Sally Field doesn’t believe the third time is the charm when it comes to marriage.
The Forrest Gump actor, who has been married twice, told Julia Louis-Dreyfus that she “can’t imagine” tying the knot again and laughed at the thought.
“It would certainly all depend on meeting somebody I wanted to spend more than 37 seconds with,” Field said on the latest episode of Louis-Dreyfus’ podcast, Wiser Than Me, released on Wednesday.
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“So I don’t know,” the actor said as Louis-Dreyfus laughed.
“I was never really good at picking a partner for myself, and so I can’t blame them ― men. We were not a good match,” Field explained. “Several people that I was dating or around would say, ‘Why can’t you treat me the way you treat your sons?’ Uh, because you’re not my son…”
Sally Field attends the premiere of HBO’s “Winning Time: The Rise of the Lakers Dynasty” on March 2, 2022, in Los Angeles.
JC Olivera via Getty Images
“I’ve just never been good at picking a partner to be with who would be loving, and know me and not want to change me, and also be challenging to me, but wouldn’t be hoping that I would be less than what I am,” the Lincoln actor shared. “You know, [they would say] ‘Be less so that I don’t feel like I have to be more.’”
Field was previously married to Steven Craig and Alan Greisman ― and had a high-profile relationship when she dated her former co-star, Burt Reynolds.
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While Reynolds has called Field the “love of my life,” Field has shared less than rosy memories of her on-and-off relationship with the actor.
Reynolds apparently “was not happy” when Field was up for Best Actress at the Oscars in 1980 and told his then-partner he “was not going to go” as her date to the ceremony. Field won Best Actress at both the Oscars and Cannes that year.
Field said, “He really was not a nice guy around me then.”
Penn Badgley knows the many ways that one can be a parent.
The You star, who is married to singer Domino Kirke, shares a 15-year-old stepson, Cassius, with his wife. The couple also have a young son of their own.
“I have an interesting situation where I have a biological son and a stepson,” the Gossip Girl actor said. “And my stepson is ― his father is very much in his life, so his father is his father, and I’m ― I’m something else. So I have two different parental roles.
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“And then my biological son is only 3 1/2, so that’s a very different thing too. I’m going to need to be able to more consciously show him my vulnerability as he gets older in those years.”
From center left: Cassius Kirke, Penn Badgley and Domino Kirke attend the 2019 U.S. Open tennis championships on Sep. 3, 2019.
Gotham via Getty Images
Badgley is one of a few celebrities who have recently spoken about their experiences not only as a parent, but as a stepparent.
Gwyneth Paltrow, who welcomed two children with singer Chris Martin before their 2016 divorce, became a stepmother in 2018 after marrying producer Brad Falchuk. Falchuck has two kids of his own.
“My area of growth personally came from the initial difficult relationship I had with my stepkids, and now they’re like my kids,” Paltrow said at an event earlier this month. She added that things were “really rough” at first.
“It’s almost like you have to embody the spirit of the sun and just give and not expect anything back,” the Oscar-winning actor explained. “I just learned to try to just keep shining like the sun and never keeping score.”
If you’re done with Guy Ritchie’s hit Netflix series The Gentlemen, you might be curious to browse through some more of the British director’s back catalogue.
Known for his brutal gangster films with swaggering protagonists, violent action sequences and rapid dialogue, his signature style can be found all throughout his filmography.
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Thankfully for fans of the new eight-part series – which itself takes place in the same universe as his 2019 film of the same name – there’s plenty more where that came from.
Check out some more of the director’s films below:
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This 1998 comedy crime drama is a Guy Ritchie classic. Starring Jason Statham, Nick Moran, Jason Flemyng and Dexter Fletcher, the plot follows the streetwise Eddy who convinces his three friends to pool their money for a poker game against a local mobster.
When he loses, he’s given just a week to come up with half a million pounds.
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Two plots interlink in the director’s career-defining 2000 caper, which serves as something of a spiritual sequel to Lock, Stock and Two Smoking Barrels in style and substance.
One plotline centres around a stolen 86 carat diamond, and the other a dodgy boxing promoter who finds himself indebted to a local crime boss.
Starring Guy Ritchie mainstay Jason Statham alongside Brad Pitt and Benicio Del Toro, Snatch is often praised as one of the director’s best films, with an enviable 93% audience score on Rotten Tomatoes.
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This 2005 action thriller features a legend of the gangster genre in Goodfellas’ Ray Liotta, alongside musician André 3000, Vincent Pastore, Mark Strong and more.
Advertisement
Jason Statham once again reunited with Guy as gambler Jake Green, who serves seven-years in prison for a crime he did not commit. Upon his release, he defeats Dorothy Macha in a casino game which wages a war to settle scores.
While it was one of the director’s critical duds, it’s still full of all the Guy Ritchie hallmarks.
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Set in the early 1960s, CIA agent Napoleon Solo and KGB operative Illya Kuryakin are forced to put aside their differences and participate in a joint mission against a mysterious criminal organisation, which plans to use nuclear weapons to disturb the balance of power between the US and Soviet Union.
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Guy Ritchie might not have seemed like the most obvious choice to adapt Arthur Conan Doyle’s famous detective stories for the big screen, but this 2009 mystery adventure starring Robert Downey Jr. and Jude Law was well received by audiences.
It placed second at the US box office to Avatar and became Guy’s biggest commercial success at the time – which was enough to spawn a 2011 sequel called A Game Of Shadows.
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Another curveball in the director’s filmography, audiences loved Guy’s 2019 live action remake of a Disney classic, which holds a 94 percent audience score on Rotten Tomatoes.
Though critics weren’t so keen, many viewers praised the film – starring Will Smith, Mena Massoud and Naomi Scott – as one of the better live-action remakes of Disney’s classic animated films.
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If all those heists, fist fights and raging expletives aren’t doing much for you, the director’s 2000 adventure rom-com starring his then-wife Madonna might be more to your tastes.
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The remake of Lina Wertmüller’s 1974 Italian film of the same name follows a wealthy socialite who gets stranded on a Mediterranean island.
It’s not often you see three U.S. presidents in one photo together, and it’s even rarer when Jason Bateman’s beard gets the most attention.
Of course, the occasion was commemorated with a group pic, but the reaction to it was surprising.
People on X, formerly Twitter, seemed more focused on Bateman’s (admittedly impressive) scruff than on the three-quarters of a Mount Rushmore’s worth of presidents hanging out together.
Nigel Farage is threatening to eat a whole Easter egg on Sunday to stick it to “NHS luvvies” in the latest piece of performative outrage about “wokery”.
It follows Dr Andrew Kelso, the medical director of NHS Suffolk and North East Essex Integrated Care Board, advising people to “resist the urge” and not “overdo it” by eating an Easter egg in one sitting, due to the high calorie count of the chocolate.
“Many people don’t realise that an average Easter egg contains around three quarters of an adult’s recommended daily calorie intake,” Kelso wrote.
“At a time like this, when we are seeing significant increases in cases of obesity and type 2 diabetes, as well as tooth decay, I urge people to enjoy their Easter eggs in moderation and resist the urge to eat a whole one in one go.”
Predictably, the former UKIP leader defied the advice on his GB News show – eating a chocolate egg has he raged against the suggestion.
He said: “I am sick to death of being told we can’t do this, we can’t do that, it’s Easter for goodness sake.
“I’m sorry, Dr Kelso, but you really bore the pants off me, it’s Easter, I don’t eat chocolate everyday, but I’m going to scoff all of this (egg).”
He followed this up with a furious screed in the Telegraph under the headline: “I’m stuffing my face with chocolate this Easter – to annoy the NHS luvvies”.
The reaction on social media suggested most people thought it was yet more tiresome “culture war” schtick.
The four-day Easter weekend is a high-point of the year, allowing us to get out in the world, catch up with friends we haven’t seen in a while or maybe even take a little trip to make the most out of all that time off.
For some of us, that is. For others, it’s the chance to catch up on some much-needed rest, spending all that extra time in the most low-key way possible.
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If you fall into the latter camp, it’s understandable that you might find yourself at a bit of a loose end when it comes to passing the time. Or, of course, it could be that you have children to keep occupied for that loooong Bank Holiday weekend.
Either way, it could come as a relief to hear that there are plenty of classic films worth tuning in for on TV between Good Friday and Easter Monday. Here are 20 of our personal highlights…
Mrs Doubtfire
Robin Williams in Mrs Doubtfire
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What’s it all about? Robin Williams takes the lead in this much-loved family comedy about a man who goes incognito as an elderly woman a thousand miles away from his real self in a bid to spend more time with his kids.
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Perfect for: Getting everyone together to kick the long weekend off with plenty of big laughs.
When’s it on? Good Friday at 11am on Film4
Kung Fu Panda
Jack Black and Dustin Hoffman are among the A-listers whose voices appear in Kung Fu Panda
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What’s it all about? From the team behind Shrek and Madagascar, this star-studded animated comedy introduces us to a hapless, martial arts-loving panda who finds himself embarking on a kung fu quest.
Perfect for: Keeping younger viewers amused for a couple of hours. If they enjoy it, follow-up movie Kung Fu Panda 2 is on later in the weekend, too.
When’s it on? Good Friday at 12.30pm on Channel 4
Wallace & Gromit: The Curse Of The Were-Rabbit
The Curse Of The Were-Rabbit marked the first feature-length outing for the iconic Wallace & Gromit
What’s it all about? Hilarious, silly and surprisingly gripping, The Curse Of The Were-Rabbit is arguably the jewel in Wallace & Gromit’s crown.
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Perfect for: If you’re in the mood for revisiting a dependable classic that’s guaranteed to deliver on laughs and heart-warming moments.
When’s it on? Good Friday at 2.15pm on BBC One
Hop
The family comedy Hop is particularly timely for Easter weekend
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What’s it all about? The next-in-line to take over the Easter Bunny throne decides he’s not up for taking over the family business – with very cute results.
Perfect for: Come on, it’s Easter, who doesn’t want to spend an hour or so looking at a cute rabbit going about his business?
When’s it on? Good Friday at 4.30pm on ITV2
The Beautiful Game
The Beautiful Game debuts on Netflix on Good Friday
Alfredo Falvo
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What’s it all about? Bill Nighy, Micheal Ward and Callum Scott Howells star in this sports drama about a team of homeless footballers who travel to Rome for a big tournament.
Perfect for: If you’ve spent the day watching classic films and repeats, and you’re ready for something brand new.
When’s it on? Good Friday on Netflix
The Life And Death Of Lily Savage
Paul O’Grady as Lily Savage
What’s it all about? Not a traditional film, admittedly, but a must-watch all the same. This ITV documentary explores the life and career of Paul O’Grady, as told through the guise of his game-changing drag alter-ego, Lily Savage.
Perfect for: If you feel like celebrating a modern-day British icon.
What’s it all about? Emma Stone won her first Academy Award for her performance in this modern musical, which co-stars Ryan Gosling and John Legend and serves as a love letter to both Los Angeles and romance itself.
Perfect for: If you want to end the first day of the weekend with a bit of romance. And you’re fully ready to be humming Another Day Of Sun until Easter Monday.
When’s it on? Good Friday at 11pm on BBC Two
Hook
Robin Williams and Dustin Hoffman in Hook
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What’s it all about? A clever retelling of the Peter Pan story, Steven Spielberg’s Hook boasts a seriously impressive cast including Dustin Hoffman, Julia Roberts and the always-wonderful Robin Williams. Watch out for a seriously impressive cameo from Glenn Close, too.
Perfect for: If you’re in the mood for a fairytale with some big twists.
When’s it on? Saturday 30 March at 2.20pm on Channel 5
Ocean’s Eleven
A handful of the A-listers featured in Ocean’s Eleven
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What’s it all about? Professional con artist Danny Ocean recruits 10 of his criminal pals to help him pull off the heist of his career, with a huge ensemble cast that includes *deep breath* George Clooney, Brad Pitt, Matt Damon, Julia Roberts, Don Cheadle and the late Carl Reiner.
Perfect for: When you just fancy something capital-H “Hollywood”.
When’s it on? Saturday 30 March at 5.05pm on Channel 5
Kick-Ass
Aaron Taylor-Johnson in Kick-Ass
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What’s it all about? A superhero outing that’s a far cry from the MCU films that have dominated the box office this past decade, Kick-Ass is a black comedy about an ordinary teenager who sets out to fight crime in the style of his comic heroes.
Perfect for: If you’re intrigued about Aaron Taylor-Johnson’s next career move and feel like diving into one of his stand-out roles.
When’s it on? Saturday 30 March at 10pm on Channel 4
Snatch
Jason Statham, Brad Pitt and Stephen Graham in Snatch
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What’s it all about? One of Guy Ritchie’s most popular gangster offerings, the fast-paced and star-studded Snatch centres around a criminal underworld involving bare-knuckle boxing and high-stakes gambling.
Perfect for: Anyone who binged The Gentlemen on Netflix.
When’s it on? Saturday 30 March at 10.50pm on Channel 4
Ben-Hur
Ben-Hur set a record at the Oscars upon its release that has still never been surpassed
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When’s it all about? There are biblical epics, and then there’s Ben-Hur, a three-and-a-half hour retelling of the New Testament story through the guise of a fictional prince who watches the whole thing unfold from afar. While the subject matter and runtime might be off-putting to some, it’s worth pointing out that Ben-Hur is frequently held up as one of the best films of all time, winning a record-setting 11 Oscars upon its release.
Perfect for: If ever you were to finally give Ben-Hur a go, it might as well be Easter weekend, right?
When’s it on? Easter Sunday at 12.05pm on Channel 5
Willy Wonka And The Chocolate Factory
Gene Wilder as the definitive Willy Wonka
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What’s it all about? This Roald Dahl adaptation is still the definitive adaptation of Charlie And The Chocolate Factory (soz Timothée), telling the story of an impoverished young boy whose life changes when he wins a golden ticket to visit Willy Wonka’s weird and wonderful world, alongside a host of far less well-behaved children…
Perfect for: Easter Sunday!
When’s it on? Easter Sunday at 12.25pm on ITV1
Easter Parade
Judy Garland and Fred Astaire in Easter Parade
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What’s it all about? Even if you’ve never heard of Easter Parade, the true star power of its leads (Fred Astaire came out of retirement to star in it alongside the legendary Judy Garland) should be enough to pique the interest of any fan of Hollywood’s golden years.
Perfect for: If Judy Garland in a big hat is your idea of a good time (isn’t it everyone’s?).
When’s it on? Easter Sunday at 12.30pm on BBC Two
Beauty And The Beast
Beauty And The Beast formed a major part of Disney’s so-called “Renaissance” era
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What’s it all about? Arguably the best thing ever released by the Walt Disney company, Beauty And The Beast became the first animated movie to be nominated for Best Picture at the Oscars, after impressing critics with its instantly-catchy songs, beautiful visuals and heartwarming characters.
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Perfect for: Literally any time, any place. What a film.
When’s it on? Easter Sunday at 2.40pm on BBC One
The Wizard Of Oz
Judy Garland as Dorothy in The Wizard Of Oz
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What’s it all about? Dorothy Gale goes on the journey of a lifetime when her home is caught up in a twister, transporting her to the land of Oz where she encounters a host of magical and life-changing characters.
Perfect for: Sorry to repeat ourselves, but again, any time, any place. What. A. Film.
When’s it on? Easter Sunday at 4.20pm on Channel 5
Babe
Babe was a surprise nominee in the Best Picture category at the 1996 Oscars
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What’s it all about? After being taken in as a piglet by a kind farmer, Babe defies expectations when he decides he wants to join a herd of sheepdog.
Perfect for: If you want something warm and fuzzy (that, sorry to say, will probably still have you shedding a few tears).
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When’s it on? Easter Monday at 2.40pm on Film4
Bee Movie
Bee Movie has inspired countless memes in recent years
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What’s it all about? A bee tries to sue the human race after finding out that humans have been taking all of his colony’s honey.
Perfect for: If you’re curious to see exactly where all of those Bee Movie memes originated from.
When’s it on? Easter Monday at 2.55pm on ITV2
Jumanji
Robin Williams in Jumanji
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What’s it all about? The original (and best) Jumani is a true family adventure, that centres around a brother-and-sister who get swept up in an epic jungle board game that changes their lives forever.
Perfect for: If Mrs Doubtfire and Hook have got you in the mood for more 90s family classics starring Robin Williams.
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When’s it on? Easter Monday at 4.50pm on ITV2
Easy A
Emma Stone as Olive in the hit teen comedy Easy A
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What’s it all about? Following in the footsteps of favourites like Heathers, Clueless and Mean Girls, Easy A is a quirky and quotable teen comedy that introduces us to Emma Stone’s Olive, a high schooler who leans into her new reptuation when a false rumour about her is spread around her peers.
Perfect for: When you’re back at work in the morning and you need something to take your mind off it for those precious last hours of the Bank Holiday.
Kristen Stewart would only make a comic book movie if one director was involved.
The former Twilight actor has spent more than a decade opting for projects a million miles from the franchise that made her a star.
While even her former co-star Robert Pattinson has since joined the superhero fray, Kristen would only follow suit if a singular vision was at the helm.
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“I will likely never do a Marvel movie … That sounds like a fucking nightmare, actually,” she said on Tuesday’s episode of the Not Skinny But Not Fat podcast.
“If Greta Gerwig asked me to do a Marvel movie, then I would do it,” she added later.
While she’s grateful for her breakout role in the billion-dollar vampire romance franchise, Kristen argued in her latest interview that “big movies” can impede directors from their creative vision — and is only drawn to them because she likes “people to watch them when I’m in them”.
“The system would have to change,” she added. “You’d have to put so much money and so much into one person and … it doesn’t happen. And so therefore what ends up happening is this algorithmic, weird experience where you can’t feel personal at all about it.”
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Kristen certainly isn’t the first artist to feel that way.
Directors like Martin Scorsese and Quentin Tarantino, as well as actors including Nicolas Cage and Ethan Hawke, have previously echoed the same sentiment about these “big movies” — the blinding spotlight of which Kristen has also already experienced.
The Oscar nominee was only 18 when Twilight, adapted from a Stephanie Meyer novel for young adults, launched her into stardom. The five-film franchise grossed more than $3.3 billion worldwide and made Kristen, Robert and co-star Taylor Lautner into unwitting sex symbols.
Kristen has since starred mostly in more adult dramas, but remains open to anything.
“I’m a yes man,” she said on the podcast before expounding. “The path that has been carved by my life — both the ways in which I’ve controlled that and also the ways that it has just fallen off the truck — it would be so stupid to ever be like, ‘Yes. No. Yes’.”
Rishi Sunak is facing a backlash for handing a knighthood to a Tory donor who gave £5 million to the Tories last year.
Mohamed Mansour, a senior treasurer of the Conservative Party and a former Egyptian government minister, was knighted for business, charity and political service.
PA News reported senior No 10 sources pointing to his charitable work and record of public service, including support for The Prince’s Foundation, now The King’s Foundation.
But Labour Party chairwoman Anneliese Dodds hit out at the prime minister for the decision, which was announced as parliament is in recess and on the eve of the Easter bank holiday weekend.
She said: “This is either the arrogant act of an entitled man who’s stopped caring what the public thinks, or the demob-happy self-indulgence of someone who doesn’t expect to be prime minister much longer.
“Either way, it shows a blatant disrespect for the office he should feel privileged to hold.”
Tory MP Philip Davies and Mark Spencer, the farming minister, were also knighted, while Tracey Crouch, a former minister, was made a dame along with Treasury committee chair Harriett Baldwin.
People from the worlds of entertainment and AI were also recommended for honours by the PM to the King.
A research consortium led by scientists from the Leibniz Institute for Zoo and Wildlife Research (Leibniz-IZW) provide evidence that social behaviour and social status are reflected at the molecular level of gene activation (epigenome) in juvenile and adult free-ranging spotted hyenas. They analysed non-invasively collected gut epithelium samples from both high-ranking and low-ranking female hyenas and showed that rank differences were associated with epigenetic signatures of social inequality, i.e., the pattern of activation or switching off of genes that regulate important physiological processes such as energy conversion and immune response in several genome regions. The results, published in the scientific journal Communications Biology, contribute to a better understanding of the role of epigenetic mechanisms in the interplay of social, environmental and physiological factors in the life of a highly social mammal.
In mammals, social behaviour and social status can substantially influence the survival, reproductive performance and health of individuals. However, it is not yet fully understood how the translation of social and environmental factors into the physiology of an organism is reflected in molecular processes. Now, scientists from the Leibniz-IZW Department of Evolutionary Genetics and the Serengeti Hyena Project at the Leibniz-IZW’s Department of Ecological Dynamics found that social status influenced epigenetic patterns, more specifically the methylation of DNA in both young and adult female spotted hyenas (Crocuta crocuta) which determines the activation of genes. They analysed DNA from gut epithelium cells from 18 adult female hyenas and 24 cubs with known social status from three clans in the Serengeti National Park, Tanzania. The scientists identified and validated 149 genome regions, where high-ranking and low-ranking individuals differed in the methylation of DNA (differentially methylated regions, DMRs). “We could, for the first time, provide evidence for epigenetic signatures of social inequalities in both young and adult spotted hyenas,” says Dr Alexandra Weyrich, head of the working group “Wildlife Epigenetics” in the Leibniz-IZW Department of Evolutionary Genetics and senior author of the paper.
The findings show that these epigenetic signatures are stable across life stages — and that they are linked to important physiological processes: Many of the identified DMRs were involved in the regulation of energy conversion, immune response, glutamate receptor signalling and ion transportation. “Especially the large number of DMRs in genes involved in energy conversion caught our eye,” says first author Colin Vullioud, data scientist in Weyrich’s working group. Co-author Dr Sarah Benhaiem, co-head of the Serengeti Hyena Project, explains: “We suspect that this may be driven by differences in behaviour and specifically the greater use of long-distance foraging trips by low-ranking than high-ranking females — the latter monopolising resources in their clan territory.” Interestingly, these genes were more methylated (or hypermethylated) in low-ranking adult females but not in cubs. This could indicate an adjustment of low-ranking adult females to higher energetic costs of frequent long-distance commuting, a behaviour not displayed by cubs. “Although the exact physiological consequences of the observed hypermethylation remain to be investigated, these findings are consistent with our observations and hint at the sought-after missing link between social and physiological factors,” Weyrich and Benhaiem conclude.
The analyses built on the expertise in epigenetics of the Leibniz-IZW as well as on the long-term research on spotted hyenas in the Serengeti, which started in 1987. The females in this investigation are individually known and their social status has been tracked for generations. This provided ideal conditions to study the links between behaviour, physiological factors, epigenetic modifications and fitness in terms of survival and reproduction in a wild population. “We collected our samples without invading the life of the hyenas,” say Dr Marion L. East and Professor Dr Heribert Hofer, founders of the Serengeti hyena project and co-authors of the paper. “We followed our study animals, collected super-fresh droppings immediately after they were produced and preserved gut epithelium samples from the surface of the faeces.” The use of samples collected in a non-invasive manner is one of the strengths of the investigation, the authors surmise. “The capture methylation method we used enriches methylated DNA as well as mammalian DNA, which improved the amount of hyena DNA over bacterial DNA and the quality of the sequencing data,” explains Weyrich.
DNA methylation is a chemical modification of the basic building blocks of a cell’s genetic material. This modification is enabled by the transfer of methyl groups to nucleobases at certain positions in the DNA. As the basic structure of the respective nucleobase is unaltered, DNA methylation is not a genetic mutation, but a modification which determines whether this part of the DNA is ‘being used’ (activated) or switched off. DNA methylation is the most important epigenetic modification and thus a pivotal part of making genetic information available to the physiological processes within a cell.
Spotted hyenas are highly social and a model for social status-related differences in life history traits that are accompanied by differences in physiological processes and health. In hyena clans, females and their offspring socially dominate all immigrant males, and social status is behaviourally “inherited” by cubs from mothers who gain privileges associated with maternal social status. “As in some primate species, young hyenas receive social support from their mothers during interactions with group members. From these they learn that they can dominate all individuals which are submissive to their mother, but have to submit to those which their mother is submissive to,” explains East. Therefore, social status is stable and predictable because it is determined by family relationships and behavioural conventions.
“Additionally, the effects of social status on life history trajectories and health are typically passed across generations,” adds Hofer. For example, high-ranking females have priority access to resources in the clan territory and do not need to commute as much as low-ranking females to find food. They are therefore much more often present at the communal den and more frequently nurse their young. The milk-dependent cubs disproportionally benefit at this early stage in their life — by growing faster, having a higher chance of surviving to adulthood and starting reproduction at an earlier age than the offspring of low-ranking females.
A single genetic test could potentially replace the current two-step approach to diagnosing rare developmental disorders in children. This shift could enable earlier diagnoses for families and save the NHS vital resources.
Researchers from the Wellcome Sanger Institute, and their collaborators at the University of Exeter and the University of Cambridge, were able to reassess genetic data from nearly 10,000 families from the Deciphering Developmental Disorders study.
In a new study, recently published in Genetics in Medicine, they show for the first time that using exome sequencing — which reads only protein-coding DNA — is as accurate, if not better, than standard microarrays at identifying disease-causing structural genetic variations.
Its adoption offers hope for faster and more accurate diagnoses of rare genetic diseases. It could also deliver substantial cost savings for the NHS, though more training is needed for specialists to generate and analyse the data, say researchers.
Changes in our genetic code can range from single letter changes to the deletion or duplication of larger stretches of DNA. These bigger changes — called copy number variations (CNVs) — can be harder for clinical teams to detect in sequencing data and understand, which is why microarrays are used. While usually harmless, making up one of the major sources of genetic diversity in humans, these large-scale variations can sometimes cause various neurodevelopmental disorders, including Angelman syndrome, DiGeorge syndrome, and Williams-Beuren syndrome.
Currently, children suspected to have genetic diseases arising from these large deletions or duplications of DNA go through a lengthy process of testing and waiting for results from multiple diagnostic approaches, starting with a microarray test before progressing to a broader genome-wide sequencing test (such as exome or genome sequencing). In this new study, scientists set out to develop a single approach to detect these structural changes, using data available from genome-wide exome sequencing assays.
Using data from the Deciphering Developmental Disorders study, the team developed a single-assay approach that combined four algorithms using machine learning methods to analyse exome sequencing data.
Comparison of the new single-assay approach with current standard clinical methods revealed it could reliably detect 305 large-scale pathogenic mutations, including 91 not previously detectable using standard clinical microarrays. The findings suggest it could replace the current methods.
Caroline Wright, Professor of Genomic Medicine at the University of Exeter, and author of the study, said: “Using exome sequencing data to detect clinically important large-scale changes, at the same time as small genetic variants, marks a significant step forward in making genetic testing simpler, cheaper and more accessible.”
Helen Firth, Professor of Clinical Genomics at the University of Cambridge, lead clinician and author of the study, said: “Under the current system, children often endure a lengthy, step-wise process of different genetic tests before reaching a diagnosis. This research brings hope that, in the near future, families might only need one test.”
Professor Matthew Hurles, Director of the Wellcome Sanger Institute and senior author of the study, said: “We are still learning how large-scale genetic variations impact human health. This study proves that with the right computational methods, a single test can accurately detect them. Our findings support its widespread adoption in NHS clinical practice, and the adequate bioinformatics training to support this.”