I take issue with how some Boomers talk about housing; “Just give up brunch and Netflix and you’ll have a home in five years,” they (wrongly) advise younger people.
Well, I stand by my objection, but it seems I’ve become a little out-of-touch on another topic myself.
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Maybe it’s because I grew up near one of Ireland’s absolute cheapest cinemas, but I hadn’t quite realised how pricey the five-pound-plus snack has become until I took a rare trip to the big screen recently.
While I followed the scent of freshly popped corn to the counter like a cartoon elephant drawn to a bun, my friend stood aghast ― “There’s no way we’re buying popcorn,” she said.
Looking at its price, I realised why. But how come it’s so dear to begin with?
There is a method to the madness
Researchers at Stanford Graduate School of Business (GSB) and the University of California (UC) wrote a paper stating that, though it’s painful, the prices do make sense.
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That’s because, while only 20% of cinemas’ revenue comes from concessions (food, drink, and other non-ticket products), it accounts for a whopping 40% of their revenue.
Confused? I was too ― but it turns out that not all of the ticket revenue goes to the cinema. Instead, they share it with movie distributors.
The Stanford GSB and UC study also found that “die-hard” movie fans, who simply love going to the cinema, proportionally pay more for concessions ― low-traffic weeks, where bums were not hitting theatres’ seats, saw a higher proportion of snack profits than higher-traffic weeks.
That means ticket prices can stay lower, as people other than cinema-or-nothing movie-watchers will be put off by a high upfront fee.
“The argument that pricing secondary goods higher than primary goods can benefit consumers has been circulating for decades, but until now, no one has looked at hard data to see whether it’s true or not,” Wesley Hartmann, associate professor of marketing at Stanford GSB and co-author of the paper, said.
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Essentially, your gut instinct is right; food profits bulk up what can be quite meagre ticket profits, especially during low-traffic weeks.
Any other insights?
Yep ― unsurprisingly, people who went to the theatre in groups tended to buy more concessions, as did those who bought their tickets online.
“The fact that the people who show up only for good or popular movies consume a lot less popcorn means that the total they pay is substantially less than that of people who will come to see anything,” Wesley Hartmann said.
“If you want to bring more consumers into the market, you need to keep ticket prices lower to attract them.”
Given that “The average price for a standard UK cinema ticket in 2023 was £7.92” compared to £6.53 in 2013 (per UK Cinema Association and Statista), that seems to have held true.
Since then, everyone from director Todd Haynes to Joaquin himself has had a go at discussing Joker: Folie À Deux’s musical elements – and whether it’s actually a musical or just a “film with music”.
Ahead of the movie’s Venice Film Festival premiere, Gaga was asked again about the project’s relationship with music.
“The way that we approached music in this film was very special and extremely nuanced,” she explained.
“I wouldn’t necessarily say that this is actually a musical, in a lot of ways it’s very different. The music is used to really give the characters a way to express what they need to say, because the scene and just the dialogue is not enough.”
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Now… is it just us… or is that not just exactly what a musical is? Either way, we’re pleased to see we weren’t the only ones confused…
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Musical – a play or movie in which singing and dancing play an essential part. or in other words “the music is used to really give the characters a way to express what they need to say because the scene and dialogue is just not enough” Gaga
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Musical – a play or movie in which singing and dancing play an essential part. or in other words “the music is used to really give the characters a way to express what they need to say because the scene and dialogue is just not enough” Gaga
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That’s literally what a musical is. Gaga should know better
It feels like they did a bunch of focus groups and the toxic male audience is scared of musicals so they no longer want to focus on the music https://t.co/1BjVpQbRpm
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That’s literally what a musical is. Gaga should know better
It feels like they did a bunch of focus groups and the toxic male audience is scared of musicals so they no longer want to focus on the music https://t.co/1BjVpQbRpm
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Weird. https://t.co/w2SZvohgrZ— M loves flowers (@somuchhappenin_) September 4, 2024\n\n\n","options":{"_hide_media":{"label":"Hide photos, videos, and cards","value":false},"_maxwidth":{"label":"Adjust width","placeholder":"220-550, in px","value":""},"_theme":{"value":"","values":{"dark":"Use dark theme"}}},"provider_name":"Twitter","title":"M loves flowers on Twitter / X","type":"rich","url":"https://twitter.com/somuchhappenin_/status/1831321241590096050","version":"1.0"},"flags":[],"enhancements":{},"fullBleed":false,"options":{"theme":"news","device":"desktop","editionInfo":{"id":"uk","name":"U.K.","link":"https://www.huffingtonpost.co.uk","locale":"en_GB"},"originalEdition":"uk","isMapi":false,"isAmp":false,"isVideoEntry":false,"isEntry":true,"isMt":false,"entryId":"66d8638be4b09a3ee66d0c18","entryPermalink":"https://www.huffingtonpost.co.uk/entry/lady-gaga-tries-explain-joker-folie-a-deux-musical-we-re-confused_uk_66d8638be4b09a3ee66d0c18","entryTagsList":"ukfilm,lady-gaga,joker,venice-film-festival","sectionSlug":"entertainment","deptSlug":null,"sectionRedirectUrl":null,"subcategories":"","isWide":false,"headerOverride":null,"noVideoAds":false,"disableFloat":false,"isNative":false,"commercialVideo":{"provider":"custom","site_and_category":"uk.entertainment","package":null},"isHighline":false,"vidibleConfigValues":{"cid":"60afc140cf94592c45d7390c","disabledWithMapiEntries":false,"overrides":{"all":"60b8e525cdd90620331baaf4"},"whitelisted":["56c5f12ee4b03a39c93c9439","56c6056ee4b01f2b7e1b5f35","59bfee7f9e451049f87f550b","5acccbaac269d609ef44c529","570278d2e4b070ff77b98217","57027b4be4b070ff77b98d5c","56fe95c4e4b0041c4242016b","570279cfe4b06d08e3629954","5ba9e8821c2e65639162ccf1","5bcd9904821576674bc55ced","5d076ca127f25f504327c72e","5b35266b158f855373e28256","5ebac2e8abddfb04f877dff2","60b8e525cdd90620331baaf4","60b64354b171b7444beaff4d","60d0d8e09340d7032ad0fb1a","60d0d90f9340d7032ad0fbeb","60d0d9949340d7032ad0fed3","60d0d9f99340d7032ad10113","60d0daa69340d7032ad104cf","60d0de02b627221e9d819408"],"playlists":{"default":"57bc306888d2ff1a7f6b5579","news":"56c6dbcee4b04edee8beb49c","politics":"56c6dbcee4b04edee8beb49c","entertainment":"56c6e7f2e4b0983aa64c60fc","tech":"56c6f70ae4b043c5bdcaebf9","parents":"56cc65c2e4b0239099455b42","lifestyle":"56cc66a9e4b01f81ef94e98c"},"playerUpdates":{"56c6056ee4b01f2b7e1b5f35":"60b8e525cdd90620331baaf4","56c5f12ee4b03a39c93c9439":"60d0d8e09340d7032ad0fb1a","59bfee7f9e451049f87f550b":"60d0d90f9340d7032ad0fbeb","5acccbaac269d609ef44c529":"60d0d9949340d7032ad0fed3","5bcd9904821576674bc55ced":"60d0d9f99340d7032ad10113","5d076ca127f25f504327c72e":"60d0daa69340d7032ad104cf","5ebac2e8abddfb04f877dff2":"60d0de02b627221e9d819408"}},"connatixConfigValues":{"defaultPlayer":"8b034f64-513c-4987-b16f-42d6008f7feb","clickToPlayPlayer":"5a777b9b-81fe-41a6-8302-59e9953ee8a2","videoPagePlayer":"19654b65-409c-4b38-90db-80cbdea02cf4"},"topConnatixThumnbailSrc":"data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABCAQAAAC1HAwCAAAAC0lEQVR42mNkYAAAAAYAAjCB0C8AAAAASUVORK5CYII=","customAmpComponents":[],"ampAssetsUrl":"https://amp.assets.huffpost.com","videoTraits":null,"positionInUnitCounts":{"buzz_head":{"count":0},"buzz_body":{"count":0},"buzz_bottom":{"count":0}},"positionInSubUnitCounts":{"article_body":{"count":7},"blog_summary":{"count":0},"before_you_go_content":{"count":0}},"connatixCountsHelper":{"count":0},"buzzfeedTracking":{"context_page_id":"66d8638be4b09a3ee66d0c18","context_page_type":"buzz","destination":"huffpost","mode":"desktop","page_edition":"en-uk"},"tags":[{"name":"ukfilm","slug":"ukfilm","links":{"relativeLink":"news/ukfilm","permalink":"https://www.huffingtonpost.co.uk/news/ukfilm","mobileWebLink":"https://www.huffingtonpost.co.uk/news/ukfilm"},"section":{"title":"Entertainment","slug":"entertainment"},"topic":{"title":"Film","slug":"ukfilm","overridesSectionLabel":false},"url":"https://www.huffingtonpost.co.uk/news/ukfilm/"},{"name":"Lady Gaga","slug":"lady-gaga","links":{"relativeLink":"news/lady-gaga","permalink":"https://www.huffingtonpost.co.uk/news/lady-gaga","mobileWebLink":"https://www.huffingtonpost.co.uk/news/lady-gaga"},"relegenceId":6039618,"url":"https://www.huffingtonpost.co.uk/news/lady-gaga/"},{"name":"Joker","slug":"joker","links":{"relativeLink":"news/joker","permalink":"https://www.huffingtonpost.co.uk/news/joker","mobileWebLink":"https://www.huffingtonpost.co.uk/news/joker"},"relegenceId":3468400,"url":"https://www.huffingtonpost.co.uk/news/joker/"},{"name":"Venice Film Festival","slug":"venice-film-festival","links":{"relativeLink":"news/venice-film-festival","permalink":"https://www.huffingtonpost.co.uk/news/venice-film-festival","mobileWebLink":"https://www.huffingtonpost.co.uk/news/venice-film-festival"},"relegenceId":3696994,"url":"https://www.huffingtonpost.co.uk/news/venice-film-festival/"}],"isLiveblogLive":null,"cetUnit":"buzz_body","bodyAds":["
What is this bullshit statement that these people have agreed on? Lady Gaga of all people surely should be aware that that IS what a musical is??? The Lady Gaga who belted Elphie songs during school lunches!!!??? 🙁 https://t.co/DD8O03NO3J
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The Lady Gaga who belted Elphie songs during school lunches!!!??? 🙁 https://t.co/DD8O03NO3J— nnzy (@astnanlof) September 4, 2024\n\n\n","options":{"_hide_media":{"label":"Hide photos, videos, and cards","value":false},"_maxwidth":{"label":"Adjust width","placeholder":"220-550, in px","value":""},"_theme":{"value":"","values":{"dark":"Use dark theme"}}},"provider_name":"Twitter","title":"nnzy on Twitter / X","type":"rich","url":"https://twitter.com/astnanlof/status/1831319493177639003","version":"1.0"},"flags":[],"enhancements":{},"fullBleed":false,"options":{"theme":"news","device":"desktop","editionInfo":{"id":"uk","name":"U.K.","link":"https://www.huffingtonpost.co.uk","locale":"en_GB"},"originalEdition":"uk","isMapi":false,"isAmp":false,"isVideoEntry":false,"isEntry":true,"isMt":false,"entryId":"66d8638be4b09a3ee66d0c18","entryPermalink":"https://www.huffingtonpost.co.uk/entry/lady-gaga-tries-explain-joker-folie-a-deux-musical-we-re-confused_uk_66d8638be4b09a3ee66d0c18","entryTagsList":"ukfilm,lady-gaga,joker,venice-film-festival","sectionSlug":"entertainment","deptSlug":null,"sectionRedirectUrl":null,"subcategories":"","isWide":false,"headerOverride":null,"noVideoAds":false,"disableFloat":false,"isNative":false,"commercialVideo":{"provider":"custom","site_and_category":"uk.entertainment","package":null},"isHighline":false,"vidibleConfigValues":{"cid":"60afc140cf94592c45d7390c","disabledWithMapiEntries":false,"overrides":{"all":"60b8e525cdd90620331baaf4"},"whitelisted":["56c5f12ee4b03a39c93c9439","56c6056ee4b01f2b7e1b5f35","59bfee7f9e451049f87f550b","5acccbaac269d609ef44c529","570278d2e4b070ff77b98217","57027b4be4b070ff77b98d5c","56fe95c4e4b0041c4242016b","570279cfe4b06d08e3629954","5ba9e8821c2e65639162ccf1","5bcd9904821576674bc55ced","5d076ca127f25f504327c72e","5b35266b158f855373e28256","5ebac2e8abddfb04f877dff2","60b8e525cdd90620331baaf4","60b64354b171b7444beaff4d","60d0d8e09340d7032ad0fb1a","60d0d90f9340d7032ad0fbeb","60d0d9949340d7032ad0fed3","60d0d9f99340d7032ad10113","60d0daa69340d7032ad104cf","60d0de02b627221e9d819408"],"playlists":{"default":"57bc306888d2ff1a7f6b5579","news":"56c6dbcee4b04edee8beb49c","politics":"56c6dbcee4b04edee8beb49c","entertainment":"56c6e7f2e4b0983aa64c60fc","tech":"56c6f70ae4b043c5bdcaebf9","parents":"56cc65c2e4b0239099455b42","lifestyle":"56cc66a9e4b01f81ef94e98c"},"playerUpdates":{"56c6056ee4b01f2b7e1b5f35":"60b8e525cdd90620331baaf4","56c5f12ee4b03a39c93c9439":"60d0d8e09340d7032ad0fb1a","59bfee7f9e451049f87f550b":"60d0d90f9340d7032ad0fbeb","5acccbaac269d609ef44c529":"60d0d9949340d7032ad0fed3","5bcd9904821576674bc55ced":"60d0d9f99340d7032ad10113","5d076ca127f25f504327c72e":"60d0daa69340d7032ad104cf","5ebac2e8abddfb04f877dff2":"60d0de02b627221e9d819408"}},"connatixConfigValues":{"defaultPlayer":"8b034f64-513c-4987-b16f-42d6008f7feb","clickToPlayPlayer":"5a777b9b-81fe-41a6-8302-59e9953ee8a2","videoPagePlayer":"19654b65-409c-4b38-90db-80cbdea02cf4"},"topConnatixThumnbailSrc":"data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABCAQAAAC1HAwCAAAAC0lEQVR42mNkYAAAAAYAAjCB0C8AAAAASUVORK5CYII=","customAmpComponents":[],"ampAssetsUrl":"https://amp.assets.huffpost.com","videoTraits":null,"positionInUnitCounts":{"buzz_head":{"count":0},"buzz_body":{"count":0},"buzz_bottom":{"count":0}},"positionInSubUnitCounts":{"article_body":{"count":7},"blog_summary":{"count":0},"before_you_go_content":{"count":0}},"connatixCountsHelper":{"count":0},"buzzfeedTracking":{"context_page_id":"66d8638be4b09a3ee66d0c18","context_page_type":"buzz","destination":"huffpost","mode":"desktop","page_edition":"en-uk"},"tags":[{"name":"ukfilm","slug":"ukfilm","links":{"relativeLink":"news/ukfilm","permalink":"https://www.huffingtonpost.co.uk/news/ukfilm","mobileWebLink":"https://www.huffingtonpost.co.uk/news/ukfilm"},"section":{"title":"Entertainment","slug":"entertainment"},"topic":{"title":"Film","slug":"ukfilm","overridesSectionLabel":false},"url":"https://www.huffingtonpost.co.uk/news/ukfilm/"},{"name":"Lady Gaga","slug":"lady-gaga","links":{"relativeLink":"news/lady-gaga","permalink":"https://www.huffingtonpost.co.uk/news/lady-gaga","mobileWebLink":"https://www.huffingtonpost.co.uk/news/lady-gaga"},"relegenceId":6039618,"url":"https://www.huffingtonpost.co.uk/news/lady-gaga/"},{"name":"Joker","slug":"joker","links":{"relativeLink":"news/joker","permalink":"https://www.huffingtonpost.co.uk/news/joker","mobileWebLink":"https://www.huffingtonpost.co.uk/news/joker"},"relegenceId":3468400,"url":"https://www.huffingtonpost.co.uk/news/joker/"},{"name":"Venice Film Festival","slug":"venice-film-festival","links":{"relativeLink":"news/venice-film-festival","permalink":"https://www.huffingtonpost.co.uk/news/venice-film-festival","mobileWebLink":"https://www.huffingtonpost.co.uk/news/venice-film-festival"},"relegenceId":3696994,"url":"https://www.huffingtonpost.co.uk/news/venice-film-festival/"}],"isLiveblogLive":null,"cetUnit":"buzz_body","bodyAds":["
What is this bullshit statement that these people have agreed on? Lady Gaga of all people surely should be aware that that IS what a musical is??? The Lady Gaga who belted Elphie songs during school lunches!!!??? 🙁 https://t.co/DD8O03NO3J
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Don’t worry, Marge, it’s not a musical. It’s just that the music is used to give the characters a way to express what they need to say when the scene and dialogue are not enough. pic.twitter.com/uDP4FgS36i
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It’s just that the music is used to give the characters a way to express what they need to say when the scene and dialogue are not enough. pic.twitter.com/uDP4FgS36i— Joe Reid (@joereid) September 4, 2024\n\n\n","options":{"_hide_media":{"label":"Hide photos, videos, and cards","value":false},"_maxwidth":{"label":"Adjust width","placeholder":"220-550, in px","value":""},"_theme":{"value":"","values":{"dark":"Use dark theme"}}},"provider_name":"Twitter","title":"Joe Reid on Twitter / 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Don’t worry, Marge, it’s not a musical. It’s just that the music is used to give the characters a way to express what they need to say when the scene and dialogue are not enough. pic.twitter.com/uDP4FgS36i
Joaquin won an Oscar for his performance in the first Joker film, and returns for the sequel alongside new addition Lady Gaga as the iconic Batman villain Harley Quinn.
The film’s cast also includes Zazie Beetz (returning from the first Joker film), Steve Coogan, Brendan Gleeson and Catherine Keener.
Joker: Folie À Deux hits cinemas on Friday 4 October.
Now that the dust has settled since the Oasis tickets fiasco, it may be tempting to ask yourself why audiences are so demanding these days, why is it so hard to get tickets?
However, fighting to get tickets to an Oasis gig is nothing new and in fact, almost 30 years ago, two-and-a-half million people were in a desperate scramble to nab tickets to their Knebworth show.
Advertisement
The BBC said: “More than four per cent of the population applied for tickets to see Oasis at Knebworth, the largest ever demand for concert tickets in British history.
“A whopping 250,000 people got to see the band over two nights – another record – but incredibly, Oasis could have sold out another 18 Knebworth shows.”
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The new formats feature remastered audio, taken from the ‘Chasing The Sun’ reissues – available for the first time as one collection. \n\nPre-order: https://OasisMusic.lnk.to/themasterplan25\n\n‘Oasis Knebworth 1996’, the definitive live album, DVD and Blu-ray is out now via Big Brother Recordings Ltd. \n\nOrder here: https://OasisMusic.lnk.to/knebworth1996ID\n\nJoin Oasis online: \nWebsite: oasisinet.com\nOfficial Store: https://Oasis.lnk.to/shopYo\nFacebook: https://www.facebook.com/OasisOfficial\nTik Tok: https://www.tiktok.com/@oasis\nTwitter: https://twitter.com/oasis\nInstagram: http://instagram.com/oasisofficial\n\n#TheMasterplan25 #OasisKnebworth1996 #Acquiesce #Oasis","options":{"_cc_load_policy":{"label":"Closed captions","value":false},"_end":{"label":"End on","placeholder":"ex.: 11, 1m10s","value":""},"_start":{"label":"Start from","placeholder":"ex.: 11, 1m10s","value":""},"click_to_play":{"label":"Hold load & play until 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The iconic shows were unforgettable, too, with a VIP tent that hosted 90′s legends such as Kate Moss and Patsy Palmer and a backstage experience that was almost as jaw-dropping as the show itself.
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According to The Quietus: “Oasis and their then label Creation once really did run an all-you-can-eat spectacular. All-you-can-drink as well. The backstage bounty at Oasis’s 1996 shows at Knebworth was astonishing.
“An immense marquee was lined with bars, all fully stocked with any drink you could imagine. A barbecue sizzled eternal. To anyone with a pass it was all free, all day.”
Noel doesn’t remember any of it, though
While fans and critics alike would agree that Oasis at Knebworth was unforgettable and one for the music history books, Noel Gallagher doesn’t remember performing there.
Speaking on Desert Island Discs, the musician said: “Genuinely, now, if I close my eyes, I can’t remember walking on stage at Knebworth. I know it took place because there were lots of people there.”
We’ve recently written at HuffPost UK about how the secret behind Biscoff’s distinctive flavour is most likely… sugar (no, really).
Which got me thinking; what’s the actual taste of red velvet cake? After all, neither “red” nor “velvet” are ingredients; at least “lemon meringue” and “chocolate” cakes are clear about what they are.
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I wondered if the deep red hue and moist texture could come from something like beetroot; the sort-of earthy flavour and vibrant purple-red colour.
But no; its actual flavour is shockingly simple (at least to me).
What flavour is it?
It’s (drumroll please)… vanilla and chocolate.
The cake uses cocoa powder rather than actual chocolate, giving the sponge a milder taste than most chocolate versions.
It’s meant to be made with Dutch-processed cocoa, which is ground from cocoa beans washed in an alkaline solution of potassium carbonate. This is darker than its other counterparts.
Traditionally, there are also acidic elements (like vinegar and buttermilk) in the mix that help to give the cake its signature tenderness and tang, Better Homes & Gardens writes.
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The red colour was originally created by the reaction of the acidic buttermilk and vinegar to the raw cocoa powder, which contains an antioxidant called anthocyanins which turns red when it comes into contact with acids.
Nowadays, though, most red velvet cakes contain crimson food dye.
“Velvet cakes” were a trend
The only velvet cake we hear about these days tends to be red velvet cake.
But “velvet cakes” were a Victorian trend before cake flour became available, often containing ingredients like almond flour, corn starch, and cocoa flour that helped to produce a smooth, fluffy, “velvety” texture.
This coincided with the invention of “mahogany cake”; cakes which included the same Dutch-process cocoa and acidic ingedient combination.
In the Great Depression, red velvet cakes were cheaper to make (thanks to the omission of “real” chocolate” than others, leading to its popularity across America and now the rest of the world.
Oasis have dismissed speculation that they will be making an appearance at next year’s Glastonbury festival.
Despite the initial announcement about Liam and Noel Gallagher’s upcoming reunion shows specifying they would mark fans’ only opportunity to see them live in 2025, the last few days have seen rumours emerging suggesting the group could be putting in a performance on the Pyramid Stage next year.
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However, they have now spoken out to insist this will not be the case.
“Despite media speculation, Oasis will not be playing Glastonbury 2025 or any other festivals next year,” they said in a statement.
“The only way to see the band perform will be on their Oasis Live ’25 World Tour.”
It’s perhaps worth pointing out that earlier in the summer, Noel made headlines when he slated the most recent Glastonbury line-up, for which he ended up facing a huge backlash.
After literal years of theorising about whether the estranged Gallagher brothers would ever put their differences aside and perform together again, it was confirmed on Tuesday morning that Oasis would be doing a string of gigs around the UK and Ireland in 2025.
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So far, a total of 15 live shows have been announced, beginning in Cardiff in July.
Following this, the tour will travel to Manchester, London and Edinburgh, with two last shows scheduled for Dublin on 16 and 17 August.
Alongside the announcement, Oasis said:
“The guns have fallen silent.
“The stars have aligned.
“The great wait is over.
“Come see.
“It will not be televised.”
Tickets for Oasis’ 2025 tour will go on sale on Saturday morning at 9am BST, although a fan pre-sale is also taking place on Friday. Visit Oasis’ website for more information on this special pre-sale event.
If you’ve ever completed a flipbook in the corner of your school copybook, you’ll likely have thought to yourself, “How can animators do this for entire episodes?”
Even given that backgrounds are reused, many animated shows use 24 frames per second ― the thought of drawing enough to last you, say, 30 minutes is enough to make me giddy.
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Luckily, both TV writer Michael Jamin (formerly of King Of The Hill and Beavis & Butthead) and animator Butch Hartman (who’s worked on shows like Danny Phantom and The Fairly OddParents) have answers.
Unluckily, however, both their accounts mean I’ll never be able to watch a cartoon in the same way again.
It’s a lonnng time
According to Jamin, he spent about six weeks writing a 30-minute episode of King Of The Hill with his colleagues ― after that, they’d spend a couple of weeks making the episode’s soundtrack.
Animators needed the final cut of the track to ensure their characters’ mouths moved in time.
When those were sent to the animators, he said the storyboard (not the whole animated show ― just the storyboard) took “a month or so.”
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A month or two after that, they’d watch an early “animatic” to see how it flowed ― but only “a few months after THAT” would they see the coloured-in version. This was still months before the final edit.
“From beginning to end, when it’s ready to air, it’s about nine months,” he added.
That seems to check out
Hartman agreed, saying Danny Phantom and Fairly OddParents both consisted of two 11-minute animated sections.
In the end, it would take “about ten months to do.”
That’s from conceiving the script to completion, though, he says.
However he adds “it’s sped up now with flash animation to about six months, but that’s about the time.”
With just a few short months until the US presidential election, it’s not unfair to say that Donald Trump isn’t exactly spoilt for choice when it comes to popular musicians who want to endorse him.
In fact, in the last few weeks alone, a number of artists have spoken out against the former president for featuring their music in his campaign videos or playing it at his rallies.
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This is nothing new, though.
Over the years, plenty of singers and bands have hit back at Trump for using their music without permission.
Here’s a look at some of the most high-profile examples…
Beyoncé
via Associated Press
In August 2024, Trump’s spokesperson Steven Cheung shared a video of the Republican candidate accompanied by Beyoncé‘s song Freedom, which has become an anthem of Kamala Harris’ presidential campaign in the last few weeks.
When Trump played Céline Dion’s My Heart Will Go On at a rally in August 2024, the Grammy winner responded with a blistering statement that made headlines the world over.
“In no way is this use authorised, and Céline Dion does not endorse this or any similar use,” the statement said.
Alluding to the fact the song is most popular for its associations with Titanic, the statement concluded: “And really, THAT song?”
Sinéad O’Connor
via Associated Press
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The family of the late Sinéad O’Connor were understandably upset after Nothing Compares 2 U was played at various campaign stops in March 2024.
“It is well known that Sinéad O’Connor lived by a fierce moral code defined by honesty, kindness, fairness and decency towards her fellow human beings,” the Irish singer’s estate said.
“It was with outrage therefore that we learned that Donald Trump has been using her iconic performance of Nothing Compares 2 U at his political rallies. [It is] no exaggeration to say that Sinéad would have been disgusted, hurt and insulted to have her work misrepresented in this way by someone who she herself referred to as a ‘biblical devil’.”
Johnny Marr
via Associated Press
Johnny Marr, best known for his work as lead guitarist in The Smiths, was suitably unimpressed to discover the group’s song Please, Please, Please Let Me Get What I Want had been played at a Trump rally.
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“I never in a million years would’ve thought this could come to pass. Consider this shit shut right down right now,” he tweeted.
Their 1969 hit You Can’t Always Get What You Want was a frequent choice at Trump’s events, with the band confirming music rights organisation BMI had already notified the then-president’s campaign explaining that the unauthorised use of their songs would break its licensing agreement.
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Prior to that, th Rollinge Stones had already complained about Trump using their music during his previous campaign in 2016.
Village People
SIPA USA/PA Images
Also in 2020, Village People’s lead singer Victor Willis asked the president to stop playing songs like Macho Man and Y.M.C.A. if he went through with threats to deploy the military on peaceful protesters in America.
Months later, Trump was seen dancing to Y.M.C.A. at a rally, with Victor telling BBC News: “I don’t endorse Trump, I’ve never endorsed Trump, nor has the Village People.”
When asked what he thought about Trump’s dancing, he laughed and added: “Donald Trump does what Donald Trump does. I’ve never seen him actually put his hands up and make the Y.M.C.A. He’s changed it to M.A.G.A. or something.”
The pro-Trump video was posted on X (then still known as Twitter) by White House staff member Dan Scavino, which was then shared on the president’s page.
Making their stance explicitly clear, a message was then posted on the band’s Twitter page, which said: “Linkin Park did not and does not endorse Trump, nor authorise his organisation to use any of our music. A cease-and-desist has been issued.”
X later told Sky News that they respond to “valid copyright complaints sent to us by a copyright owner or their authorised representatives”.
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Tom Petty
EMPICS Entertainment
The family of the late Tom Petty issued a cease-and-desist order after his song I Won’t Back Down was used at a Trump rally in June 2020.
They said in a statement: “Trump was in no way authorised to use this song to further a campaign that leaves too many Americans and common sense behind.
“Both the late Tom Petty and his family firmly stand against racism and discrimination of any kind. Tom Petty would never want a song of his to be used in a campaign of hate. He liked to bring people together.’’
Neil Young
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The singer announced he was intending to sue Trump in August 2020 after one of his songs was played against his wishes during the president campaign rallies despite earlier warnings.
The copyright infringement complaint that was filed read: “This complaint is not intended to disrespect the rights and opinions of American citizens, who are free to support the candidate of their choosing.
“However, Plaintiff in good conscience cannot allow his music to be used as a ‘theme song’ for a divisive, un-American campaign of ignorance and hate.”
Prince
Richard E. Aaron via Getty Images
Prince’s estate hit out at the US president after Purple Rain was used at a rally in Minneapolis, the late singer’s home town, in October 2019.
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The late singer’s song was played despite the Trump campaign having previously pledged not to do so a year earlier, following its use in the 2016 election race.
“The Prince estate will never give permission to President Trump to use Prince’s songs,” the estate wrote on Twitter, also sharing the letter the president’s representatives that confirmed it would not use Prince’s music “in connection with activities going forward”.
In 2020, the Beach Boys performed at a Trump fundraiser in Newport Beach, California. However, that was the current touring version of the group led by Mike Love ― the band’s other surviving co-founder, who has often been at loggerheads with his old bandmates, a Trump supporter.
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A spokesperson for Brian and Al told Variety at the time: “We have absolutely nothing to do with the Trump benefit today in Newport Beach. Zero. We didn’t even know about it and were very surprised to read about it in the Los Angeles Times.”
She went on to suggest that tracks by Kanye West, Kid Rock or Ted Nugent – all of whom have publicly endorsed Trump in the past – might be more appropriate. musical choices for him
She wrote on X: “Not for much longer… me nor my people would ever be at or around one of those tragic rallies, so thanks for the heads up!”
Adele
Doug Peters/EMPICS Entertainment
Adele took umbrage with Donald Trump during his 2016 election campaign, when Rolling In The Deep was used repeatedly at his rallies.
In a short but to-the-point statement, her spokesperson said: “Adele has not given permission for her music to be used for any political campaigning.”
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R.E.M.
Rex/Shutterstock
Adele’s statement was somewhat more subdued than R.E.M., who were less-than-thrilled to learn that Trump had been blasting their tune, It’s The End Of The World As We Know It at his rallies prior to the 2016 election.
Frontman Michael Stipe issued a statement telling the then-presidential candidate to “go fuck himself”, making it clear he wanted nothing to do with his ideologies.
Aerosmith
NurPhoto via Getty Images
Steven Tyler sent Donald Trump a cease-and-desist letter when he first started using Dream On at his campaigns in 2015.
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True to form, Trump responded on X that he’d already found a “better song” to replace Dream On, adding: “Steven Tyler got more publicity on his song request than he’s gotten in ten years. Good for him!”
Queen
Express Newspapers via Getty Images
If anyone was going to try and clumsily appropriate the message of We Are The Champions in their political campaign, it was going to be Donald Trump, right?
Guitarist Brian May assured one fan in 2016: “I will make sure we take what steps we can to dissociate ourselves from Donald Trump’s unsavoury campaign.”
However, in August 2020, the band admitted it had been “an uphill battle” to get the Trump campaign to stop using their songs.
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Isaac Hayes
via Associated Press
Shortly after Celiné Dion’s immediately-iconic message to Trump, the family of Isaac Hayes – who died in 2008 – also took issue with the presidential hopeful for playing Hold On, I’m Comin’, a Sam & Dave song written by the singer and actor, at his rallies.
Isaac’s son, Isaac Hayes III, shared a legal letter on social media, revealing he and his family were planning to sue Trump for 134 counts of “copyright infringement”, and claiming they had previously requested multiple times that the Republican candidate not play Hold On I’m Comin’ at his rallies.
Paramount+ was the one who finally to be that “somebody”, with the first two instalments of the result, the succinctly-named Dating Naked, now available to stream.
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Fronted by Rylan Clark, the show sees a group of singletons moving into a Love Island-esque summer paradise, and exploring the possibility of romance while completely starkers the whole time.
So far, critics have widely panned Dating Naked, with one-star reviews in a number of outlets, and words like “tedious”, “attention-seeking” and “banal” all being thrown around.
Here’s a selection of what critics have had to say (including a smattering of positive reviews, too)…
“[The only] vaguely entertaining thing about Dating Naked is that it’s hosted by Rylan Clark, who remains clothed and only says ‘I feel a bit overdressed’ once. Otherwise, it’s one heavily constructed reality show ding-dong after another, as partnerships are thrown together and discarded quicker than a cardigan at the door… [This] is a load of bollocks.”
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“There are no redeeming features here, not even host Rylan, whose perma-grin seems stapled to his face as he repeats the same few phrases on autopilot […] Save yourself the bother; even if there’s no actual underwear in sight, this show is still pants.”
“Far from injecting a new lease of life into the weary reality TV format, the nudity renders the whole thing strangely banal and mundane. It’s not really shocking, it’s just a bit tedious and attention-seeking. It’s not sexy, either – it’s too anatomical for that. It’s hard to have any sort of allure when it’s all openly displayed on a platter. If less is more, this is definitely too much.”
“Dating Naked UK isn’t necessarily awful because the contestants are naked. It’s awful and the contestants are naked. Once the novelty has worn off, it’s a dire, derivative reality contest with absolutely nothing to offer.”
“The alarming truth is that after around ten minutes of the first episode the nakedness becomes, for the viewer at least, utterly unremarkable. Honestly, by the end of episode two I’d even stopped making mental notes to not forget the pigs in blankets this Christmas.”
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“Dating Naked is bonkers but extremely watchable. It’s hard to think where reality TV might take us next in the pursuit of something we haven’t seen.”
“Reality TV formats work best when they turn the volume up on real life. If I wanted to watch normal people dating, I can do that down the Slug and Lettuce any night of the week. It’s why programmes such as Dating Naked are essential.
“I have seen two early episodes of the Paramount+ show and it is fascinating what the dynamic of being nude brings to conversation.”
The first two episodes of Dating Naked are available to watch now on Paramount+.
The BBC has confirmed that Jermaine Jenas has left the broadcaster with immediate effect.
On Thursday afternoon, The Sun was the first to report that the former England midfielder had been dropped from his usual spots on the flagship shows Match Of The Day and The One Show.
The tabloid cited an undisclosed “source” who claimed that the BBC made the decision to fire Jermaine after “complaints were raised” about his behaviour behind the scenes.
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A spokesperson has since confirmed: “We can confirm that he is no longer part of our presenting line-up.”
HuffPost UK has also contacted Jermaine Jenas’ team for comment.
Jermaine retired from the world of professional football in 2016, following a knee injury that affected his inability to play the sport, having previously played for Nottingham Forest, Newcastle United, Tottenham Hotspurs and England’s national team.
Following this, he made the move into football punditry, and joined the Match Of The Day team, before becoming a permanent part of the One Show’s rotating group of presenters in 2020.
The Sun’s article pointed out that Jermaine was absent when Match Of The Day returned for a new season over the weekend.
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His other TV credits include the reality show Time Crashers, in which famous faces tried out living in different periods from history, Michael McIntyre’s game show The Wheel and the award-winning Apple TV+ sitcom Ted Lasso, in which he made a cameo appearance as himself.
He also fronted a documentary for BBC Three, Teenage Knife Wars, about the prevalence of knife culture among young people, particularly in his home town of Nottingham.
But there’s another movie mystery at the other end of your favourite films, too.
If you look closely after the credits have rolled, you’ll see that the copyright credit is often written in Roman numerals, rather than the regular Arabic numerals we’re all used to.
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That’s not a copyright thing ― books, for instance, usually use regular numbers.
So, why does that change once a story gets on screen?
Amy Glover/ Asako Yuzuki / 4th Estate / 20th Century Fox
Well, part of it has to do with mystery
The “deception theory” of Roman numeral credits suggests that TV and movie studios simply don’t want you to know when their piece of media was first released.
The BBC, for instance, uses the technique. “The convention is not to spell out what year something was made,” the broadcaster wrote on their online news site.
Using Roman numerals means you have to spend a lot of time working out what the date is (or, in the adorable case of this grandmother, Google searching the letters as politely as possible).
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That way, you couldn’t tell the age of repeats or older content.
ABC’s 33 WYTV says there’s also the “why change?” theory ― in other words, TV shows and movies have used Roman numerals for their copyright credits for so long that it just feels pointless to change it.
They also suggest that it could have something to do with physical film ― back in the day, numbers could fade into unreadable forms on physical tape, but Roman numerals held their shape better over time.
Either way, people don’t love it
Researching the reason for the numerals resulted in my seeing many, many disgruntled forum users who hate the quirk.
One Mumsnet member wrote, “it can be frustrating to wait for the credits to roll, only to find that the date appears as a row of Roman numerals which often flash by too quickly to convert them into Arabic (‘ordinary’) numerals.”
A Guardian reader reckoned the technique is used because “most of the audience (unlike Guardian readers of course) will be unable to read them and so will not realise that the film is so old”.
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“I’d bet my non-existent house that most people in the UK can definitely NOT read Roman numerals,” a Digital Spy forum member opined.
Whatever the reason, though, I sort of agree with another Digital Spy forum user ― “it looks cool,” they commented.