Your nose could detect Alzheimer’s years before symptoms begin

A declining sense of smell may be one of the earliest warning signs of Alzheimer’s disease, appearing even before noticeable memory problems. New research from scientists at DZNE and Ludwig-Maximilians-Universität München (LMU) offers fresh insight into why this happens. The study points to the brain’s immune system as a key player, showing that it may mistakenly attack nerve fibers that are essential for detecting odors. Published in Nature Communications, the research combines evidence from mice and humans, including brain tissue analysis and so-called PET scanning. These findings could help improve early detection and open the door to earlier treatment.

According to the researchers, smell-related problems arise when immune cells in the brain, known as “microglia,” begin removing connections between two important regions: the olfactory bulb and the locus coeruleus. The olfactory bulb, located in the forebrain, processes signals from scent receptors in the nose. The locus coeruleus, found in the brainstem, helps regulate this process through long nerve fibers that extend to the olfactory bulb.

“The locus coeruleus regulates a variety physiological mechanisms. These include, for example, cerebral blood flow, sleep-wake cycles, and sensory processing. The latter applies, in particular, also to the sense of smell,” says Dr. Lars Paeger, a scientist at DZNE and LMU. “Our study suggests that in early Alzheimer’s disease, changes occur in the nerve fibers linking the locus coeruleus to the olfactory bulb. These alterations signal to the microglia that affected fibers are defective or superfluous. Consequently, the microglia break them down.”

Alterations in the membrane

The team, led by Dr. Lars Paeger and co-author Prof. Dr. Jochen Herms, identified specific changes in the membranes of these nerve fibers. They found that phosphatidylserine, a fatty molecule normally located on the inside of a neuron’s membrane, had shifted to the outer surface.

“Presence of phosphatidylserine at the outer site of the cell membrane is known to be an “eat-me” signal for microglia. In the olfactory bulb, this is usually associated with a process called synaptic pruning, which serves to remove unnecessary or dysfunctional neuronal connections,” explains Paeger. “In our situation, we assume that the shift in membrane composition is triggered by hyperactivity of the affected neurons due to Alzheimer’s disease. That is, these neurons exhibit abnormal firing.”

Evidence From Animal Models, Human Tissue, and Brain Scans

The conclusions are supported by multiple lines of evidence. The researchers studied mice that show Alzheimer’s-like features, examined brain tissue from deceased patients, and analyzed positron emission tomography (PET) scans from individuals with Alzheimer’s or mild cognitive impairment.

“Smell issues in Alzheimer’s disease and damage to the associated nerves have been discussed for some time. However, the causes were unclear until yet. Now, our findings point to an immunological mechanism as cause for such dysfunctions — and, in particular, that such events already arise in the early stages of Alzheimer’s disease,” says Joachim Herms, a research group leader at DZNE and LMU as well as a member of the Munich-based “SyNergy” Cluster of Excellence.

Implications for Early Diagnosis and Treatment

So-called amyloid-beta antibodies have recently become available for the treatment of Alzheimer’s. For these therapies to work effectively, they must be given early in the disease process. This is where the new findings could make a difference.

“Our findings could pave the way for the early identification of patients at risk of developing Alzheimer’s, enabling them to undergo comprehensive testing to confirm the diagnosis before cognitive problems arise. This would allow earlier intervention with amyloid-beta antibodies, increasing the probability of a positive response,” says Herms.

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Big Mistakes Cast: Where You’ve Seen The Stars Of The Netflix Series Before

Six years after the much-loved Schitt’s Creek finale, Dan Levy is returning to the TV world with his new Netflix series.

The Emmy winner has teamed up with Bottoms and I Love LA writer Rachel Sennott to create Big Mistakes, an exciting eight-part series that’s part comedy, part heist, part caper and part gritty crime drama.

As well as co-creating Big Mistakes and writing select episodes, Dan also takes the lead as a priest who lands both himself and his sister in hot water when some petty thievery grabs the attention of a criminal organisation.

He’s joined by an impressive cast of recognisable faces in Big Mistakes, many of whom you’re sure to recognise from their TV, movie and stage careers.

For those who’ve already been enjoying the new show, here’s your quick guide to where you’ve seen the cast before…

Dan Levy

Dan Levy as David Rose in Schitt's Creek
Dan Levy as David Rose in Schitt’s Creek

CBC/ITV/Kobal/Shutterstock

As mentioned above, Dan Levy was a co-creator and star of the beloved sitcom Schitt’s Creek, in which he starred as David Rose alongside his famous dad, Eugene Levy.

The Canadian star initially got his start in TV presenting rather than acting, working on the likes of MTV Live, The Hills’ “after show”, the Canadian version of Great British Bake Off and the cooking show Dismantled.

Since Schitt’s Creek, his acting work has included Modern Family, Sex Education, The Idol and Curb Your Enthusiasm.

He’s also acted in films like Disney’s Haunted Mansion, the Christmas comedy Happiest Season and the dark comedy Good Grief, the first offering to come from Dan’s deal with Netflix.

Taylor Ortega

Taylor Ortega as Joan in Ghosts
Taylor Ortega as Joan in Ghosts

Dan’s on-screen sister in Big Mistakes is played by Taylor Ortega, who Succession fans might remember for her one-episode stint as Greta, before she was cast in the US remake of the British comedy Ghosts.

You could have also seen her in Love Life, Welcome To Flatch or Netflix’s The Four Seasons, as well as films like Another Simple Favour or Wine Club.

Meanwhile, if you were a Kim Possible fan back in the day, you might be interested to hear that she played Shego in Disney’s 2019 live-action movie based on the classic cartoon.

Laurie Metcalf

Laurie Metcalf in the 2017 film Lady Bird
Laurie Metcalf in the 2017 film Lady Bird

Universal Pictures/Kobal/Shutterstock

Laurie Metcalf won three Emmys for her work in the sitcom Roseanne, but you might also recognise her for her Oscar-nominated performance as the mum character in Lady Bird.

Over the years, she’s also made memorable appearances as a murderous supermarket shopper in the iconic Desperate Housewives episode Bang, Sheldon’s mother in The Big Bang Theory, Augusta Gein in Monster and exhausted tour manager Weed in Hacks (for which she won her fourth Emmy).

Her film work includes everything from Uncle Buck, Toy Story and Leaving Las Vegas to Scream 2 and Runaway Bride.

We’d be remiss not to mention her stage career, too, as Laurie is a six-time Tony nominee (and two-time winner), treading the boards as everyone from Misery’s Annie Wilkes (opposite Bruce Willis’ Paul Sheldon), A Doll House’s Nora Helmer and Hillary Clinton.

Elizabeth Perkins

Elizabeth Perkins as Celia in Weeds
Elizabeth Perkins as Celia in Weeds

Monty Brinton/Showtime/Kobal/Shutterstock

With a screen career spanning 40 years, it’s tough to know exactly where to start with Elizabeth Perkins.

Over the decades, she’s appeared in films like The Flintstones, Miracle On 34th Street, Finding Nemo and, more recently, Spider-Man: Across The Spider-Verse and The Housemaid.

She’s perhaps best known for her TV work, though, which includes playing Celia in Weeds, Janet Malone in This Is Us, Birdie in Glow and Jackie O’Neill in Sharp Objects, which earned her a Critics’ Choice Award nomination.

Abby Quinn

Abby Quinn in Knock At The Cabin
Abby Quinn in Knock At The Cabin

Horror fans might be familiar with Abby’s performances in the likes of Knock At The Cabin, I’m Thinking Of Ending Things or Hell Of A Summer.

Abby has also had minor roles in Greta Gerwig’s Little Women adaptation, the sinister Black Mirror episode Arkangel, the Breaking Bad spin-off Better Call Saul and the 21st century revival of the sitcom Mad About You.

Mark Ivanir

Mark Ivanir in Homeland
Mark Ivanir in Homeland

Between 2015 and 2018, Mark Ivanir had a recurring role in the thriller Homeland, playing Ivan Krupin, an SVR agent.

His other notable TV roles have included the Netflix political drama Zero Day, the dark comedy Barry and Amazon Prime’s original series Transparent.

As for his film work, he has appeared in Schindler’s List, The Terminal and the critically-panned musical Emilia Perez.

Jack Innanen

Jack Innanen in Adults
Jack Innanen in Adults

A comedian as well as an actor, Jack Innanen rose to prominence in the early 2020s thanks to his viral TikTok videos, landing him roles in the Canadian series The Dessert and The Office Movers.

Since then, he’s appeared in the main cast of the sitcom Adults, and recently hinted at a possible role in the next season of Heated Rivalry.

Boran Kuzum

Boran Kuzum in the Netflix series Kimler Geldi, Kimler Geçti
Boran Kuzum in the Netflix series Kimler Geldi, Kimler Geçti

Melih Yildirim/Netflix

Originally hailing from Turkey, Boran Kuzum’s work primarily consists of shows and films in his home country including Wounded Love, Bihter: A Forbidden Passion and Magnificent Century: Kösem.

Before being cast in Big Mistakes, he also played a pivotal role in another Netflix series, Kimler Geldi, Kimler Geçti (known in English-speaking territories as Thank You, Next).

Joe Barbara

Joe Barbara voiced Ray Boccino in the fourth Grand Theft Auto video game
Joe Barbara voiced Ray Boccino in the fourth Grand Theft Auto video game

Joe Barbara’s career began in the late 1990s, with roles in US soaps like Another World (which he appeared in over a four-year period) and All My Children.

More recently, he’s acted in FBI, Blue Bloods and lent his voice to the Grand Theft Auto games series, playing crime boss Ray Boccino.

Josh Fadem

Josh Fadem in Better Call Saul
Josh Fadem in Better Call Saul

Comedian, writer and actor Josh Fadem’s stand-out work has included playing Phil Busby in the 2017 revival of Twin Peaks, Pat Stanley in On Becoming A God In Central Florida, Simon Barrons in 30 Rock and Joey Dixon in Better Call Saul.

He also repeatedly portrayed Sean Penn in the sketch comedy series The Midnight Show and Adolf Hitler in The Crossroads Of History, in addition to roles in Reservation Dogs, Tulsa King, Minx and Adventure Time.

Jacob Gutierrez

Jacob Gutierrez in A Crime To Remember
Jacob Gutierrez in A Crime To Remember

Prime Video

Playing Tareq in Big Mistakes is definitely Jacob Guttierez’s biggest TV role to date, but he has appeared in the TV series A Crime To Remember, Bull and Dear Edward in recent years.

He’s also acted in short films, including A Night Off and It’s Not You, It’s Her.

Big Mistakes is now streaming on Netflix.

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Bridget Jones’s Diary: 25 Facts You Probably Never Knew

It’s time to dust off your biggest and comfiest pants, cook up some blue soup and warm up your pipes for a Céline Dion sing-a-long because a very special anniversary is just around the corner.

This month marks 25 years since Bridget Jones made her big screen debut, diary in hand, introducing the world to one of 21st century British cinema’s most iconic and beloved characters.

Bridget Jones’s Diary has gone on to become one of the most enduring and game-changing romantic comedies of its time, going on to gross hundreds of millions of dollars at the box office, spawn three sequels and even earn its leading lady Renée Zellweger her first Oscar nominations (she’s since gone on to win two, as it goes).

A quarter-century later, you might think you know Bridget inside and out (and love her “just as she is”), but we bet there’s still plenty about the enduring movie classic that you still don’t know.

To commemorate its 25th anniversary, here are 25 behind-the-scenes facts you probably never knew about how Bridget Jones’s Diary was made…

Alright, we’re starting with a pretty obvious one here, but for those who didn’t know, both the original novel Bridget Jones’s Diary and the movie were inspired by Jane Austen’s Pride And Prejudice

Bridget Jones creator Helen Fielding said back in 2001: “Jane Austen’s plots are very good and have been market researched over a number of centuries so I decided simply to steal one of them.”

“I thought she wouldn’t mind,” Helen quipped. “And anyway, she’s dead.”

Because of the book’s ties to Pride And Prejudice, the Bridget Jones team were always adamant that Mark Darcy should be played by Colin Firth, who previously appeared in the BBC’s much-loved adaptation of the Jane Austen book

“Colin always had to be Mark Darcy,” producer Eric Fellner put it around the film’s release. “As the story unfolds, and the audience comes to understand Mark Darcy, he transforms from a seemingly snobby and cold intellectual into a thoughtful and sensitive man.”

Colin Firth as Mr Darcy years before he'd play his character's namesake in Bridget Jones's Diary
Colin Firth as Mr Darcy years before he’d play his character’s namesake in Bridget Jones’s Diary

Moviestore/Shutterstock

There is another Pride & Prejudice reference hidden in Bridget Jones’s Diary that we’re only clocking now 25 years later

The publishing house where Bridget Jones works is called Pemberley Press, a subtle nod to Mr Darcy’s estate in the Austen classic.

When Bridget walks in on the woman that Daniel Cleaver has been cheating on her with, she’s covering herself with a Pemberley Press portfolio, sporting an image of a stately home not unlike Darcy’s.

There are more Pride & Prejudice references than you might realise in Bridget Jones's Diary
There are more Pride & Prejudice references than you might realise in Bridget Jones’s Diary

Working Title

When it came to casting the role of Bridget Jones, Renée Zellweger wasn’t actually the first choice

In fact, the role first went to Toni Collette, who turned it down because she was appearing in a Broadway play at the time filming was due to get underway.

She told Watch What Happens Live in 2023: “I have no regrets – life happens as it’s meant to.”

The casting process apparently took around two years before producers found their Bridget in Renée Zellweger.

Of course, the decision to cast an American actor as such an iconic Londoner wasn’t exactly met with unanimous praise, but Renée pulled it out of the bag and won over her detractors in the end.

Toni Collette was originally picked to play Bridget Jones before Renée Zellweger was cast
Toni Collette was originally picked to play Bridget Jones before Renée Zellweger was cast

via Associated Press

To help perfect her British twang to play Bridget Jones, Renée Zellweger worked with the famous dialect coach Barbara Berkery

Right before Renée worked with Barbar Berkery, the dialect coach had helped Gwyneth Paltrow on her way to winning an Oscar for Shakespeare In Love.

Before that, she’d also coached Gwynnie while she was playing a Londoner in the 90s classic Sliding Doors.

It’s fair to say that Hugh Grant wasn’t initially convinced by Renée Zellweger’s Bridget Jones accent…

“She came in, doing quite a good British accent, but it was Princess Margaret,” Hugh recalled in the 2020 documentary Becoming Bridget Jones. “That was a little startling.”

After the suggestion that she “loosen it up a bit”, Hugh claimed that Renée’s next attempt was more “Princess Margaret having a stroke – but a week later, it was bang on”.

Renée Zellweger and Hugh Grant in character as Bridget Jones and Daniel Cleaver
Renée Zellweger and Hugh Grant in character as Bridget Jones and Daniel Cleaver

Alex Bailey/Miramax/Universal/Kobal/Shutterstock

To help retain her accent, Renée Zellweger continued speaking in Bridget Jones’ voice even between takes

Sally Phillips once told Lorraine: “I’d made quite good friends with her during the filming [but] I realised towards the end, when she suddenly lost a stone in the last week, and started talking in a Texan accent at the wrap party, I’d made friends with Bridget, not Renée.”

It’s well-documented that Renée Zellweger intentionally gained weight to help her play Bridget Jones, which she did by increasing her food intake and not exercising

For the second Bridget Jones film, Renée opted for prosthetics rather than gaining the weight back, and by the third and fourth films, it was decided that the actor and her on-screen counterpart should be the same size.

As well as her accent and weight gain, Renée Zellweger also got into the Bridget Jones mindset by working a brief internship at a publishing house

Like her character, Renée Zellweger did some work at a publishing house to help her prepare for Bridget Jones's Diary
Like her character, Renée Zellweger did some work at a publishing house to help her prepare for Bridget Jones’s Diary

Paul Chedlow/Miramax/Universal/Kobal/Shutterstock

“A young work experience woman came into the office and introduced herself as Bridget and we were all a bit bemused by the fact that Bridget seemed to have really nice clothes (not smart, just a lot better than our outfits) and a transatlantic accent,” Mary Mount – who was working as an editorial assistant at Picador at the time – recalled last year. “I thought she looked vaguely familiar but in that way that you can’t really place.”

One of the future Oscar winner’s tasks was cutting out any press clippings about Picardo at the time.

Unfortunately, the big story surrounding Picador at the time was the fact that a Bridget Jones movie was in the works, meaning “her job was literally to cut out nasty articles about herself”.

She kept her cool,” said Camilla Elworthy, who oversaw Renée during her work experience. “But [she] did scribble ‘rubbish’ in the margins of one piece.”

As for the rest of the Bridget Jones’s Diary cast, Hugh Grant actually turned down the part of Daniel Cleaver on several occasions

Colin Firth, Renée Zellweger and Hugh Grant in promotional material for Bridget Jones's Diary
Colin Firth, Renée Zellweger and Hugh Grant in promotional material for Bridget Jones’s Diary

Miramax/Universal/Kobal/Shutterstock

“The only reason for that was because I didn’t feel they had the script quite right for a long time,” he admitted in the lead-up to its release. “And I kept saying, it’s not working. Just get Richard Curtis to come in and help rewrite it.”

Hugh had already worked with Richard Curtis on Four Weddings And A Funeral and Notting Hill, with the two later reuniting on Love Actually and the second Bridget Jones movie.

“As soon as Richard came on board, I signed on the dotted line,” the Bafta winner added. “So, that’s all it was.”

Bridget Jones’s Diary was filmmaker Sharon Maguire’s feature-length directing debut, although she did already have a connection to the source material

Sharon was close friends with Helen Fielding, and was heavily rumoured to be have been the inspiration for “Shazzer”, the character played on screen by Sally Phillips.

“I’m delighted to be in the book, especially as Shazzer is so much wittier than me,” Sharon once told The Telegraph. “The only thing is that you go to parties and you worry that people will expect you to be funnier than you really are.”

“Helen was just writing about our lives – hilariously,” she later told the LA Times in 2016, adding: “Thirtysomethings had come out of long relationships in their 20s and realised they hadn’t ended up married or with children. We were in our 30s, behaving like we were 17-year-olds and having a great time but still floundering around asking questions about relationships, careers, biological clocks.”

Sally Phillips has played "Shazzer" in all four Bridget Jones movies
Sally Phillips has played “Shazzer” in all four Bridget Jones movies

Miramax/Universal/Kobal/Shutterstock

Salman Rushdie’s Bridget Jones’s Diary cameo came about he, too, was a friend of Helen Fielding

“For me, it was very simple,” he told Texas Monthly in 2001. “Helen Fielding, the author of the book, is an old pal of mine, and she asked if I’d come along and make a fool of myself, and I said, ‘Why not?’.”

As for sharing the screen with the movie’s leading lady, the author added: “Renée was wonderful, I thought, and at the premiere we had a little joke. I told her that my performance is what held the film together – and she agreed. She thought it was a pivotal role.”

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The exterior of Bridget Jones’ flat was a pub just off Borough market

The Globe Tavern, to be exact, which was already notable as it’s rumoured to be the location where the Great Train Robbery of 1963 was planned.

All those wintery scenes at Bridget Jones’ parents’ home were actually shot at the height of summer

Because of this, several locations in Snowshill, Worcestershire had to be covered in fake snow to make the setting more believable.

Bridget Jones's Diary might put you in a wintery mood but it was actually shot at the height of summer
Bridget Jones’s Diary might put you in a wintery mood but it was actually shot at the height of summer

Miramax/Universal/Kobal/Shutterstock

As a result – Colin Firth didn’t exactly have the best time filming in his infamous Bridget Jones reindeer jumper…

Colin told Entertainment Weekly in 2020: “The set was lit at about 140 degrees Fahrenheit; it melted candles and desiccated the turkey curry. I almost tore the jumper to pieces pulling it off between takes – I probably lost about 15 pounds. I had little love for it by the end.”

…not that it actually is a reindeer, mind you

“We sent out the knitting challenge to approximately 20 or 30 knitters,” Sharon Morgan also told Entertainment Weekly for the same piece. “At first, none of the designs worked. They were lovely, but they just weren’t funny. So eventually we decided it had to be a moose, not a reindeer.”

“I never noticed it was a moose,” Colin added.

Not a reindeer jumper but a moose, apparently
Not a reindeer jumper but a moose, apparently

Moviestore/Shutterstock

Daniel Cleaver and Mark Darcy’s fight sequence is one of Bridget Jones’s Diary’s stand-out scenes – but it could have looked very different

“There had been an earlier idea to make the fight look sexy,” Colin told the LA Times. “We were going to be buff and our shirts were going to be ripped off.

“I looked at myself and said, ‘You’re certainly never going to get that type with me’.”

Colin Firth and Hugh Grant decided between them to keep their Bridget Jones fight a little more… well… British

Colin Firth and Hugh Grant's characters have it out in Bridget Jones's Diary
Colin Firth and Hugh Grant’s characters have it out in Bridget Jones’s Diary

Alex Bailey/Miramax/Universal/Kobal/Shutterstock

“We both realised that the last time we fought was when we were 10. A playground fight,” Colin quipped. “So, we made a decision largely based on logic and common sense to make it more playful.”

He pointed out the characters are “two very ineffectual, frightened, angry yuppies going at each other – pulling hair and wanting to run away at the same time”, which needed to come across on screen.

During a video interview with Vanity Fair, Hugh later claimed: “The big fight was to stop stuntmen getting involved. They always want to come in and choreograph the whole thing and say, ‘mate, it’d be great if you swing a right hook and his head’ll go back’.

“I just thought, ‘yeah, in action films, cowboy films, whatever, that’s great, but these are two middle-class Englishmen, and they don’t fight like that’. I’ve seen them fight, and it’s shit.

“So, we managed to ban the stuntman. I think the last thing he contributed was probably the dustbin lid, and after that, it’s just me and Colin messing about.”

Stuntmen were used for one crucial part of the fight, though

That’d be the bit where Mark and Daniel fly through the front window of a Greek restaurant, which they thought they’d better leave to the pros.

By contrast, Bridget Jones’ infamous fireman’s pole scene was meticulously planned to ensure Renée Zellweger’s safety

Renée Zellweger as Bridget Jones throwing herself into her new job at Sit Up Britain
Renée Zellweger as Bridget Jones throwing herself into her new job at Sit Up Britain

Moviestore/Shutterstock

“Renée did it on wires – it was her backside that came down,” stunt performer Dani Biernet told Time Out in 2017. “But I did all the lining up and the wide shots without a wire.”

Another of Bridget Jones’ more surprising physical moments required a stunt double, too

Dani also had to step in to play Bridget during the moment when she drunkenly tumbles out of a black cab.

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