper Doechii.
After stand-alone singles like Not Like Us and Meet The Graham captured the world’s attention over the summer, rap superstar Kendrick Lamar rounded off 2024 with GNX, which gave him yet more commercial and critical success and proved he had the goods to back up what he was saying on those scene-stealing Drake disses.
Next year is shaping up to be another huge one for the Pulitzier Prize winner, who’ll follow his performance at the Super Bowl Halftime Show with a mammoth US tour, where he’ll team up with frequent collaborator SZA.
Like many young pop stars, Sabrina Carpenter has long cited Christina Aguilera and Britney Spears as inspirations. Unfortunately, she’s been subjected to some of the sexist commentary her musical predecessors endured, too.
In an interview with Time published this week, Carpenter said she’s “definitely” been criticised for expressing her sexuality in her music videos and live performances, much as Aguilera and Spears were during their heyday.
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“I definitely get that as well,” she told the outlet, alluding to the challenges of honing a pop career in the era of social media. “Someone told me this, whenever I would get upset or feel like I’m the only one getting criticised for something other people are able to do seemingly so freely: I’m the one that’s seeing all the negative shit about myself. My friends don’t see that.”
As for those who have “a strong opinion” on her sexy costumes, Carpenter has a few words of advice.
“To that I just say, don’t come to the show and that’s OK,” she explained. “It’s unfortunate that it’s ever been something to criticise, because truthfully, the scariest thing in the world is getting up on a stage in front of that many people and having to perform as if it’s nothing.”
“If the one thing that helps you do that is the way you feel comfortable dressing, then that’s what you’ve got to do,” she added.
Sabrina Carpenter performs at Outside Lands Music Festival on Saturday, Aug. 10, 2024, in San Francisco, Calif. (Photo by Amy Harris/Invision/AP)
via Associated Press
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At 25, Carpenter is hardly a show business novice. The Pennsylvania native rose to prominence on the Disney Channel series “Girl Meets World,” which ran from 2014 to 2017. She’s spent much of the past year as the opening act on Taylor Swift’s Eras Tour, even joining Swift herself onstage in Sydney.
It wasn’t until the April release of her smash single “Espresso,” however, that Carpenter was able to fully capture the pop zeitgeist. Her latest album, “Short ’n Sweet,” debuted at No. 1 on the Billboard chart after its release in August and spawned two more hit singles, “Please Please Please” and “Taste.” She kicked off a global tour in support of the album last month.
In the meantime, Carpenter has taken steps to align herself with other music industry stalwarts. Last month, she attended the MTV VMAs in a vintage Bob Mackie gown previously worn by Madonna. She also teamed up with Aguilera for a new version of “What a Girl Wants” in honour of the 25th anniversary of Aguilera’s debut album.
And much as Madonna welcomed Spears and Aguilera into her orbit with a smooch years ago, Aguilera recognised the “symbolic, full-circle connection” she shares with Carpenter for this year’s Time 100 list, which celebrates the most influential people of 2024.
“As a fellow 5-ft. female with a similar working-adolescent Disney history, I firsthand recognise and respect what it takes to maintain clarity while delivering within the demands of this business,” she wrote. “Sabrina handles the task with seemingly effortless ease and charisma while promoting, performing, and handling press with a smile and her signature coy charm.”
Sabrina Carpenter fans’ imaginations are running wild after the Espresso singer appeared to tease a mysterious new collaboration.
The chart-topping star – who is currently gearing up for the release of her new album Short N’ Sweet on Friday – shared a series of pictures on Instagram on Wednesday morning, alongside the caption: “Taste me!”
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One snap in particular has really captured fans’ attention, showing the singer from behind, standing next to a dark-haired female figure.
It didn’t take long for fans to put two and two together and reach the conclusion that Sabrina will be teasing a new collaboration, or at least an interesting co-star in her next music video.
And speculation is already rife about who it could be.
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Other names in the frame include Grammy nominee Lana Del Rey, Water singer Tyla or woman of the moment Chappell Roan, whose hit Good Luck, Babe! Sabrina previously covered in Radio 1’s Live Lounge…
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Meanwhile, another popular theory has suggested that Sabrina might have recruited Jenna Ortega to appear in her next video, based on a few clues…
I’m ready to clown because this really looks like Jenna 👀 The hair, the way she crosses her arms, her height, her waist, and most importantly the nails. Would be super random if it is her but it’s look too much like Jenna to not be Jenna tbh pic.twitter.com/pcsJ5YwtRp
","type":"rich","meta":{"author":"Eloise 🕷️","author_url":"https://twitter.com/cairoswife","cache_age":86400,"description":"I’m ready to clown because this really looks like Jenna 👀 The hair, the way she crosses her arms, her height, her waist, and most importantly the nails. Would be super random if it is her but it’s look too much like Jenna to not be Jenna tbh pic.twitter.com/pcsJ5YwtRp— Eloise 🕷️ (@cairoswife) August 21, 2024\n\n\n","options":{"_hide_media":{"label":"Hide photos, videos, and cards","value":false},"_maxwidth":{"label":"Adjust width","placeholder":"220-550, in px","value":""},"_theme":{"value":"","values":{"dark":"Use dark theme"}}},"provider_name":"Twitter","title":"Eloise 🕷️ on Twitter / 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I’m ready to clown because this really looks like Jenna 👀 The hair, the way she crosses her arms, her height, her waist, and most importantly the nails. Would be super random if it is her but it’s look too much like Jenna to not be Jenna tbh pic.twitter.com/pcsJ5YwtRp
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My top 3 guesses: 1. They’re both Sabrina 2. Tyla (Maybe surprise Collab? Or could just be a Cameo?) 3. Jenna Ortega (has red nails, she’s 5’1, plus they follow each other) pic.twitter.com/Ejk2l8f7nC
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My top 3 guesses: 1. They’re both Sabrina 2. Tyla (Maybe surprise Collab? Or could just be a Cameo?) 3. Jenna Ortega (has red nails, she’s 5’1, plus they follow each other) pic.twitter.com/Ejk2l8f7nC
What if the black hair person is actually sabrina and the blonde hair person is someone else??? Because that doesnt look like her initial ring pic.twitter.com/oJ79zFbNLQ
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Because that doesnt look like her initial ring pic.twitter.com/oJ79zFbNLQ— jackie ᧔࿔᧓💋 (@carpentergall) August 20, 2024\n\n\n","options":{"_hide_media":{"label":"Hide photos, videos, and cards","value":false},"_maxwidth":{"label":"Adjust width","placeholder":"220-550, in px","value":""},"_theme":{"value":"","values":{"dark":"Use dark theme"}}},"provider_name":"Twitter","title":"jackie ᧔࿔᧓💋 on Twitter / 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What if the black hair person is actually sabrina and the blonde hair person is someone else??? Because that doesnt look like her initial ring pic.twitter.com/oJ79zFbNLQ
Chart-topping rapper Central Cee got the best seat in the house next to Sabrina Carpenter at the Louis Vuitton Fashion Week show on Tuesday, but that’s not the reason his appearance at the event has got people talking.
The British musician and Espresso singer sat side by side at the high fashion spring/summer 2025 event in Paris, where they were spotted posing for photos together at the outdoor show.
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But one video clip has been doing the rounds online that ends with a truly random reveal, in which Central Cee whips out his Nintendo DS and proceeds to bury his head in a video game.
The interaction unsurprisingly left social media users bewildered and amused, especially as another clip revealed that the Nonsense singer even gave it a go herself.
“Central Cee watching Sabrina Carpenter play the Nintendo DS at the LV show is the most random sight to see but coolest at the same time,” one X (formerly Twitter) user said.
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“He’s so real for this,” another shared. “Central Cee the epitome of that one cousin who’s forced to take pictures at a family gathering,” a third joked.
Central cee watching Sabrina carpenter play the Nintendo DS at the LV show is the most random sight to see but coolest at the same time pic.twitter.com/87SWsRcSen
Some fans also noted a certain lyric in Sabrina’s signature hit Espresso had never been more relevant.
It’s also worth pointing out that the pair were seated next to Eurovision favourite Mahmood, who finished in second place back in 2019.
Another video from the fashion show also shows the moment Sabrina first introduced herself with a hug and even insisted that “Barry said I said to say hi to you”, name-dropping her rumoured boyfriend Barry Keoghan.
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Sabrina Carpenter meeting Central Cee at the Louis Vuitton show in Paris:
That’s not the only fashion week moment that’s caused a stir online this week, after Paul Mescal attended Milan Fashion Week in a pair of his signature short shorts.
In what came as a surprise to absolutely no one, the internet lost it at yet another leggy outing from the Normal People star.
Sabrina ended her performance on Saturday with a rendition of her hit Nonsense – including a rewritten version of the song’s outro with new lyrics that reference Barry’s film Saltburn.
“Made his knees so weak he had to spread mine, he’s drinking my bath water like it’s red wine,” she said.
The new lyric, of course, references one of Barry’s most iconic Saltburn scenes, in which his character Oliver Quick drinks the remnants of his friend Felix Catton’s bath water from a drain, after spotting him masturbating in the tub.
Sabrina and Barry were first rumoured to be an item at the end of last year.
Back in January, it was reported in the press that they had been planning to “hard launch” their relationship at the Golden Globes, where he was a nominee.
Before his rumoured romance with Sabrina, Barry was in a relationship with orthodontic therapist Alyson Kierans, with whom he shares a one-year-old son, Brando.
As well as Barry-related lyrics, Sabrina’s rewritten Nonsense outro ended: “Coachella see you back here when I headline.”
